A captivating look at two centuries of surfing—"the Sport of Queens"—from Native Hawaiian royalty to the breakout style and jaw-dropping feats on the waves today. Few subjects in the world of sports and or the outdoors is more timely or compelling than women’s surfing. From smart, strong, fearless women shattering records on 80-foot waves to professional athletes fighting for equal pay and a more fair and just playing field, these amazing, wave-riding warriors provide an inspirational and aspirational cast of powerful role models for women (and men) across all backgrounds and generations. Over the past two-hundred years, and especially the past five decades, the surfing lifestyle have become the envy of people around the world. The perception of sun, sand, surf, strong young women and their inimitable style, has created a booming lifestyle and sports industry—and the sport that is set to make it’s Olympic exhibition debut in Tokyo 2021. A massive shift from when colonizers tried to extinguish all traces of Native Hawaiian surfing and its sacred culture. What is it about the surfing that intrigues people of all ages, from all corners of the world? The beaches and idyllic locations? The unique style and mystique that surfers project? These women, on the beach and riding giant waves, or in the media, have made their mark on not just their sport, but our wider culture. Women on Waves is filled with phenomenal athletic performance, breakthrough female achievements, and plenty of inspiration and fun to see us through until the time when we can all hit the surf once more! Spanning a millennia, From Hawaii to Malibu, New York to Australia, South Africa to the South Pacific and beyond, Jim Kempton presents a fascinating new narrative that will captivate anyone who loves sports and the outdoors.

The Man Who Laughs (1869) is a novel by Victor Hugo. Written while Hugo was living in exile on the island of Guernsey, The Man Who Laughs is set between the 17th and 18th centuries in England, a time of political unrest and class conflict in which he identified parallels to France of the 19th century. Although the novel was largely panned at the time, it has since been recognized as one of Hugo’s greatest works. The Man Who Laughs has inspired over a dozen adaptations in film, theater, and comics, including a 1928 American silent film that served as source material for the Joker in the original 1940 issue of Batman. “Again the child set himself to sweep away the snow. The neck of the dead woman appeared; then her shoulders, clothed in rags. Suddenly he felt something move feebly under his touch. It was something small that was buried, and which stirred. The child swiftly cleared away the snow, discovering a wretched little body—thin, wan with cold, still alive, lying naked on the dead woman's naked breast.” Abandoned by a group of Comprachicos, criminals who buy and capture children for the purpose of mutilating them and forcing them to work as beggars or performers, the young Gwynplaine wanders the English coast alone. During a storm, he discovers an infant girl and her dead mother lying in the snow, and endeavors to save the child. Left with no choice but to rely on strangers, Gwynplaine joins a carnival run by the merciful Ursus, a man with a pet wolf. Horrified at first by the boy’s disfigurement, which has left a perpetual smile on his face, Ursus agrees to care for the children and soon finds that Gwynplaine is a versatile and lucrative attraction at his shows. When the Duchess Josiana attends the carnival to see Gwynplaine, now a young man, she finds herself strangely attracted to him. With a beautifully designed cover and professionally typeset manuscript, this edition of Victor Hugo’s The Man Who Laughs is a classic work of French literature reimagined for modern readers.