The fight between Massaneh Ceesay & Bakary Niuminko for the hand of the beautiful Banjulian girl, Fatou, has been a popular legend in The Gambia. The two men used marabouts notable in their mystic powers to win the young lady. Who did she choose? This second volume of Folk tales and Fables includes myths as well as fables. Koochi Barama is a story that transcends all the Gambian tribes. He was a close childhood friend of the king of Sabach. Koochi lived with his two wives. This story shows how lies and betrayal can affect close relationships. In the olden days, rulers used to forge alliances and exchange experiences. The close bond between the kings of Niamanty and Burawulay was well respected. Thus when the king of Niamanty died, his friend was consulted in the administration of his estate. The fables in this collection continue to teach the moral lessons and our cultural values.

The Story is about a man who had a large bean farm. When his beans were about to ripen, he left his child to guard them from animals. As usual the Rabbit visited the farm and lured the child into eating almost all the beans in the farm...

Collection of West African folktales drawn from prose narratives, proverbs, riddles, and songs.

The stories narrate the tricks, deceit and greed of hyena in all his relationships. These traits come out strongly in the tales entitled: 'the cow, hyena, lion and hare share a home', 'hyena and hare go in search of food' and 'the hyena and the hare'. Hare, however, shows his ingenuity to always outsmart hyena. Cat's pilgrimage to Mecca and his self righteous attitude on his return was challenged by the eldest member of the clan of rats. He was reminded of his old ways before his transformation. Gambian folk tales carry moral lessons and even though they are not all spelt out in this collection, they are evident.

Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images

This selection of ten stories was gathered from the Wollof, Mandingo and Jola people. The story of 'Boppi Jerreh' has been much narrated by the Wollof people of Banjul, the fisher folk of Barra, and its neighbourhood from time immemorial. The Wollof story, 'Kumba Ndaba marries Jeggan Touray' shows how the institution of marriage fosters kinship ties while the the stories gathered from the Jola people are all based on the occupational lives of women, a deep appreciation of nature, and the traditional practice of consulting soothsayers before embarking on any major initiative.

The stories were gathered from the Serahulay, Wollof, Mandingo and Fula people of Gambia. The the themes in the nine stories contained in this Volume surround arranged marriages, polygamy and the lives of young girls in general.

This book challenges us to take a cursory glance at our contemporary world, where modern mans scientific and technological ingenuity has led him to soar thorough the galaxy and made the heavens part of his domain; and contrast that with his level of morality today. Open any newspaper or listen to the radio and television news and you cant help but lament on the appalling moral depravity and obscene behavior of our contemporary man. With this intractable moral depravity on the ascendancy, the author nostalgically reminiscences the upright morality of yesteryears, and admonishes us to heed Platos philosophical advice: now since men are by nature acquisitive, jealous, combative, and erotic, how shall we persuade them to behave themselves? By the policemans omnipresent club? {now, AK 47}. It is a brutal method, costly and irritating. There is a better way, and this is by lending to the moral requirements of the community. Throughout this book the author emphasizes the significance of proper moral education in shaping the character of children, youngsters and even adults, and reminds us: morals are the rules by which society exhorts its members and associations to behavior consistent with its 'order, security and growth {Will & Ariel Durant}. The author noted that in traditional African societies, the wise elders, like the ancient Greek philosophers, strongly emphasized the teachability of moral values and deliberately inculcated them into their youngsters. The stories in this book are folktales filled with moral lessons that have been handed down from many generations to the present in many African countries from Ghana, Nigeria, Cameroons, Liberia, the Gambia, Kenya, Ethiopia, Tanzania to Zimbabwe. The traditional African elders successfully utilized these folktales to socialize their youngsters to the moral requirements of their society to insure stability, harmonious relations, order, security and growth.

When The Gambia achieved its independence from Great Britain on 18 February 1965, as mainland Africa’s smallest state, its future seemed uncertain. It retained this status for nearly 30 years, An attempted coup d’état in July 1981 was put down, but, ironically, when other African states were returning to democratic government, Gambian democracy finally succumbed to a military coup on 22 July 1994. While civilian rule was restored in 1996, full democracy was not and a number of subsequent presidential and parliamentary elections have been far from free and fair, while The Gambia’s human rights record has been very poor since 1994. This fifth edition of Historical Dictionary of The Gambia contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about The Gambia.

Encyclopedic in its coverage, this one-of-a-kind reference is ideal for students, scholars, and others who need reliable, up-to-date information on folk and fairy tales, past and present. Folktales and fairy tales have long played an important role in cultures around the world. They pass customs and lore from generation to generation, provide insights into the peoples who created them, and offer inspiration to creative artists working in media that now include television, film, manga, photography, and computer games. This second, expanded edition of an award-winning reference will help students and teachers as well as storytellers, writers, and creative artists delve into this enchanting world and keep pace with its past and its many new facets. Alphabetically organized and global in scope, the work is the only multivolume reference in English to offer encyclopedic coverage of this subject matter. The four-volume collection covers national, cultural, regional, and linguistic traditions from around the world as well as motifs, themes, characters, and tale types. Writers and illustrators are included as are filmmakers and composers—and, of course, the tales themselves. The expert entries within volumes 1 through 3 are based on the latest research and developments while the contents of volume 4 comprises tales and texts. While most books either present readers with tales from certain countries or cultures or with thematic entries, this encyclopedia stands alone in that it does both, making it a truly unique, one-stop resource.