It was clear to Lance that his father hated him. Why else would he leave everything to Hank, except for that coin? You know, the one with some dude’s head on it, the ancient Euro or whatever it was. Except it wasn’t a Euro according to the pawnbroker. Turns out, it’s an old Imperial Coin from the days of the Great Emperor, and it might be worth a whole lot of dough on the other side of the galaxy, if Lance could somehow manage to take it there. But, how does a guy, who owes the hospital a lifetime’s worth of earnings, manage to travel across the stars? Turns out, he can do it for free. Not only that, but he can get three squares a day, an apartment complete with roommates, and two sets of clothes, albeit in spandex. It’s like prison, but with benefits. It’s SpaceForce. In the meantime, on the other side of the galaxy, Ailana is stuck next to her hated cousin, Embo in their grandmother’s sewing shop, forever listening to the old woman wax on about her glory days as a Royal Seamstress. No matter how she tries, Ailana can’t break free of Grandmother and her needling, even after the old woman is dead. However, it will be through her needle and thread, that Ailana gains admittance into the privileged world of the nobility, where fate will introduce her to a man that bears a striking resemblance to the face on Lance’s coin.

Spring is the season when love blooms! Rozemyne's retainers are bursting with energy as they make clothes, attend their debuts, and shine in the new season. The improved printing press is finally completed in the temple workshop, and the variety of available books is steadily beginning to expand. Picture books, collections of sheet music, knight stories—all are now being sold. Their first aim is to further develop the paper-making industry in preparation for the spread of printing across the entire duchy. To this end, Rozemyne's party travels to Illgner, hoping to teach them how to make paper while also researching new materials to use. As the environment around Rozemyne slowly improves, the archduke's older sister arrives for a visit, shrouding Ehrenfest in an air of unease. Everything changes in this volume of this biblio-fantasy as nobles emotionally clash and the conclusion of Part 3 approaches! Including two newly written short stories and a four-panel manga drawn by You Shiina!

long awaited sequel to Warp and Weft journey now on the Silken Web where the Wheel of the year has turned twice since Sybille disappeared mysteriously and the women charged with fi nding her have grown beyond recognition, as has the group who gathered from all realms to help Sam fl ew through the Aethers, unfettered, free of all human burden and pain. A cool, fragrant wind, ruffl ed long fl ight quills, all memory gone, of who or what she was, had been or ever would be, in that moment. Carried under a cloak of musky-sweet feathers; safe, a gentle recall emerged of warm arms and soft down. Then, something was pulling at her, tugging at her mind insistently; Sam, she heard. Sam, come back, its not your time to leave. An acrid odour seared her nostrils; offensive, as burnt feathers or hair and she fought to maintain her blissful fl ight away from the realms of pain and dark matters. A voice grew stronger, this one deeper, a masculine melodic tone; Morgan sang to her, calling her back Life is a struggle when we see through the veil hands become fragile; skin fair and pale. Come home from the dreaming come back to this place, nows no time to travel, come home from this space. You are a dreamer, one who sees true memories awaken feathers blue-black hue. Free fl ying falling then higher you soar, come home from your dreaming there is more so much more. Come with them on the next stage of the search as Sam learns disturbing and heartbreaking things about her passage through the Between.

The fourth volume of 'The Griffith Project' looks at the films produced by D.W.Griffith at the Biograph Company in 1910. There were 86 films in all and they represent a period of creativity for the director, and they have been systematically analyzed in this volume.

The long winter comes to an end and vibrant spring returns to Ehrenfest. The temple swirls busily as attempts to control Myne's future escalate and the High Bishop, fueled by hate, shrouds the city in the darkness of his nefarious plots. But Myne just wants everything to stay the same. Her little brother has been born, she's making new books thanks to her progress making ink, and she wants nothing more than to just keep spending more heart-warming time with her family and friends. The world, however, forces her to make a cruel and unbearable decision. To protect those she loves, she must begin walking a new road. Part two of this biblio-fantasy concludes in this heart-wrenching volume! There's a collection of short stories following the shocking climax, as well as two completely original short stories and a four-panel manga drawn by You Shiina.

Axzis, son of Thela the Swordsmistress and Vasmox the head of the institute of the Paranormal in New Sydney, knows about his Ezskiasian heritage, though he has never been Over There. His rich and varied life as a student and lute player is, however, interrupted when he catches sight of a strange, masked figure on the side walk opposite where he lives. From then on his life takes dramatic turns where he comes face to face with his roots. Lucy, a middle-aged Zealandian academic receives a large sum of money from an unknown source, which prompts her to finally follow her dreams and explore sides of her nature which have remained on hold for most of her life. So, she goes north to the mystical and myth-laden area of the beautiful Hokianga Harbour and the home of the patupaiarehe, fairies of Māori mythology. Her historic new home is beautiful. The forest mysterious and compelling. Then, in a strange configuration of trees resembling a tunnel, she comes face to face with something not wholly unexpected...

Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.

Let's face it, Mike is a loser. Despite being born with the proverbial silver spoon, he's a failure at just about everything. After being hit in the head with a baseball, Mike wakes up unable to see, prompting his grandfather, Steve to take him across the stars in search of cure. However, Mike and Steve end up finding something more than just Mike's lost sight, something that will turn Mike into a king.

Ary has just been commissioned as an ensign in the Allied SpaceForce and assigned to the S/S Discovery. Like his mother’s command, the S/S Asteroid, budget cuts have left the ship on the verge of falling apart, but that’s the least of Ary’s problems. The truth is, he really doesn’t want to be there, on the ship, in outerspace, in SpaceForce. In the meantime, Sandy’s life is in even worse shape. The S/S Asteroid is being decommissioned, while Sandy is forced into an involuntary layoff. Responding to an advertisement to fly for Yber, the former starship captain sets her sights on being an entrepreneur. If only she didn’t have that little drinking problem, that dependency on her flask, not to mention that odd disease she picked up somewhere near the Intergalactic Divide; that deadly and virulent strain of the Intergalactic Avian Flu.

For some years the view has become established that the Book of the Twelve is a systematically structured literary unity. An exegesis which takes the final canonical text seriously undertakes to understand the structure and theological intention of this unity. The papers collected here attempt to reveal significant structures which overarch the individual components. Particular emphasis is placed on the reconstruction of thematic threads which are created when individual prophets take up topics from their predecessors (e.g. Jehovah's Day, conversion, role of the peoples) and intensify them. The papers were written between 1999 and 2002 under the aegis of the Society of Biblical Literature's Working Group on The Formation of the Book of the Twelve.