Extremely pliable yet amazingly durable, metal offers infinite decorative options. Here are 1,000 prime examples of French metal masterworks, painstakingly reproduced from an extremely rare and valuable edition. From the everyday to the ornate, items include: Weather vanes Tiles Waterspouts Trims Basins Pike heads You'll also find hundreds of other images, offering a wealth of inspiration and useful historical designs.

Rich in tradition and history, the art of batik has been a deeply integrated facet of Chinese folk art for over 2,000 years. Using molten beeswax, skilled artisans paint patterns onto white cloth, which is then dipped into indigo dye. When the wax is removed with boiling water, unique designs of great harmony and beauty remain. The themes depicted in batik decoration have a strong native flavor, and are distinctive of the Chinese provinces and districts where they were created. In Huangping, mountains, trees, and birds are represented. In the Miao district, the concentration is on flowers and butterflies, while in the Yunnan Province, designs of peacocks, monkeys, and elephants abound. In this stunning pictorial archive, more than 110 authentic designs have been carefully reproduced from a rare, early collection of batik art. Collected from the remote areas of China's southwestern provinces, each decorative pattern is rich in beauty and meaning. This royalty-free volume will be an invaluable resource for artists, designers, craftspeople, and any lover of traditional Chinese folk art.

In this captivating study, an influential scholar-artist offers timeless advice on shape, form, and composition for artists in any medium. Irma Richter illuminates the connections between art and science by surveying works of art from classical antiquity through the Modernist era. Richter shows the conscious and unconscious ways artists animated their works with geometric principles in an attempt to reconcile the realms of form and design. This book presents a simple method that can be employed for every kind of design—a method that underlies some of the greatest paintings of the Renaissance and was used by the architect of the Parthenon and the craftsmen of ancient Egypt. With research that leads to Florence, Chartres, Athens, and up the Nile Valley, the author surveys the geometric scheme behind the works of art of the past. Seventy-two images help illustrate the philosophical and religious significance connected with the artistic proportioning of space.

Because history is as fallible as the people who record it, many of the figures who have shaped our country have receded from public memory. In order to celebrate and call attention to these lives, Oxford University Press asked fifty accomplished personalities from a diverse range of interests to each select a person from the 24-volume American National Biography that they felt deserved more attention. In Invisible Giants, the biographies of these forgotten figures appear alongside the often-personal comments of their selectors. We discover the man who inspired Sherwin Nuland to become a doctor, the writer Jacques Barzun considers America's first cultural critic, and the woman who taught Tina Brown to bare her teeth. We learn of the poetry recited to Henry Louis Gates, Jr., as a boy, the magazine Helen Gurley Brown required every one of her editors to subscribe to, and the book Andy Rooney deems "better than the Bible and easier to understand." Edited by Mark C. Carnes and published with the American Council of Learned Societies, Invisible Giants presents the architects of our country's past through the eyes of the architects of its future.

The young Thomas Eakins's most revealing letters—published here for the first time The most revealing and interesting writings of American artist Thomas Eakins are the letters he sent to family and friends while he was a student in Paris between 1866 and 1870. This book presents all these letters in their entirety for the first time; in fact, this is the first edition of Eakins's correspondence from the period. Edited and annotated by Eakins authority William Innes Homer, this book provides a treasure trove of new information, revealing previously hidden facets of Eakins's personality, providing a much richer picture of his artistic development, and casting fresh light on his debated psychosexual makeup. The book is illustrated with the small, gemlike drawings Eakins included in his correspondence, as well as photographs and paintings. In these letters, Eakins speaks openly and frankly about human relationships, male companionship, marriage, and women. In vivid, charming, and sometimes comic detail, he describes his impressions of Paris--from the training he received in the studio of Jean-Léon Gérôme to the museums, concerts, and popular entertainments that captured his imagination. And he discusses with great insight contemporary aesthetic and scientific theories, as well as such unexpected subjects as language structure, musical composition, and ice-skating technique. Also published here for the first time are the letters and notebook Eakins wrote in Spain following his Paris sojourn. This long-overdue volume provides an indispensable portrait of a great American artist as a young man.

Thoroughly researched study of the design and construction of this radical, inspiring workplace draws on much unpublished archival material. From the genesis of the structurally unique Administration Building — its design development, innovations, and furnishings — to the construction and completion of the Research Towers, Lipman presents a wealth of information. 172 black-and-white illustrations.

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Decorative Arts, Drawings, Manuscripts, Paintings, Photographs, and Sculpture and Works of Art. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 22 of the J. Paul Getty Museum Journal includes articles by John Walsh, Peter Humfrey, Charissa Bremer-David, Carl Grimmm, And Peggy Fogelman.