Reproduction of the original: The Woman who did by Grant Allen

The Woman Who Did is a tale about a young, self-assured middle-class woman who defies convention as a matter of principle and who is fully prepared to suffer the consequences of her actions. Herminia Barton, the Cambridge-educated daughter of a clergyman, frees herself from her parents' influence, moves to London and starts living alone. As she is not a woman of independent means, she starts working as a teacher. When she meets and falls in love with Alan Merrick, a lawyer, she suggests they live together without getting married. Reluctantly, he agrees, and the couple move to Italy. There, in Florence, Merrick dies of typhoid before their daughter Dolores is born. Legal technicalities and the fact that they were not married prevent Herminia from inheriting any of Merrick's money. Dreaming of being a role model for Dolores and her friends, Herminia returns to England and raises her daughter as a single mother.

Provides the first broad introduction to feminist work in classical studies. Including lesbian theory, black feminist theory, American and French feminist theory, classics will never be the same again.

When Stephanie Staal first read The Feminine Mystique in college, she found it "a mildly interesting relic from another era." But more than a decade later, as a married stay-at-home mom in the suburbs, Staal rediscovered Betty Friedan's classic work -- and was surprised how much she identified with the laments and misgivings of 1950s housewives. She set out on a quest: to reenroll at Barnard and re-read the great books she had first encountered as an undergrad. From the banishment of Eve to Judith Butler's Gender Trouble, Staal explores the significance of each of these classic tales by and of women, highlighting the relevance these ideas still have today. This process leads Staal to find the self she thought she had lost -- curious and ambitious, zany and critical -- and inspires new understandings of her relationships with her husband, her mother, and her daughter.

A girl comes of age in the radical 1960s in this “beautifully written” novel by the groundbreaking author of The Women’s Room (Kate Mosse). It’s 1968 in Cambridge, Massachusetts. Jess Leighton, the daughter of a temperamental painter and a proto-feminist Harvard professor, is struggling to make sense of her world amid racial tensions, Vietnam War protests, anti-government rage, her own burgeoning sexuality, and bad relationships. With more options than her mother’s generation, but no role model for creating the life she desires, Jess experiments with sex and psychedelic drugs as she searches for happiness on her own terms. In the midst of joining and fleeing a commune, growing organic vegetables, and operating a sustainable restaurant, Jess grapples with the legacy of her mother’s generation while building a future for herself, and for the postmodern woman. “French’s meticulous and affecting tale of the forging of one woman’s conscience encompasses thoughtful portraits of ‘love children,’ from peace activists to members of unconventional families, and a forthright critique of the counterculture that puts today’s wars, struggles for equality, and environmental troubles into sharp perspective” (Booklist).

An updated edition of the Sunday Times Bestseller Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Hillary Clinton. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template. A year on since the advent of #metoo, Beard looks at how the discussions have moved on during this time, and how that intersects with issues of rape and consent, and the stories men tell themselves to support their actions. In trademark Beardian style, using examples ancient and modern, Beard argues, 'it's time for change - and now!' From the author of international bestseller SPQR: A History of Ancient Rome.

So begins Firdaus' story, leading to her grimy Cairo prison cell, where she welcomes her death sentence as a relief from her pain and suffering. Born to a peasant family in the Egyptian countryside, Firdaus suffers a childhood of cruelty and neglect. Her passion for education is ignored by her family, and on leaving school she is forced to marry a much older man. Following her escapes from violent relationships, she finally meets Sharifa who tells her that 'A man does not know a woman's value ... the higher you price yourself the more he will realise what you are really worth' and leads her into a life of prostitution. Desperate and alone, she takes drastic action. -- Publisher description.

For centuries women have been marginalized and overlooked in American literary history. That injustice is corrected in this entertaining and provocative collection of 350 years of poetry and fiction by American women. From Puritan poet Anne Bradstreet to Margaret Fuller to Harriet Beecher Stowe, readers will encounter scores of lesser-known and forgotten writers who fully deserve to be rediscovered and enjoyed by new generations. Our famous women writers, including contemporary stars like Annie Proux and Jhumpa Lahiri, are showcased in their full literary context, offering an epic overview of the canon in one monumental, dazzling volume. This landmark anthology features the best work of our best American women, and was inspired and informed by the author's groundbreaking history celebrating women writers, A Jury of Her Peers.

She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.

The book that changed the consciousness of a country—and the world. Landmark, groundbreaking, classic—these adjectives barely describe the earthshaking and long-lasting effects of Betty Friedan's The Feminine Mystique. This is the book that defined "the problem that has no name," that launched the Second Wave of the feminist movement, and has been awakening women and men with its insights into social relations, which still remain fresh, ever since. A national bestseller, with over 1 million copies sold.