Details how sustainability is gaining ground with individuals, communities, regions, and even nations, and shows readers how they, too, can become involved.

The Syrian state is less than 100 years old, born from the wreckage of World War I. Today it stands in ruins, shattered by brutal civil war. How did this happen? How did the lands that are today Syria survive incorporation with the Ottoman Empire in the sixteenth century and the trials and vicissitudes of the Sultan's rule for four centuries, only to collapse into civil war in recent years? Arguably it was the Ottoman period that laid the fragile foundations of a state that had to endure a turbulent twentieth century under French rule, tentative independence, a brutal and corrupt dictatorship and eventual disintegration in the twenty-first. Across a diverse cast of individuals, rich and poor, James Reilly explores these fractious and formative periods of Ottoman, Egyptian and French rule, and the ways that these contributed to the contradictions and failings of the rule of the Assad family; and to a civil war which produced the so-called Islamic State. In charting Syria's history over the last five centuries in their entirety for the first time, Reilly demonstrates the myriad historical, cultural, social, economic and political factors that bind Syrians together, as well as those that have torn them apart. Based on primary sources, recent historiography in English, French and Arabic and more than 30 years' experience living and working in the region, this is the essential book for understanding modern Syria and the Middle East.

The first performance in The Space, Tanika Gupta's Fragile Land is about what nationhood means for second generation immigrants: revealing the complexities of life for a new generation of young Londoners. Suitable for ages 14+ Fragile Land was performed at the Hampstead Theatre, London, from 25th March - 12th April 2003.

The Loess Hills lie in a narrow band just east of the Missouri River and define most of the western boundary of Iowa. This is the natural history of these hills of wind-deposited silt. Some 100 illustrations (eight color and 60 b&w photos) enhance the text. Annotation copyright Book News, Inc. Portl

Recipient of a 2018 Preserve Louisiana Award and a 2018 Coastal Stewardship Award Fragile Grounds compiles stories and photographs of endangered cemeteries throughout Louisiana's coastal zone and beyond. These burial places link the fragile land to the frailty of the state's threatened community structures. The book highlights the state's vibrant diversity by showing its unique burial customs and traditions, while it also identifies the urgent need for ongoing documentation of cultural elements at risk. Cemeteries associated with the culturally rich communities of Louisiana reflect the history and global settlement patterns of the state. Yet many are endangered due to recurring natural and man-made events. Nearly 80 percent of the nation's coastal land loss occurs in Louisiana. Coastal erosion, sinking land, flooding, storm surge, and sea-level rise have led to an inland migration that threatens to unravel the fabric of Louisiana and, by association, hastens the demise of its burial places. As people are forced inland, migrants abandon, neglect, or often overlook cemeteries as part of the cultural landscape. In terms of erosion, when the land goes, the cemetery goes with it. Cemeteries fall prey to inland and coastal flooding. As cities grow outward, urban sprawl takes over the landscape. Cemeteries lose out to forces such as expansion, eminent domain, and urban neglect. Not only do cemeteries give comfort for the living, but they also serve as a vital link to the past. Once lost, that past cannot be recovered.

This book of selected research papers, originally presented at the "Symposium of Fragile Lands of Latin America—The Search for Sustainable Uses," presents some fresh evidence of the viability of a few "non-conventional" strategies for natural resource development and management.

Chronicles the attempts of the authors to protect and study the mountain gorillas of Rwanda, discussing the foundation of the Mountain Gorilla Project as well as the ecological and political situation of Rwanda.

"The influential artist Hedi Kyle and renowned architecture graduate Ulla Warchol shows you how to create their unique designs using folding techniques. From creating flag books and fishbones, to blizzards and nesting boxes, you'll gain an invaluable insight into the work of two skilled artists with this fun read! With the help of their thorough instructions and simple illustrations, you'll be on your way to becoming a pro paper crafter in no time at all" – Sew magazine "A wonderful insight into the work of a truly skilled artist" – PaperCrafter The renowned and influential book artist Hedi Kyle shows you step–by–step how to create her unique designs using folding techniques in The Art of the Fold. Bookbinding and paper craft projects include flag books, blizzard books, the fishbone fold, and nesting boxes. Written by the doyenne of artists' books, Hedi Kyle, The Art of the Fold is a wonderful insight into the work of a truly skilled artist. Hedi will show you how to bind a book and fold paper to create over 35 of her cut–fold book designs. The book is beautifully illustrated with Hedi's finished works of art. An excerpt from the book: 'I can still remember the thrill I experienced when my first folded book structure emerged from my fingers – how eager I was to explore its possibilities and to share it with whoever was interested. The Flag Book, as I now call it, is a simple accordion and has interlocking pages oriented in opposite directions. Little did I know that this simple structure would have legs and be the catalyst for the next forty–plus years of thinking about and making books. The common perception of the book today is fairly straightforward: a series of pages organized around a spine and protected on either side by two covers. This format allows for easy access, storage and retrieval of information. Yet what happens when the book is stripped away of centuries of preconceptions and is allowed to reveal something else: playfulness, utility, invention? Expanding the notion of the book is what the structures in the following chapters of The Art of the Fold attempt to do. Exploring its tactile, sculptural form, primarily through folding methods, the book as a structural object is celebrated while content is considered in a new and unconventional way. My range in this medium has always been broad. In part this is due to my introduction to the world of bookbinding and some chance encounters. In the 1970s in New York City, the art and craft of hand bookbinding and papermaking were experiencing an unprecedented revival. I was fortunate to arrive in the city at just this moment. With an art–school background and an impulse to make things, I was naturally drawn to pursue this new opportunity. The Center for Book Arts, the famous forerunner of so many centers yet to come, was located in a small storefront just down the street from where I lived on the Lower East Side of Manhattan. Under the direction of founder Richard Minsky, it had a radical mission: to push concept, materials, printing and making of artist books in a new direction. When Richard dared me to teach at the Center one evening a week, I was hooked. My career as a book conservator and a book artist has now spanned over 45 years. As head conservator at the American Philosophical Society in Philadelphia, I've had the opportunity to handle some of the rarest volumes and manuscripts in the world. I have also dealt with decrepit books, torn maps and countless curiosities discovered in stacks and archives. All were endless sources for ideas and provided a springboard for a departure from tradition. Leading book–arts workshops around the world and a 25 year tenure teaching in the graduate program for Book Arts and Printmaking at the University of the Arts in Philadelphia have shown me, in retrospect, that the more I taught, t

One family will do whatever it takes to save all that they hold dear—a World War II saga of survival and hope from “a writer of great skill and vitality” (Sarah Harrison, international bestselling author). Summer 1936: A sunny day in Kent, a perfect afternoon for a garden party, and everything seems right in the tranquil and ordered world of the Jordan family. But before the day is out that peace is shattered due to a war being fought in a country not their own. Summer 1940: London is at war, and for the first time in the history of combat a civilian population is under attack from the air. As a consequence—also for the first time—a generation of young men is called upon to face the enemy not from within an organized force on land or on sea but in individual and lethal combat in the skies above the green, fertile and until now peaceful fields of southern England . . .