In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.

"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.

Father Henson's Story of His Own Life is an autobiographical account of the life of Josiah Henson, an African American man who was born into slavery in Maryland in the late 18th century. Henson's story is a testament to the resilience and strength of the human spirit in the face of adversity. Despite being subjected to the cruelty of slavery, Henson was able to escape and establish himself as a respected member of the free black community in Canada. The book chronicles Henson's life from his early years as a slave on a plantation to his eventual escape to freedom. Along the way, Henson describes the various hardships he faced, including the separation from his family, the brutal treatment of his fellow slaves, and the constant threat of violence from his white masters. Despite these challenges, Henson was able to maintain his faith and his determination to be free.Henson's story is also a valuable historical document that sheds light on the realities of slavery in the United States. Through his vivid descriptions of plantation life, Henson gives readers a glimpse into the brutal and dehumanizing nature of the institution. He also provides insight into the various strategies that slaves used to resist their oppressors, including acts of rebellion and escape.Overall, Father Henson's Story of His Own Life is a powerful and inspiring account of one man's journey from slavery to freedom. It is a testament to the resilience and strength of the human spirit, and a valuable historical document that sheds light on the realities of slavery in the United States.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In 1867, Stowe settled in a small cottage in Mandarin, Florida, overlooking the St. Johns River. She had promised her Boston publisher another novel but was so taken with northeast Florida that she produced instead a series of sketches of the land and the people which she submitted in 1872 under the title Palmetto Leaves. Stowe describes life in Florida in the latter half of the 19th century-"a tumble-down, wild, panicky kind of life-this general happy-go-luckiness which Florida inculcates." Her idyllic sketches of picnicking, sailing, and river touring expeditions and simple stories of events and people in this tropical winter summer land became the first unsolicited promotional writing to interest northern tourists in Florida.

"In 1867, the author of Uncle Tom's Cabin settled in a small cottage in Mandarin, Florida, overlooking the St. Johns River. She had promised her Boston publisher another novel, but was so taken with northeast Florida that she produced instead this book-a series of sketches of the land and the people, which she submitted in 1872."

"So you're the little woman who started this big war," Abraham Lincoln is said to have quipped when he met Harriet Beecher Stowe. Her 1852 novel Uncle Tom s Cabin converted readers by the thousands to the anti-slavery movement and served notice that the days of slavery were numbered. Overnight Stowe became a celebrity, but to defenders of slavery she was the devil in petticoats. Most writing about Stowe treats her as a literary figure and social reformer while downplaying her Christian faith. But Nancy Koester's biography highlights Stowe s faith as central to her life -- both her public fight against slavery and her own personal struggle through deep grief to find a gracious God. Having meticulously researched Stowe s own writings, both published and un-published, Koester traces Stowe's faith pilgrimage from evangelical Calvinism through spiritualism to Anglican spirituality in a flowing, compelling narrative.

The author of Hawthorne in Concord “brings [Stowe] to life in all her glory, in a book at once so dramatic and so subtle that it rivals the best fiction” (Debby Applegate, author of The Most Famous Man in America). Harriet Beecher Stowe’s Uncle Tom’s Cabin forced an ambivalent North to confront the atrocities of slavery, yet it was just one of many accomplishments of the Beechers, the most eminent American family of the nineteenth century. Historian Philip McFarland follows the Beecher clan to the boomtown of Cincinnati, where Harriet’s glimpses of slavery across the Kentucky border moved her to pen Uncle Tom’s Cabin. We meet Harriet’s loves: her father Lyman, her husband Calvin, and her brother Henry, the most famous preacher of his time. As McFarland leads us through Harriet’s ever-changing world, he traces the arc of her literary career from her hard-scrabble beginnings to her ascendancy as the most renowned author of her day. Through the portrait of a defining American family, Loves of Harriet Beecher Stowe opens into an unforgettable rendering of mid-nineteenth century America in the midst of unprecedented social and demographic explosions. To this day, Uncle Tom’s Cabin reverberates as a crucial document in Western culture. “Often dismissed even by her admirers as a pious faculty wife who just happened to write the book of the century, Harriet Beecher Stowe emerges in Philip McFarland’s biography in all her complexity and genius.” —Charles Calhoun, author of Longfellow: A Rediscovered Life and The Gilded Age

"So you're the little woman who started this big war," Abraham Lincoln is said to have quipped when he met Harriet Beecher Stowe. Her 1852 novel Uncle Tom’s Cabin converted readers by the thousands to the anti-slavery movement and served notice that the days of slavery were numbered. Overnight Stowe became a celebrity, but to defenders of slavery she was the devil in petticoats. Most writing about Stowe treats her as a literary figure and social reformer while downplaying her Christian faith. But Nancy Koester's biography highlights Stowe’s faith as central to her life -- both her public fight against slavery and her own personal struggle through deep grief to find a gracious God. Having meticulously researched Stowe’s own writings, both published and un-published, Koester traces Stowe's faith pilgrimage from evangelical Calvinism through spiritualism to Anglican spirituality in a flowing, compelling narrative.