Bosanka, an alien witch from another world, wants Valentine, a New York City teenager, to use her magical powers to help Bosanka return home.

Fans of the Invisible String will love this story about a grandmother and granddaughter who must find different ways to stay connected even when they are far apart. A little girl is moving far away from Grandma. Neither wants to say goodbye. But when Grandma brings the girl into her sewing room, she shows her that they have the longest, strongest thread in the whole world to keep them connected. Full of hope and heart, this book reminds kids that family connections transcend physical separation, no matter how far apart we are.

This globe-spanning history of sewing and embroidery, culture and protest, is “an astonishing feat . . . richly textured and moving” (The Sunday Times, UK). In 1970s Argentina, mothers marched in headscarves embroidered with the names of their “disappeared” children. In Tudor, England, when Mary, Queen of Scots, was under house arrest, her needlework carried her messages to the outside world. From the political propaganda of the Bayeux Tapestry, World War I soldiers coping with PTSD, and the maps sewn by schoolgirls in the New World, to the AIDS quilt, Hmong story clothes, and pink pussyhats, women and men have used the language of sewing to make their voices heard, even in the most desperate of circumstances. Threads of Life is a chronicle of identity, memory, power, and politics told through the stories of needlework. Clare Hunter, master of the craft, threads her own narrative as she takes us over centuries and across continents—from medieval France to contemporary Mexico and the United States, and from a POW camp in Singapore to a family attic in Scotland—to celebrate the universal beauty and power of sewing.

CROSS-STITCH GOES WITCHY WITH DARK AND ELEGANT DESIGNS From spooky skulls to ghoulish graveyards, Lindsay Swearingen of Tusk and Cardinal gives cross-stitch a dark yet whimsical update. Curious creatures like phantom felines, legendary fixtures from folklore like Baba Yaga and all manner of haunted houses make the perfect subjects for these needlework masterpieces. Fun and easy to learn, cross-stitch is an art form that truly anybody can master. Lindsay gives you a crash course in the basics to ensure you have all the materials and techniques you need to start off on the right foot. Then, dive into her incredible patterns and stitch yourself some oddities that range from quirky to downright eerie. Anyone with an appreciation for the macabre will swoon for patterns like Lovers’ Graves, which features twin headstones and a heart-shaped weeping willow. Meanwhile, the ghosts, ghouls and ghastly bats of Trick or Treat and Haunted Wings are perfect pieces to hang on your wall to keep the spirit of Halloween in your home year-round. With moody tones, muted hues and spooky subjects, this collection of bewitching patterns makes it easy to add a little subversive charm to your cross-stitch repertoire.

Born in the late 1940's and early 50's and raised in a segregated town in southern Mississippi, a group of Black girls and boys came of age together, and graduated from high school in Hattiesburg as "The Class of 1968." Now in their late 60's and early 70's, they have chosen to reflect on their families, community, and school experiences. Together, they experienced one of the most tumultuous eras in U.S. history, and they reflect on those experiences in these personal essays. They think back on the Vietnam War, the draft, the assassination of their neighbors and national leaders, and the Civil Rights Movement. The fact that they came of age during these tumultuous events makes their experiences all the more vivid and profound, since the tender adolescent years typically mark us more profoundly than other phases in life. Perhaps most significantly, the era suddenly brought racial desegregation to Hattiesburg, in early 1967. Under "Freedom of [School] Choice," some Black Hattiesburg students saw their lifelong friends choose to attend the white high school for their senior year. Their stories bring forth a rush of memories, some that will make you laugh, others that will make you cry, and many that will make you wonder how things may have turned out differently had racism not poisoned their day-to-day lives. Although the contributors dealt with these formative experiences differently, all were touched in some way by the same forces in the dying days of legalized segregation. The essays here also reflect on our present moment: although racial segregation has lessened, it still persists in Hattiesburg and throughout America, leading to an era we might call racial resegregation. Yet the 1950's and 60's have ended. "We don't want these memories to die with us," says lead editor Mrs. Doris Gaines. "We want the next generations to know our thoughts and feelings and to understand how the past helped make us what we are today, and what made us tick." The Class of 1968: A Thread Through Time explains how these citizens negotiated their youth in Hattiesburg and, in doing so, offers us wisdom about how to move through life with grace and integrity.

A cloth bag containing eight copies of the title, that may also include a folder.

Providing an overview of the Solaris and POSIX multithreading architectures, this book explains threads at a level that is completely accessible to programmers and system architects with no previous knowledge of threads. It covers the business and technical benefits of threaded programs, along with discussions of third party software that is threaded, pointing out the benefits. It also describes the design of the Solaris MT API, with references to distinctions in POSIX, contains a set of example programs which illustrate the usage of the Solaris and POSIX APIs, and explains the use of programming tools: Thread Analyzer, LockLint, LoopTool and Debugger.