This is the final volume in The Works of John Dryden and the last volume of poetry written by Dryden before he died in 1700.

Volume IX contains three of Dryden's Plays, along with accompanying scholarly appartus: Indian Emperour, Secret Love, and Sir Martin Mar-All.

This book is a concise introduction, drawing on the latest research, to the life and work of the most celebrated English poet of the late seventeenth century. It is unusual in stressing not only the poet's responses to the events, personalities, and ideas of his own day, but also the way in which his work engages (in a far more speculative and pluralistic way than is often supposed) with human issues and dilemmas of permanent concern: the relation of human to animal and inanimate nature; the forces, internal and external which serve to ennoble, enrich and confound human endeavour; the capacities and limits of human reason; the relations between the sexes. Dryden emerges from this study as, simultaneously, a 'man of his times' and a writer with important things to say to us all.

John Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden s tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of empire, and most of all as a man intimate with the opportunities of aristocratic patronage as well as the emerging market for literary gossip, slander and polemic. Dryden s works are examined in the context of seventeenth-century politics, publishing and ideas of authorship. A valuable resource for students and scholars, the Companion includes a full chronology of Dryden s life and times and a detailed guide to further reading.

Dryden's audiences in 1671, both aristocratic and middle-class, would have been quick to respond to the themes of disputed royal succession, Francophilia and loyalty among subjects in his most successful tragicomedy. In the tragic plot, written in verse, young Leonidas has to struggle to assert his place as the rightful heir to the throne of Sicily and to the hand of the usurper's daughter. In the comic plot, written in prose, two fashionable couples (much more at home in London drawing-rooms than at the Sicilian court) play at switching partners in the 'modern' style. The introduction of this edition argues that Dryden's own ambivalence about King Charles and his entourage, on whom he came to rely more on more for patronage, manifests itself in both plots; most of all perhaps in the excessively Francophile Melantha, whose affectation cannot quite hide her endearing joie-de-vivre.