"IMMEDIATELY ENGROSSING . . . [A] SPLENDID MEMOIR." --The Wall Street Journal "Run, don't walk to the nearest bookstore and treat yourself to the most heartwarming, nostalgia-producing book you will have read in many a year." --Ann Landers "Entertaining . . . The story of a modest man who succeeded extravagantly by remaining mostly himself. . . . His memoir is a short course on the flow of events in the second half of this century--events the world knows more about because of Walter Cronkite's work." --The New York Times Book Review A MAIN SELECTION OF THE BOOK-OF THE MONTH CLUB

USA TODAY BESTSELLER! Bestselling and award-winning author and investigative reporter Hank Phillippi Ryan delivers another twisty, thrilling, cat and mouse novel of suspense that will have you guessing, and second-guessing, and then gasping with surprise. We all have our reasons for being who we are—but what if being someone else could get you what you want? After a devastating betrayal, a young woman sets off on an obsessive path to justice, no matter what dark family secrets are revealed. What she doesn’t know is that she isn’t the only one plotting her revenge. An affluent daughter of privilege. A glamorous manipulative wannabe. A determined reporter, in too deep. A grieving widow who must choose her new reality. Who will be the first to lie? And when the stakes are life and death, do a few lies really matter? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This cultural history of the Japanese home front during the Asia-Pacific War challenges ideas of the period as one of unrelenting repression. Uchiyama demonstrates that 'carnival war' coexisted with the demands of total war to promote consumerist desire alongside sacrifice and fantasy alongside nightmare, helping mobilize the war effort.

A blistering novel about a writer’s creative response to the daily onslaught of fake news, memory, and the ways in which truth gives over to fiction “An absorbing portrait of an inspired artist in the midst of our maddening cultural moment” —Ayad Akhtar, author of Homeland Elegies When Satya, a professor and author, attends a prestigious artists' retreat to write, he finds the pressures of the outside world won’t let up: the president rages online; a dangerous virus envelops the globe; and the twenty-four-hour news cycle throws fuel on every fire. For most of the retreat fellows, such stories are unbearable distractions, but for Satya, who sees them play out in both America and his native India, these Orwellian interruptions begin to crystallize into an idea for his new novel, Enemies of the People, about the lies we tell ourselves and one another. Satya scours his life for instances in which truth bends toward the imagined and misinformation is mistaken as fact. Mixing Satya’s experiences—as a father, husband, and American immigrant—with newspaper clippings, the president’s tweets, and observations on famous works of art, A Time Outside This Time captures a feverish political moment with intelligence, beauty, and an eye for the uncanny. It is a brilliant interrogation on life in a post-truth era and an attempt to imagine a time outside this one.

“‘Forget everything you’ve ever heard about technique. Kiss me the way you think a bad girl would and we’ll both have a much better time.’” Sportswriter Judd Mackie has earned fame with his scathing columns. Women’s tennis pro Stevie Corbett is a favorite target of his sarcastic prose. In his view, she’s too focused on being a cute, crowd-pleaser to be taken seriously as an athlete on the court. What Stevie’s nemesis doesn’t know is that she’s suffering a medical condition that’s all too serious and potentially ruinous to her career. When Judd uncovers the sensational story, he recognizes it as one that comes along only once in a lifetime...but telling it would cost him the woman he now doesn’t want to live without.

When one falls Crime reporter Mari Alvarez was never able to solve her mother’s murder ten years ago. But when a woman is gunned down on the doorstep of her West Tampa neighborhood, Mari can’t shake the eerie sense of connection. The others will break Now there have been two murders in two days. Each crime scene awash with arcane clues—and without a trace of DNA from the killer. And for each victim, a doll. The first is missing an eye. The second is missing a heart. But are these clues leading to the killer...or messages for Mari? Unless she plays the game... Caught up in a maelstrom of Old-World superstition, secrets, and ties to her own past, Mari has only one option. Put the puzzle together before someone else dies—even if it destroys her career. But there’s no escaping the hungry spider’s web when it’s been made just for you...

“Starring human flies, daredevil aviators, bridge jumpers, and lion tamers, The Thrill Makers is a great read, as evocative as it is theoretically savvy, and convincingly argued. Culling telling details from a host of long-overlooked sources, Jacob Smith’s account of sensational, high-risk public performance from the Victorian age to the 1930s unearths and illuminates the interwoven histories of public spectacle, masculinity, the motion picture industry, new forms of celebrity, and the expanding American metropolis.”—Greg Waller, Department of Communication and Culture, Indiana University. “The Thrill Makers is an historical tour-de-force that illuminates the origins of risk-taking performance in American entertainment, and shows how its practitioners were gradually marginalized as invisible stunt doubles during the rise of the motion picture industry. Smith’s analysis of the lion tamer, the human fly, and the airplane wing-walker—as well as the many others who thrilled audiences before and during the advent of cinema—inspires us to reconsider the nature of media spectacle, masculinity, performance, celebrity, and labor at the turn of the last century. Impeccably researched, this book is a captivating read that re-frames the emergence of cinema in the context of its relationship to other forms of modern entertainment.”—Barbara Klinger, author of Beyond the Multiplex: Cinema, New Technologies, and the Home.