Games and activities that teach kids ages 10+ to code with Python Learning to code isn't as hard as it sounds—you just have to get started! Coding for Kids: Python starts kids off right with 50 fun, interactive activities that teach them the basics of the Python programming language. From learning the essential building blocks of programming to creating their very own games, kids will progress through unique lessons packed with helpful examples—and a little silliness! Kids will follow along by starting to code (and debug their code) step by step, seeing the results of their coding in real time. Activities at the end of each chapter help test their new knowledge by combining multiple concepts. For young programmers who really want to show off their creativity, there are extra tricky challenges to tackle after each chapter. All kids need to get started is a computer and this book. This beginner's guide to Python for kids includes: 50 Innovative exercises—Coding concepts come to life with game-based exercises for creating code blocks, drawing pictures using a prewritten module, and more. Easy-to-follow guidance—New coders will be supported by thorough instructions, sample code, and explanations of new programming terms. Engaging visual lessons—Colorful illustrations and screenshots for reference help capture kids' interest and keep lessons clear and simple. Encourage kids to think independently and have fun learning an amazing new skill with this coding book for kids.

Forced to move to an old farmhouse in the country after their father's accident, Jake and Jessica Caden are certain that adventure is the last thing they will find until they stumble upon an entrance into Evurmor: a land of magical Doors, paintings, and enchanted creatures. In the midst of their journey, they soon discover an evil Painter wants them dead, because only those not born in Evurmor can see the hideous Darsai that have been summoned to spread chaos throughout the enchanted kingdoms. Protected by a secret band of Knights and guided by a powerful unicorn, Jake and Jessica learn about faith and courage as they strive to save the kingdoms of Evurmor from creatures no one believes exists. But can the kingdoms unite after so many years of distrust? Do they have the strength to defeat the Darsai? "The Secret in the Attic is an enchanting tale of adventure and wonder." -- Leigh DeLozier C. L. Reynolds grew up in Maryland, just outside of Washington, DC, and has been writing poetry, songs, stories, and creating works of art since she was a child. At 19 she traveled with a gospel band for five years, singing at churches and auditoriums; and two of her original songs were published on an album of The Journeymen. Her beloved hobby of writing stories and creating worlds soon blossomed into ten books, and it was time to start publishing! In her debut novel: The Secret in the Attic, she brings to life her love of fantasy in the land of Evurmor, where creatures of ancient lore live and play, and evil lurks in secret. C. L. Reynolds resides in Georgia, with her husband and two daughters.

This volume brings back into print a remarkable record of black life in the 1920s, chronicled by Edward C.L. Adams, a white physician from the area around the Congaree River in central South Carolina. It reproduces Adams's major works, Congaree Sketches (1927) and Nigger to Nigger (1928), two collections of tales, poems, and dialogues from blacks who worked his land, presented in the black vernacular language. They are supplemented here by a play, Potee's Gal, and some brief sketches of poor whites. What sets Adams's tales apart from other such collections is the willingness of his black informants to share with him not only their stories of rabbits and "hants" but also their feelings on such taboo subjects as lynchings, Jim Crow courts, and chain gangs. Adams retells these tales as if the blacks in them were talking only among themselves. Whites do not appear in these works, except as rare background figures and topics of conversation by Tad, Scip, and other black storytellers. As Tad says, "We talkin' to we." That Adams was permitted to hear such tales at all is part of the mystery that Robert O'Meally explains in his introduction. The key to the mystery is Adams's ability -- in his life, as in his works -- to wear both black and white masks. He remained a well-placed member of white society at the same time that he was something of a maverick within it. His black informants therefore saw him not only as someone more likeable and trustworthy than most whites but also as someone who was in a position to help them in some way if he understood more about their lives. As a writer, O'Meally suggests, Adams was not simply an objective recorder of folklore. By donning a black mask, Adams was able to project attitudes and values that most whites of his place and time would have disavowed. As a result, his tales have a complexity and richness that make them an authentic witness to the black experience as well as a lasting contribution to American letters.

Vols. for 1911-13 contain the Proceedings of the Helminothological Society of Washington, ISSN 0018-0120, 1st-15th meeting.

Delve into a Fantasy Land Dominated by Dark Forces Embark on an exhilarating journey penned by the master of epic fantasy, Glen Cook, author of the acclaimed Bleak Seasons. Experience the world through the eyes of Murgen, a seasoned warrior and standard bearer of the Black Company, a band of mercenaries trapped in a relentless struggle against the primal forces of darkness known as the Shadowlanders. Epic battles, ancient inscrutable gods, and intricate plots dominate this landscape of dark fantasy. You're thrust into the tumultuous period following the perilous siege of Stormgard, where the embattled and outnumbered Black Company has won a fleeting victory against the malevolent entities. The company's survival hangs in the balance, caught between sorcery, treachery, and the machinations of their mad commander, interconnected forces that threaten to shatter the world as they know it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Before the novel and the film Deliverance appeared in the early 1970s, any outsiders one met along the Chattooga River were likely serious canoeists or anglers. In later years, untold numbers and kinds of people have felt the draw of the river’s torrents, which pour down the Appalachians along the Georgia-South Carolina border. Because of Deliverance the Chattooga looms enigmatically in our shared imagination, as iconic as Twain’s Mississippi—or maybe Conrad’s Congo. This is John Lane’s search for the real Chattooga—for the truths that reside somewhere in the river’s rapids, along its shores, or in its travelers’ hearts. Lane balances the dark, indifferent mythical river of Deliverance against the Chattooga known to locals and to the outdoors enthusiasts who first mastered its treacherous vortices and hydraulics. Starting at its headwaters, Lane leads us down the river and through its complex history to its current status as a National Wild and Scenic River. Along the way he stops for talks with conservation activists, seventh-generation residents, locals who played parts in the movie, day visitors, and others. Lane weaves into each encounter an abundance of details drawn from his perceptive readings and viewings of Deliverance and his wide-ranging knowledge of the Chattooga watershed. At the end of his run, Lane leaves us still fully possessed by the Chattooga’s mystery, yet better informed about its place in his world and ours.

"Let me tell you who I am, on the chance that these scribblings do survive. . . "I am Murgen, Standardbearer of the Black Company, though I bear the shame of having lost that standard in battle. I am keeping these Annals because Croaker is dead, One-Eye won't, and hardly anyone else can read or write. I will be your guide for however long it takes the Shadowlanders to force our present predicament to its inevitable end. . ." The Return of the Black Company comprises the novels Bleak Seasons and She is the Darkness—the third omnibus volume of Glen Cook's fantasy epic Chronicles of the Black Company. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.