On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics. Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.

Recounts the struggle against the Nazi takeover of Warsaw and provides an account of the author's activities as head courier for the ZOB, the Jewish Fighting Organization.

Includes 204 photos, plans and maps illustrating The Holocaust “Born in a small town outside of Warsaw in 1889, Bernard Goldstein joined the Jewish labor organization, the Bund, at age 16 and dedicated his life to organizing workers and resisting tyranny. Goldstein spent time in prisons from Warsaw to Siberia, took part in the Russian Revolution and was a respected organizer within the vibrant labor movement in independent Poland. “In 1939, with the Nazi invasion of Poland and establishment of the Jewish Ghetto, Goldstein and the Bund went underground—organizing housing, food and clothing within the ghetto; communicating with the West for support; and developing a secret armed force. Smuggled out of the ghetto just before the Jewish militia’s heroic last stand, Goldstein assisted in procuring guns to aid those within the ghetto’s walls and aided in the fight to free Warsaw. After the liberation of Poland, Goldstein emigrated to America, where he penned this account of his five-and-a-half years within the Warsaw ghetto and his brave comrades who resisted to the end. His surprisingly modest and frank depiction of a community under siege at a time when the world chose not to intervene is enlightening, devastating and ultimately inspiring.”-Print ed. “His active leadership before the war and his position in the Jewish underground during it qualify him as the chronicler of the last hours of Warsaw’s Jews. Out of the tortured memories of those five-and-a-half years, he has brought forth the picture with all its shadings—the good with the bad, the cowardly with the heroic, the disgraceful with the glorious. This is his valedictory, his final service to the Jews of Warsaw.”—Leonard Shatzkin

In Warsaw Ghetto Police, Katarzyna Person shines a spotlight on the lawyers, engineers, young yeshiva graduates, and sons of connected businessmen who, in the autumn of 1940, joined the newly formed Jewish Order Service. Person tracks the everyday life of policemen as their involvement with the horrors of ghetto life gradually increased. Facing and engaging with brutality, corruption, and the degradation and humiliation of their own people, these policemen found it virtually impossible to exercise individual agency. While some saw the Jewish police as fellow victims, others viewed them as a more dangerous threat than the German occupation authorities; both were held responsible for the destruction of a historically important and thriving community. Person emphasizes the complexity of the situation, the policemen's place in the network of social life in the ghetto, and the difficulty behind the choices that they made. By placing the actions of the Jewish Order Service in historical context, she explores both the decisions that its members were forced to make and the consequences of those actions. Featuring testimonies of members of the Jewish Order Service, and of others who could see them as they themselves could not, Warsaw Ghetto Police brings these impossible situations to life. It also demonstrates how a community chooses to remember those whose allegiances did not seem clear. Published in Association with the US Holocaust Memorial Museum.

The powerful writings and art of Jews living in the Warsaw Ghetto Hidden in metal containers and buried underground during World War II, these works from the Warsaw Ghetto record the Holocaust from the perspective of its first interpreters, the victims themselves. Gathered clandestinely by an underground ghetto collective called Oyneg Shabes, the collection of reportage, diaries, prose, artwork, poems, jokes, and sermons captures the heroism, tragedy, humor, and social dynamics of the ghetto. Miraculously surviving the devastation of war, this extraordinary archive encompasses a vast range of voices—young and old, men and women, the pious and the secular, optimists and pessimists—and chronicles different perspectives on the topics of the day while also preserving rapidly endangered cultural traditions. Described by David G. Roskies as “a civilization responding to its own destruction,” these texts tell the story of the Warsaw Ghetto in real time, against time, and for all time.

Inspired by true events, David Safier's 28 Days: A Novel of Resistance in the Warsaw Ghetto is a harrowing historical YA that chronicles the brutality of the Holocaust. Warsaw, 1942. Sixteen-year old Mira smuggles food into the Ghetto to keep herself and her family alive. When she discovers that the entire Ghetto is to be "liquidated"—killed or "resettled" to concentration camps—she desperately tries to find a way to save her family. She meets a group of young people who are planning the unthinkable: an uprising against the occupying forces. Mira joins the resistance fighters who, with minimal supplies and weapons, end up holding out for twenty-eight days, longer than anyone had thought possible.

A blow-by-blow, ground-level account of the 1944 Warsaw Uprising, the 2-month Polish Resistance effort to liberate Warsaw from Nazi occupation. Poland’s most famous post-war poet offers “the finest book about the insurrection of 1944”—an essential read for fans of WW2 history (John Carpenter). On August 1, 1944, Miron Białoszewski, later to gain renown as one of Poland’s most innovative poets, went out to run an errand for his mother and ran into history. With Soviet forces on the outskirts of Warsaw, the Polish capital revolted against 5 years of Nazi occupation, an uprising that began in a spirit of heroic optimism. 63 days later it came to a tragic end. The Nazis suppressed the insurgents ruthlessly, reducing Warsaw to rubble while slaughtering some 200,000 people, mostly through mass executions. The Red Army simply looked on. First written over 25 years after the uprising, Białoszewski’s account gives readers an unforgettable sense of the chaos and immediacy of the final days of World War II. He tells of slipping back and forth under German fire, dodging sniper bullets, collapsing with exhaustion, rescuing the wounded, and burying the dead. This unusual memoir is a major work of literature and a reflection on memory that resists the terrible destruction it records. Madeline G. Levine has extensively revised her 1977 translation, and passages that were unpublishable in Communist Poland have been restored.

In 1940, in the Jewish ghetto of Nazi-occupied Warsaw, the Polish historian Emanuel Ringelblum established a clandestine scholarly organization called the Oyneg Shabes to record the experiences of the ghetto's inhabitants. For three years, members of the Oyneb Shabes worked in secret to chronicle the lives of hundereds of thousands as they suffered starvation, disease, and deportation by the Nazis. Shortly before the Warsaw ghetto was emptied and razed in 1943, the Oyneg Shabes buried thousands of documents from this massive archive in milk cans and tin boxes, ensuring that the voice and culture of a doomed people would outlast the efforts of their enemies to silence them. Impeccably researched and thoroughly compelling, Samuel D. Kassow's Who Will Write Our History? tells the tragic story of Ringelblum and his heroic determination to use historical scholarship to preserve the memory of a threatened people.

In this remarkable book, which combines both memoir and historical analysis, Peter F. Dembowski describes the fate some five thousand Christians of Jewish origin lived in the Warsaw ghetto during the early 1940s.

This is a story of the Warsaw Ghetto told through the eyes of Froim Baum, who was born in Warsaw on April 15, 1926. After his father died, he was placed in Janusz Korczak's orphanage, where he spent some of the happiest years of his childhood. When Germany invaded Poland on September 1, 1939, Froim and other Jews were forced by Nazi soldiers to live in a walled-off part of the city. Froim sneaked outside the walls to the market, where he bought food and smuggled it in to his family and friends. A few years later, he was sent to the death camps. He managed to survive until he was liberated at dachau by American soldiers at the end of the war. Mr. Adler hopes that by reading Froim's story, people will be reminded of those millions who perished.