“Clever and effective for the pre- and primary school nature shelves.”—Kirkus In the vein of Jack Prelutsky and Dennis Lee comes a celebration of the sky with thirty zippy poems that will lift kids’ spirits and let their imaginations soar. What do you see when you look up at the sky? In this “lyrical” picture book (Booklist) for ages 3-8, the award-winning and critically-acclaimed children’s poet, Robert Heidbreder, shares thirty memorable poems that capture the magic and beauty of all the wonderful things kids can see when they gaze at the sky. Gorgeous illustrations by artist and naturalist Emily Dove depict a diverse cast of children playing and cheering under a sky filled with birds and balloons, snow and shooting stars, sunflowers and falling leaves, and helicopters and kites. “A multicultural cast of children are shown reveling in the outdoors. Readers are encouraged to observe and appreciate the natural world around them.” —Booklist

A collection of "poems about poems, and things all children know."

CATCH A GLOW, is both reverent and a reckoning. Iglesias moves through raw narratives with the strength, grace and focus of a dancer: combining moves, challenging rhythms, guiding each poem beyond routine and into the open bliss of abandon, the way truth-telling tends to feel. -Dasha Kelly, Wisconsin Poet Laureate Karl Michael Iglesias invents a new grammar in CATCH A GLOW. Finding the official language used to describe Hurricane Maria lacking, Iglesias has electrified the language in his book by stacking verbs, breaking lines in the middle of sentences, and using caesuras to alter logic. Iglesias has given us a book of poems up to the challenge of holding our grief and rage. -José Olivarez, CITIZEN ILLEGAL CATCH A GLOW is a beautiful collage of fragments that create a new Boricua diaspora, in a post-Hurricane Maria world. With his use of staccato phrases and rhythmic language, Iglesias reenacts on the page, both the splintering and mending of a people and nation. This is an important and much-needed collection. -Mayda Del Valle, A SOUTH SIDE GIRL'S GUIDE TO LOVE & SEX As if a storm blew through, the poems in CATCH A GLOW are left wind-sharpened and rain-beaten, fragments sometimes whittled into blades, other times the edges are smooth as music drifting from yard to window. These poems sing their jagged love songs for the people and land of Puerto Rico brilliantly, illuminating for me bright lessons on intimacy, justice, and survival. Karl Michael Iglesias takes up this book's broken, mosaic style and does his people right. Like money or parcel packed heavy with supplies to get the living done, these poems soar their way to the island and our hearts with their urgent, skillful care. -Danez Smith, HOMIE If hurricane poetry was a genre, Karl Michael Iglesias would be at the vanguard of its practice. CATCH A GLOW is a book that comes at you from the outset. The fragmented diaspora is alive in Iglesias's concision. His witness is biting in its undecorated minimalism. We are literally left to deal with the white spaces between the wreckage depicted in these poems. CATCH A GLOW is made of items, memories, and people who survived the longest blackout in history to take jibaro baths and who were left to count the names after the destruction. You can find that which is spoken, whispered, and buried in Iglesias' book. No need to answer when they ask "Were you affected by Hurricane Maria?" Just give them this book." -Willie Perdomo, THE CRAZY BUNCH

A national bestselling self-help guide to the creative process from the founder of MOSAIC, an LA-based spiritual community “well-known for its creativity” (Publishers Weekly). In The Artisan Soul, Erwin Raphael McManus, author, thought leader, and founder of MOSAIC in Los Angeles, pens a manifesto for human creativity and the beginning of a new renaissance. McManus not only calls us to reclaim our creative essence but reveals how we can craft our lives into a work of art. There are no shortcuts to quality, and McManus celebrates the spiritual process that can help us discover our true selves. McManus demonstrates that we all carry within us the essence of an artist. We all need to create, to be a part of a process that brings to the world something beautiful, good, and true, in order to allow our souls to come to life. It's not only the quality of the ingredients we use to build our lives that matter, but the care we bring to the process itself. Just like baking artisan bread, it's a process that's crafted over time. And God has something to say about how we craft our lives. With poignant, inspirational stories and insights from art, life, history, and scripture interspersed throughout, McManus walks readers through the process of crafting a life of beauty and wonder.

A finalist for the 2009 Pulitzer Prize. “Ruth Stone is . . . a pre-eminent American poet.” —Harvard Review

'O let them be left, wildness and wet' As Kingfishers Catch Fire is a selection of Gerard Manley Hopkins' incomparably brilliant poetry, ranging from the ecstasy of 'The Windhover' and 'Pied Beauty' to the heart-wrenching despair of the 'sonnets of desolation'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Gerard Manley Hopkins (1844-1889). Hopkins' Poems and Prose is available in Penguin Classics.

