A dandy story for all horse lovers and worthy rival to Marguerite Henry's enormously successful King of the Wind . Ms. Henry based her story on this very book, written in 1846 by French author and sportsman Eugene Sue. Here now is Alex de Jonge's immensely readable translation of the original tale—an imaginative mixture of fact and legend recreating the life of the Godolphin Arabian and his constant companion, Grimalkin the cat.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Literary Slumming: Slang and Class in Nineteenth-Century France applies a sociolinguistic approach to the representation of slang in French literature and dictionaries to reveal the ways in which upper-class writers, lexicographers, literary critics, and bourgeois readers participated in a sociolinguistic concept the author refers to as “literary slumming”, or the appropriation of lower-class and criminal language and culture. Through an analysis of spoken and embodied manifestations of the anti-language of slang in the works of Eugène François Vidocq, Honoré de Balzac, Eugène Sue, Victor Hugo, the Goncourt Brothers, and Émile Zola, Literary Slumming argues that the nineteenth-century French literary discourse on slang led to the emergence of this sociolinguistic phenomenon that prioritized lower-class and criminal life and culture in a way that ultimately expanded class boundaries and increased visibility and agency for minorities within the public sphere.

Mastering the Marketplace examines the origins of modern mass-media culture through developments in the new literary marketplace of nineteenth-century France and how literature itself reveals the broader social and material conditions in which it is produced. Anne O’Neil-Henry examines how French authors of the nineteenth century navigated the growing publishing and marketing industry, as well as the dramatic rise in literacy rates, libraries, reading rooms, literary journals, political newspapers, and the advent of the serial novel. O’Neil-Henry places the work of canonical author Honoré de Balzac alongside then-popular writers such as Paul de Kock and Eugène Sue, acknowledging the importance of “low” authors in the wider literary tradition. By reading literary texts alongside associated advertisements, book reviews, publication histories, sales tactics, and promotional tools, O’Neil-Henry presents a nuanced picture of the relationship between “high” and “low” literature, one in which critics and authors alike grappled with the common problem of commercial versus cultural capital. Through new literary readings and original archival research from holdings in the United States and France, O’Neil-Henry revises existing understandings of a crucial moment in the development of industrialized culture. In the process, she discloses links between this formative period and our own, in which mobile electronic devices, internet-based bookstores, and massive publishing conglomerates alter—once again—the way literature is written, sold, and read.

Why are there so many nature metaphors - clouds, rivers, streams, viruses, and bugs - in the language of the internet? Why do we adorn our screens with exotic images of forests, waterfalls, animals and beaches? In Technobiophilia: Nature and Cyberspace, Sue Thomas interrogates the prevalence online of nature-derived metaphors and imagery and comes to a surprising conclusion. The root of this trend, she believes, lies in biophilia, defined by biologist E.O. Wilson as 'the innate attraction to life and lifelike processes'. In this wide-ranging transdisciplinary study she explores the strong thread of biophilia which runs through our online lives, a phenomenon she calls 'technobiophilia', or, the 'innate attraction to life and lifelike processes as they appear in technology'. The restorative qualities of biophilia can alleviate mental fatigue and enhance our capacity for directed attention, soothing our connected minds and easing our relationship with computers. Technobiophilia: Nature and Cyberspace offers new insights on what is commonly known as 'work-life balance'. It explores ways to make our peace with technology-induced anxiety and achieve a 'tech-nature balance' through practical experiments designed to enhance our digital lives indoors, outdoors, and online. The book draws on a long history of literature on nature and technology and breaks new ground as the first to link the two. Its accessible style will attract the general reader, whilst the clear definition of key terms and concepts throughout should appeal to undergraduates and postgraduates of new media and communication studies, internet studies, environmental psychology, and human-computer interaction. www.technobiophilia.com

"Resistance Art" was Sue Williamson s classic account of the visual art against apartheid. First published in 1989, it soon became a bestseller. Editions were sold in the United States and the UK, and the South African edition sold out within a few years. Because of continuing demand, this landmark work has now been reprinted with a new preface, so as to make the art of the 1980s and 1990's available to a new generation of readers and art lovers.

"Tonight at Noon" is the story of the tumultuous, passionate marriage of Sue and Charlie Mingus, and of Sue's personal odyssey inside and outside its confines. An illuminating look at an important chapter in jazz history and at the inner workings of a rare and complex artist, it is essentially a love story--heartbreaking, joyous, and unforgettable.

This book begins in a narrow territory, strictly Western, and extends with the passage of time to include the poetry, plays, novels, and works of speculation of the great authors of the past and present from Russia to Mexico. his objective is to tell the whole story of Western writing in languages other than English from the twelfth-century Chanson de Roland to Evtushenko's poetry of the 1960s. Cohen not only presents a factual account of historical growth. The book reflects the author's own judgments and valuations, arrived at in the course of almost forty years' reading in the main European languages. A work of original critism, A History of Western Literature immediately became a standard reference when first published. In this new edition, the author has included revisions covering the most important recent writers and their work. "Especially for American or British readers who want to explore under sensible guidance the main lines of Western letters, this carefully wrought handbook is indispensable."--Library Journal. "Considering Mr. Cohen's vast scope, his achievement is commendable. The information he presents is accurate. His style is surprisingly readable...."--Modern Language Journal. J. M. Cohen (1903-1989) was a widely known critic and a translator of French and Spanish literature. He was born in London and graduated from Cambridge University. His versions of Don Quixote, Gargantua and Pantagruel, and Rousseau's Confessions are recognized as among the finest modern translations.