One evening in the long hot summer of 1959, Alfred Gardner was walking home along Commercial Road. Noticing a woman who had collapsed, he ran to a phone box to call an ambulance only to be beaten to it by an older man. Chance encounters often spark friendships and this was to be the start of a camaraderie spanning thirty-seven years. They were an unlikely duo. Gardner, in his late teens, had never journeyed too far from Stepney. Upson, in his early thirties, had an extraordinary life already. For Gardner, the Second World War meant vague memories of returning from evacuation in Hartlepool in 1944 to a Stepney now under threat from Germany's V1 and V2 rockets. But two years earlier, Upson had faced even greater dangers when the Japanese Air Force bombed Rangoon. The fifteen-year-old, who took up smoking and drinking to appear older, joined Burma's tiny navy. Nearly twenty years later, as they wander the streets, pubs and clubs of the East End, a fascinating cast of characters emerges. There are exotics such as Red Boots Danny, the reforming East End cleric Father Joe Williamson. At the Waterman's Arms, they rub shoulders with celebrities, noticing Clint Eastwood enjoying a quiet drink at the bar. And Upson seems to know everyone. His friend watches amazed as men, women, old and young spring forward to shake his hand and greet him. Gardner, meanwhile, pushes himself into the background. With his photographic memory, he is the camera documenting their travels. After Upson's death in 1996, Gardner makes a sentimental journey through Wapping, the walk that the two friends often took. Starting at Tower Bridge, he strolls down St Katharine's Way and on to Shadwell Park. Much of Wapping has changed out of recognition, the old wharfs replaced by new apartments and penthouses. He stops by Old Aberdeen Wharf to view Rotherhithe opposite. Just as Upson had predicted, the ships are gone, just a few rusty barges clank together ...

The East End as an idea is known to every Londoner, and to many others, though its boundaries are vague. Alan Palmer's historical overview of the area (first published in 1989 and revised in 2000) takes its extent to be the traditional limits of Hackney and Tower Hamlets, Hoxton and Shoreditch, the docklands and their overflow into West Ham and East Ham. And at the heart of the East End lies Spitalfields, home to a transient, often radical and hard-working population. Though it is often seen as London's centre of industry and poverty, in comparison to the well-to-do West End, the East End has always been a diverse place: in the seventeenth century, Hackney was a pleasant country retreat; Stepney and the docklands a bustling world of sailors and merchants. The book traces the development of the area from these roots, through the nineteenth century - when the East End became notorious as the home of radicals, exiled revolutionaries and the very poor, its crowded streets the scene of murder, riot and cholera -to the bombing of the first and second world war; and the subsequent decline and regeneration of the twentieth century.

Cincinnati's East End river community has been home to generations of working-class people. This racially mixed community has roots that reach back as far as seven generations. But the community is vulnerable. Developers bulldoze "raggedy" but affordable housing to build upscale condos, even as East Enders fight to preserve the community by participating in urban development planning controlled by powerful outsiders. This book portrays how East Enders practice the preservation of community. Drawing on more than six years of anthropological research and advocacy in the East End, Rhoda Halperin argues for redefining community not merely as a place, but as a set of culturally embedded and class-marked practices that give priority to caring for children and the elderly, procuring livelihood, and providing support for family, friends, and neighbors. These practices create the structures of community within the larger urban power structure. Halperin uses different genres to weave the voices of East Enders throughout the book. Poems and narratives offer poignant insights into the daily struggles against impersonal market forces that work against the struggle for livelihood. This firsthand account questions commonly held assumptions about working-class people. In a fresh way, it reveals the cultural construction of marginality, from the viewpoints of both "real East Enders" and the urban power structure.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

