The English Art of Love

In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.

This collection offers a groundbreaking study of Thomas Heywood's fascinatingly individual engagement with the classics across his writing career. It considers the wide diversity of genres to which he contributed, including dramas, translations, compendia, and iconographical designs, and attends to the shaping role of classics in his authorial self-fashioning and idiosyncratic aesthetic.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

"Does theology have any relevance to the problem of life and death?" According to John Heywood Thomas the answer is an unequivocal yes. A largely personal expression of this conviction precedes the argument's exposition, which is then stated first of all quite generally--that nothing human is alien to theology's concern. Three main issues are considered: the unborn life, death as an event in life, and the possibility of global death. The issue of a life before birth is a complex problem, requiring an awareness of philosophical issues as of the empirical factors. The same kind of multifaceted thinking is needed in confronting the issue of death, an inescapable topic for theology. If death is an event in life what does it reveal about the meaning of life? And what of the very human action of the funeral? After a discussion of the complex issues involved the argument returns to the global reference of theology. Two areas of concern are singled out to show that the theologian can offer guidance in debate: the environmental crisis and the threat of nuclear war.