Transference of orientalist images and identities to the American landscape and its inhabitants, especially in the West—in other words, portrayal of the West as the “Orient”—has been a common aspect of American cultural history. Place names, such as the Jordan River or Pyramid Lake, offer notable examples, but the imagery and its varied meanings are more widespread and significant. Understanding that range and significance, especially to the western part of the continent, means coming to terms with the complicated, nuanced ideas of the Orient and of the North American continent that European Americans brought to the West. Such complexity is what historical geographer Richard Francaviglia unravels in this book. Since the publication of Edward Said’s book, Orientalism, the term has come to signify something one-dimensionally negative. In essence, the orientalist vision was an ethnocentric characterization of the peoples of Asia (and Africa and the “Near East”) as exotic, primitive “others” subject to conquest by the nations of Europe. That now well-established point, which expresses a postcolonial perspective, is critical, but Francaviglia suggest that it overlooks much variation and complexity in the views of historical actors and writers, many of whom thought of western places in terms of an idealized and romanticized Orient. It likewise neglects positive images and interpretations to focus on those of a decadent and ostensibly inferior East. We cannot understand well or fully what the pervasive orientalism found in western cultural history meant, says Francaviglia, if we focus only on its role as an intellectual engine for European imperialism. It did play that role as well in the American West. One only need think about characterizations of American Indians as Bedouins of the Plains destined for displacement by a settled frontier. Other roles for orientalism, though, from romantic to commercial ones, were also widely in play. In Go East, Young Man, Francaviglia explores a broad range of orientalist images deployed in the context of European settlement of the American West, and he unfolds their multiple significances.

The grand narrative of "The Young Turk Legacy and Nation Building" is that of the essential continuity of the late Ottoman Empire with the Republic of Turkey that was founded in 1923. Erik J. Zurcher shows that Kemal's 'ideological toolkit', which included positivism, militarism, nationalism and a state-centred world view, was shared by many other Young Turks. Authoritarian rule, a one-party state, a legal framework based on European principles, advanced European-style bureaucracy, financial administration, military and educational reforms and state-control of Islam, can all be found in the late Ottoman Empire, as can policies of demographic engineering. The book focuses on the attempts of the Young Turks to save their empire through forced modernization as well as on the attempts of their Kemalist successors to build a strong national state. The decade of almost continuous warfare, ethnic conflict and forced migration between 1911 and 1922 forms the background to these attempts and accordingly occupies a central position in this volume. This is a powerful history reflecting and contributing to the latest research from a leading historian of modern Turkey. It is essential for all readers interested in the history of the Ottoman Empire and Turkey, and for an understanding of a key player in the politics of the Middle East and Europe.

Young Mouse, sure he is the strongest animal on the African savannah, goes in search of the elephant, to "break it apart and stomp it to bits."

Freemasonry has been around for a long time, and it has not yet been clearly explained until now. Traveling East brings Blue Lodge Masonry into the 21st Century. No longer will Young Masons not know what is expected of them, no longer will a young Mason not know how to bury a brother Mason. Through the years all the knowledge of Masonry was kept by the elders, they only told you what they wanted you to know, this kept you coming back for more, as Masons would say this kept you craving for more light. Traveling East explains it all, with very easy to learn terms, but no pictures, that is where the elders will come in. Traveling East has something for all Masons to learn, remember when you were told that you will never know it all well...Traveling East will get you real close to the real truth about that which was lost, and never found, or was there ever anything lost? Traveling East takes you back to where it all started.

Charles Corm: An Intellectual Biography of a Twentieth-Century Lebanese “Young Phoenician” delves into the history of the modern Middle East and an inquiry into Lebanese intellectual, cultural, and political life as incarnated in the ideas, and as illustrated by the times, works, and activities of Charles Corm (1894–1963). Charles Corm was a guiding spirit behind modern Lebanese nationalism, a leading figure in the “Young Phoenicians” movement, and an advocate for identity narratives that are often dismissed in the prevalent Arab nationalist paradigms that have come to define the canon of Middle East history, political thought, and scholarship of the past century. But Charles Corm was much more than a man of letters upholding a specific patriotic mission. As a poet and entrepreneur, socialite and orator, philanthropist and patron of the arts, and as a leading businessman, Charles Corm commanded immense influence on modern Lebanese political and social life, popular culture, and intellectual production during the interwar period and beyond. In many respects, Charles Corm has also been “the conscience” of Lebanese society at a crucial juncture in its modern history, as the autonomous sanjak/Mutasarrifiyya (or Province) of Mount-Lebanon and the Vilayet (State) of Beirut of the late nineteenth century were navigating their way out of Ottoman domination and into a French Mandatory period (ca. 1918), before culminating with the independence of the Republic of Lebanon in 1943.

A girl travels east of the sun and west of the moon to free her beloved prince from a magic spell.

Jenny Lewis is a photographer from East London who has spent the last five years taking portraits of mothers within the first 24-hours of giving birth. Lewis states she is documenting the quiet moment just after giving birth when the female identity of motherhood is being established'. In addition to featuring the portraits of 40 women the book includes an introduction by art and photography critic Lucy Davies as well as a number of personal quotes gathered from interviews about the first day of life and early motherhood.'

The tale of friendship between two people, one Israeli and one Palestinian, that symbolizes the hope for peace in the Middle East. “Makes an incredibly complicated topic comprehensible.”--School Library Journal In 1967, a twenty-five-year-old refugee named Bashir Khairi traveled from the Palestinian hill town of Ramallah to Ramla, Israel, with a goal: to see the beloved stone house with the lemon tree in its backyard that he and his family had been forced to leave nineteen years earlier. When he arrived, he was greeted by one of its new residents: Dalia Eshkenazi Landau, a nineteen-year-old Israeli college student whose family had fled Europe following the Holocaust. She had lived in that house since she was eleven months old. On the stoop of this shared house, Dalia and Bashir began a surprising friendship, forged in the aftermath of war and later tested as political tensions ran high and Israelis and Palestinians each asserted their own right to live on this land. Adapted from the award-winning adult book and based on Sandy Tolan's extensive research and reporting, The Lemon Tree is a deeply personal story of two people seeking hope, transformation, and home.

The great dinosaur bonebeds of the American and Canadian West are world famous for spectacular fossil yields. But the eastern U.S. and maritime Canada have been equally inportant to the study of these extraordinary creatures. Dinosaurs of the East Coast combines science, history, and modern reporting to offer a new look at an always fascinating subject. 29 line, 110 halftone illustrations.