The author describes concepts of measurement as related to such areas as speed, length, mass, and volume.

Recounts the mathematical reasoning which was used to calculate first the size of the earth, then the solar system, and so on up to the universe.

From #1 New York Times bestselling author Dava Sobel, the "inspiring" (People), little-known true story of women's landmark contributions to astronomy A New York Times Book Review Notable Book of 2017 Named one of the best books of the year by NPR, The Economist, Smithsonian, Nature, and NPR's Science Friday Nominated for the PEN/E.O. Wilson Literary Science Writing Award "A joy to read.” —The Wall Street Journal In the mid-nineteenth century, the Harvard College Observatory began employing women as calculators, or “human computers,” to interpret the observations their male counterparts made via telescope each night. At the outset this group included the wives, sisters, and daughters of the resident astronomers, but soon the female corps included graduates of the new women's colleges—Vassar, Wellesley, and Smith. As photography transformed the practice of astronomy, the ladies turned from computation to studying the stars captured nightly on glass photographic plates. The “glass universe” of half a million plates that Harvard amassed over the ensuing decades—through the generous support of Mrs. Anna Palmer Draper, the widow of a pioneer in stellar photography—enabled the women to make extraordinary discoveries that attracted worldwide acclaim. They helped discern what stars were made of, divided the stars into meaningful categories for further research, and found a way to measure distances across space by starlight. Their ranks included Williamina Fleming, a Scottish woman originally hired as a maid who went on to identify ten novae and more than three hundred variable stars; Annie Jump Cannon, who designed a stellar classification system that was adopted by astronomers the world over and is still in use; and Dr. Cecilia Helena Payne, who in 1956 became the first ever woman professor of astronomy at Harvard—and Harvard’s first female department chair. Elegantly written and enriched by excerpts from letters, diaries, and memoirs, The Glass Universe is the hidden history of the women whose contributions to the burgeoning field of astronomy forever changed our understanding of the stars and our place in the universe.

Measuring the Universe is the first history of the evolution of cosmic dimensions, from the work of Eratosthenes and Aristarchus in the third century B.C. to the efforts of Edmond Halley (1656—1742). "Van Helden's authoritative treatment is concise and informative; he refers to numerous sources of information, draws on the discoveries of modern scholarship, and presents the first book-length treatment of this exceedingly important branch of science."—Edward Harrison, American Journal of Physics "Van Helden writes well, with a flair for clear explanation. I warmly recommend this book."—Colin A. Ronan, Journal of the British Astronomical Association

Humans have always viewed the heavens with wonder and awe. The skies have inspired reflection on the vastness of space, the wonder of creation, and humankind's role in the universe. In just over one hundred years, science has moved from almost total ignorance about the actual distances to the stars and earth's place in the galaxy to our present knowledge about the enormous size, mass, and age of the universe. We are reaching the limits of observation, and therefore the limits of human understanding. Beyond lies only our imagination, seeded by the theories of physics. In Measuring the Cosmos, science writers David and Matthew Clark tell the stories of both the well-known and the unsung heroes who played key roles in these discoveries. These true accounts reveal ambitions, conflicts, failures, as well as successes, as the astonishing scale and age of the universe were finally established. Few areas of scientific research have witnessed such drama in the form of ego clashes, priority claims, or failed (or even falsified) theories as that resulting from attempts to measure the universe. Besides giving credit where long overdue, Measuring the Cosmos explains the science behind these achievements in accessible language sure to appeal to astronomers, science buffs, and historians.

"A short, excellent account of [Leavitt’s] extraordinary life and achievements." —Simon Singh, New York Times Book Review George Johnson brings to life Henrietta Swan Leavitt, who found the key to the vastness of the universe—in the form of a “yardstick” suitable for measuring it. Unknown in our day, Leavitt was no more recognized in her own: despite her enormous achievement, she was employed by the Harvard Observatory as a mere number-cruncher, at a wage not dissimilar from that of workers in the nearby textile mills. Miss Leavitt’s Stars uncovers her neglected history.

Roman Ondák represents the Slovak Republic at the 2009 Venice Biennale. In this volume the Slovak artist Roman Ondák has brought together some of his works that deal with time, measurement, and surveying along with those that make visible what evades the visual, namely boundaries and experience. Alongside a complete documentation of the exhibition Measuring the Universe, where the museum attendants checked the body size of the visitors throughout its duration, one also finds Failed Fall (2008), a greenhouse's floor filled with dried autumn leaves, and Across that Place (2008), the story of the no longer existing Canal Zone by the Panama Canal. Whether working with installation, photography, drawing, or performance, Ondák underpins his work with processes, embedding them into the course of an action. The action extends over time, transcribes a scenario rather than explaining it, and can be attached to radically minimalist objects, or as in this case, to extremely narrative books. Anything that plays a role in his work has its place in this book: the displacement of people and places, presence and absence, the economy of time. This publication is part of the series of artists' projects by Christoph Keller Editions in collaboration with BAWAG Foundation. English text.

This is a provocative account of the astounding new answers to the most basic philosophical question: Where did the universe come from and how will it end?

An epic, full-color visual journey through all scales of the universe In The Zoomable Universe, the award-winning astrobiologist Caleb Scharf and the acclaimed artist Ron Miller take us on an epic tour through all known scales of reality, from the largest possible magnitude to the smallest. Drawing on cutting-edge science, they begin at the limits of the observable universe, a scale spanning 10^27 meters—about 93 billion light-years. And they end in the subatomic realm, at 10^-35 meters, where the fabric of space-time itself confounds all known rules of physics. In between are galaxies, stars and planets, oceans and continents, plants and animals, microorganisms, atoms, and much, much more. Stops along the way—all enlivened by Scharf’s sparkling prose and his original insights into the nature of our universe—include the brilliant core of the Milky Way, the surface of a rogue planet, the back of an elephant, and a sea of jostling quarks. The Zoomable Universe is packed with more than 100 original illustrations and infographics that will captivate readers of every age. It is a whimsical celebration of discovery, a testament to our astounding ability to see beyond our own vantage point and chart a course from the farthest reaches of the cosmos to its subatomic depths—in short, a must-have for the shelves of all explorers.