Going to the Dogs is set in Berlin after the crash of 1929 and before the Nazi takeover, years of rising unemployment and financial collapse. The moralist in question is Jakob Fabian, “aged thirty-two, profession variable, at present advertising copywriter . . . weak heart, brown hair,” a young man with an excellent education but permanently condemned to a low-paid job without security in the short or the long run. What’s to be done? Fabian and friends make the best of it—they go to work though they may be laid off at any time, and in the evenings they go to the cabarets and try to make it with girls on the make, all the while making a lot of sharp-sighted and sharp-witted observations about politics, life, and love, or what may be. Not that it makes a difference. Workers keep losing work to new technologies while businessmen keep busy making money, and everyone who can goes out to dance clubs and sex clubs or engages in marathon bicycle events, since so long as there’s hope of running into the right person or (even) doing the right thing, well—why stop? Going to the Dogs, in the words of introducer Rodney Livingstone, “brilliantly renders with tangible immediacy the last frenetic years [in Germany] before 1933.” It is a book for our time too.

Now in paperback--the internationally acclaimed psychological thriller from Governor General's Award nominee Allan Stratton. Cameron and his mom have been on the run for five years. His father is hunting them--or at least that's what Cameron's been told. When they settle into an isolated farmhouse, Cameron soon finds himself embroiled in the unsolved mystery of a woman and child who disappeared decades ago, and he starts to hear and see things that just aren't possible. What's hiding in the night? What's buried in the past? Are there dark secrets to uncover, or is Cameron's own mind playing tricks on him? In The Dogs, acclaimed author Allan Stratton manages to deliver at once a page-turning thriller and a powerful exploration of the realities of domestic violence and its after-effects.

A very mixed-breed dog named Max teaches mongrels and pure-breds at the dog run that they can all have fun together.

GOING TO THE DOGS AND OTHER DESTINATIONS contains unsung songs of alien lands and life forms here on Earth. Like the irritant that causes the oyster to form a pearl, life's inconsistencies and ironies created these songs.

"A "brilliantly done" (Sunday Times, London) comedy of manners that explores the unease behind the manicured lawns of suburban America from the Orange Prize-winning author of A Crime in the Neighborhood. Littlefield, Massachusetts, named one of the Ten Best Places to Live in America, full of psychologists and college professors, is proud of its fine schools, its girls' soccer teams, its leafy streets, and charming village center. Yet no sooner has sociologist Dr. Clarice Watkins arrived to study the elements of "good quality of life" than someone begins poisoning the town's dogs. Are the poisonings in protest to an off-leash proposal for Baldwin Park--the subject of much town debate--or the sign of a far deeper disorder? Certainly these types of things don't happen in Littlefield. With an element of suspense, satirical social commentary, and in-depth character portraits, Suzanne Berne's nuanced novel reveals the discontent concealed behind the manicured lawns and picket fences of darkest suburbia. The Dogs of Littlefield is "a compelling, poignant yet unsentimental novel that examines life, love, and loss" (Sunday Mirror, UK)"--

You’ll never look at your dog the same way again. Cry havoc and let slip the dogs of war! Seven dogs are adopted by families all across the country who do not know their history… “Of one thing I am sure,” Glenn declares. “These dogs are perfectly harmless.” Frank knew it wasn’t true. He would never forget walking into that trailer. He saw it in his mind every time he closed his eyes. He woke up in the middle of the night drenched in sweat, seeing those eyes and those teeth, screaming soundlessly, gasping for breath. “He never saw those dogs. How could anyone make such a stupid a decision, knowing what they did?”

This volume is dedicated to the topic of the human evaluation and interpretation of animals in ancient and medieval cultures. From a transcultural perspective contributions from Assyriology, Byzantine Studies, Classical Archaeology, Egyptology, German Medieval Studies and Jewish History look into the processes and mechanisms behind the transfer by people of certain values to animals, and the functions these animal-signs have within written, pictorial and performative forms of expression.