The sultry sequel to Triple Moon from #1 New York Times bestselling author Melissa de la Cruz Twin witches Mardi and Molly Overbrook are back for another summer in North Hampton, and this year they’re serious about two things: avoiding trouble and dedicating themselves to rest and relaxation. Molly’s headed to Aunt Ingrid’s, while Mardi has convinced their father, Troy—a.k.a. Thor, the god of thunder—to let her crash with her boyfriend, Trent, who also happens to be Tyr, the god of war. It’s a tangled web they weave, but that’s to be expected where gods and goddesses are concerned. Their vacation’s just begun when an old secret is revealed, leaving Molly and Mardi to question everything they’ve ever known about their family. Then a hot new guy comes to town and starts brewing even more trouble . . . and soon enough, the twins are back to their old tricks. After an ancient prophecy comes to light, Molly and Mardi notice some mysterious changes, changes that will put their sisterhood to the ultimate test. East End’s shaping up to be much more exciting than the girls were bargaining for, but what’s a summer in the Hamptons without a little magic and mischief?

This carefully crafted ebook collection is formatted for your eReader with a functional and detailed table of contents. Jack London (1876-1916) was an American novelist, journalist, and social activist. His amazing life experience also includes being an oyster pirate, railroad hobo, gold prospector, sailor, war correspondent and much more. He wrote adventure novels & sea tales, stories of the Gold Rush, tales of the South Pacific and the San Francisco Bay area - most of which were based on or inspired by his own life experiences. Content: The Cruise of the Dazzler A Daughter of the Snows The Call of the Wild The Kempton-Wace Letters The Sea-Wolf The Game White Fang Before Adam The Iron Heel Martin Eden Burning Daylight Adventure The Scarlet Plague A Son of the Sun The Abysmal Brute The Valley of the Moon The Mutiny of the Elsinore The Star Rover The Little Lady of the Big House Jerry of the Islands Michael, Brother of Jerry Hearts of Three Son of the Wolf The God of His Fathers Children of the Frost The Faith of Men Tales of the Fish Patrol Moon-Face Love of Life Lost Face South Sea Tales When God Laughs The House of Pride & Other Tales of Hawaii Smoke Bellew The Night Born The Strength of the Strong The Turtles of Tasman The Human Drift The Red One On the Makaloa Mat Dutch Courage Uncollected Stories The Road The Cruise of the Snark John Barleycorn The People of the Abyss Theft Daughters of the Rich The Acorn-Planter A Wicked Woman The Birth Mark The First Poet Scorn of Woman Revolution and Other Essays The War of the Classes What Socialism Is What Communities Lose by the Competitive System Through The Rapids on the Way to the Klondike From Dawson to the Sea Our Adventures in Tampico With Funston's Men The Joy of Small Boat Sailing Husky, Wolf Dog of the North The Impossibility of War The Red Game of War Mexico's Army and Ours The Trouble Makers of Mexico Phenomena of Literary Evolution Editorial Crimes – A Protest Again the Literary Aspirant ...

Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.

“Breaks new ground in its examination of the role of newspaper reporting during the police hunt for the first notorious serial killer.”—Reviews in History Press coverage of the 1888 mutilation murders attributed to Jack the Ripper was of necessity filled with gaps and silences, for the killer remained unknown and Victorian journalists had little experience reporting serial murders and sex crimes. This engrossing book examines how fourteen London newspapers—dailies and weeklies, highbrow and lowbrow—presented the Ripper news, in the process revealing much about the social, political, and sexual anxieties of late Victorian Britain and the role of journalists in reinforcing social norms. L. Perry Curtis surveys the mass newspaper culture of the era, delving into the nature of sensationalism and the conventions of domestic murder news. Analyzing the fourteen newspapers—two of which emanated from the East End, where the murders took place—he shows how journalists played on the fears of readers about law and order by dwelling on lethal violence rather than sex, offering gruesome details about knife injuries but often withholding some of the more intimate details of the pelvic mutilations. He also considers how the Ripper news affected public perceptions of social conditions in Whitechapel. “The apparently motiveless violence of the Whitechapel killings denied journalists a structure, and it is the resulting creativity in news reporting that L Perry Curtis Jr describes. His impressive book makes a genuine contribution to 19th-century history in a way that books addressing the banal question of the identity of the Ripper do not.”—The Guardian

The classic reference work that provides annually updated information on the countries of the world.