This astonishing, self-assured debut leads us on an exploration to the stars and back, begging us to reconsider our boundaries of self, time, space, and knowledge. The speaker writes, “...the universe/is an arrow/without end/and it asks only one question;/How dare you?” Zig-zagging through the realms of nature, science, and religion, one finds St. Francis sighing in the corner of a studio apartment, tides that are caused by millions of oysters “gasping in unison,” an ark filled with women in its stables, and prayers that reach God fastest by balloon. There’s pathos: “When my new lover tells me I’m correct to love him, I/realize the sound isn’t metal at all. It’s not the coins rattling/ on concrete, but the fingers scraping to pick them up.” And humor, too: “...even the sun’s been sighing Not you again/when it sees me.” After reading this far-reaching, inventive collection, we too are startled, space struck, our pockets gloriously “filled with space dust.”

‘Too special for just once-a-week reading, Eloise Greenfield's 20 exuberant poems are matched by the bright colors of Mr. Amos Ferguson's life-filled paintings. His native Caribbean glows as vividly in the words as in the full-page primitive pictures. . . . A perfect collaboration between two master imagemakers." 'SLJ. 1988 Coretta Scott King Award Honor Book for Illustration Notable Children's Books of 1988 (ALA) Children's Books of 1989 (Library of Congress)

Catching Life by the Throat unites the sound, sense, and sensibility that lie at the heart of great poetry. It features eight great poets, with brief, accessible essays concerning their life and work and a selection of their poems, and it is accompanied by an 80-minute CD recorded live at the British Library: Ralph Fiennes reading Auden, Edward Fox reading Eliot, Roger Moore reading Kipling, Harold Pinter reading Larkin, and more. Whether you believe (like Robert Frost, who inspired the title) that poetry is a way of "taking life by the throat" or (like T. S. Eliot) that it "is one person talking to another," nobody does it better than the poets featured in this book. For a novice discovering the rich heritage of English-language verse or a seasoned poetry reader, Catching Life by the Throat is an extraordinary introduction to eight iconic poets.

Featured on NPR's The Writer's Almanac “Ellen Bass’s new poetry collection, Like a Beggar, pulses with sex, humor and compassion.”—The New York Times “Bass tries to convey everyday wonder on contemporary experiences of sex, work, aging, and war. Those who turn to poetry to become confidants for another's stories and secrets will not be disappointed.”—Publishers Weekly “In her fifth book of poetry, Bass addresses everything from Saturn’s rings and Newton’s law of gravitation to wasps and Pablo Neruda. Her words are nostalgic, vivid, and visceral. Bass arrives at the truth of human carnality rooted in the extraordinary need and promise of the individual. Bass shows us that we are as radiant as we are ephemeral, that in transience glistens resilient history and the remarkable fluidity of connection. By the collection’s end—following her musings on suicide and generosity, desire and repetition—it becomes lucidly clear that Bass is not only a poet but also a philosopher and a storyteller.”—Booklist Ellen Bass brings a deft touch as she continues her ongoing interrogations of crucial moral issues of our times, while simultaneously delighting in endearing human absurdities. From the start of Like a Beggar, Bass asks her readers to relax, even though "bad things are going to happen," because the "bad" gets mined for all manner of goodness. From "Another Story": After dinner, we're drinking scotch at the kitchen table. Janet and I just watched a NOVA special and we're explaining to her mother the age and size of the universe— the hundred billion stars in the hundred billion galaxies. Dotty lives at Dominican Oaks, making her way down the long hall. How about the sun? she asks, a little farmshit in the endlessness. I gather up a cantaloupe, a lime, a cherry, and start revolving this salad around the chicken carcass. This is the best scotch I ever tasted, Dotty says, even though we gave her the Maker's Mark while we're drinking Glendronach... Ellen Bass's poetry includes Like A Beggar (Copper Canyon Press, 2014), The Human Line (Copper Canyon Press, 2007), which was named a Notable Book by the San Francisco Chronicle, and Mules of Love (BOA, 2002), which won the Lambda Literary Award. She co-edited (with Florence Howe) the groundbreaking No More Masks! An Anthology of Poems by Women (Doubleday, 1973). Her work has frequently been published in The New Yorker, American Poetry Review, The New Republic, The Sun and many other journals. She is co-author of several non-fiction books, including The Courage to Heal: A Guide for Women Survivors of Child Sexual Abuse (HarperCollins, 1988, 2008) which has sold over a million copies and been translated into twelve languages. She is part of the core faculty of the MFA writing program at Pacific University.