In this sequel to 'The Virgin in the Garden, ' in the 1950s, Stephanie Potter, now married to a clergyman, is conflicted about her domestic life and her strivings for intellectual fulfillment; her brilliant sister Frederica eagerly embarks on her academic (and sexual) education at Cambridge University; and their troubled brother Marcus painfully tries to find friendship and love.

From the Booker Prize-winning author of Possession comes a wonderfully erudite novel in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably. "Large, complex, ambitious, humming with energy and ideas ... a remarkable achievement." —Iris Murdoch In Yorkshire, the Potter family are preparing to celebrate Elizabeth II’s arrival on the throne. Its three youngest members, however, are preoccupied with other matters. Stephanie has grown tired of their overbearing father and resolves to marry the local curate. Anxious teenager Marcus gains a new teacher and suffers increasingly disturbing visions. Then there is Frederica. On the brink of adulthood, a love affair with a young playwright may offer the freedom she desperately desires.

The Booker Prize-winning author of Possession delivers a brilliant and thought-provoking novel about the 1960s and how the psychology, science, religion, ethics, and radicalism of the times affected ordinary lives. “Rich, acerbic, wise.... [Byatt] tackles nothing less than what it means to be human.” —Vogue Frederica Potter, a smart, spirited 33-year-old single mother, lucks into a job hosting a groundbreaking television talk show based in London. Meanwhile, in her native Yorkshire where her lover is involved in academic research, the university is planning a prestigious conference on body and mind, and a group of students and agitators is establishing an “anti-university.” And nearby a therapeutic community is beginning to take the shape of a religious cult under the influence of its charismatic religious leader. A Whistling Woman portrays the antic, thrilling, and dangerous period of the late ‘60s as seen through the eyes of a woman whose life is forever changed by her times.

A.S. Byatt’s novel Possession: A Romance attracted international acclaim in 1990, winning both the Booker Prize and the Irish Times/Aer Lingus International Fiction Prize. In her long and eminent career, Byatt has steadily published both fiction and non-fiction, the latest of which has not, until now, been given full critical consideration. Enter Jane Campbell’s new book, A.S. Byatt and the Heliotropic Imagination, a comprehensive critical reading of Byatt’s fiction from The Shadow of the Sun and The Game, published in the 1960s, to A Whistling Woman (2002). The book begins with an overview of Byatt’s writing and, drawing on her interviews and essays, sets forth the critical principles that inform the novelist’s work. Following this introduction, a chronologically structured account of the novels and short stories traces Byatt’s literary development. As well as exploring the ways in which Byatt has successfully negotiated a path between twentieth-century realism and postmodern experiment, Campbell employs a critical perspective appropriate to the author’s individualistic feminist stance, stressing the breadth of Byatt’s intellectual concerns and her insistence on placing her female characters in a living, changing context of ideas and experience, especially in their search for creative voice.

This book explores the ways in which English writer A. S. Byatt’s visual still lifes (descriptions of real or imagined artworks) and what are termed “verbal still lifes” (scenes such as laid tables, rooms and market stalls) are informed by her veneration of both realism and writing. It examines Byatt’s adoption of the Barthesian concept of textual pleasure, showing how her ekphrastic descriptions involve consumption and take time to unfold for the reader, thereby highlighting the limitations of painting. It also investigates the ways in which Byatt’s still lifes demonstrate her debts to English modernist author Virginia Woolf, French writer Marcel Proust, and the Pre-Raphaelite Brotherhood of nineteenth-century Britain. A number of Byatt’s verbal still lifes are read as semiotic markers of her characters, particularly with regard to economic status and class. Further, her descriptions uniting food and sexuality are perceived as part of her overall representation of pleasure. Finally, Byatt’s employment of vanitas iconography in many of her portrayals of death is discussed showing how her recurring motif of Keats’s “Ode on a Grecian Urn” teases out the still life’s inherent tension between living passion and “cold” artwork.

From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.

Welcome to Italian police detective Nic Costa's Rome: the side of the city the tourist board does not want you to see. "Hewson does more than provide a thrilling read. He saves you the airfare to Italy. When you turn the last page, you'll think you've been there" LINWOOD BARCLAY "David Hewson's Rome is dark and tantalizing, seductive and dangerous, a place where present-day crimes ring with the echoes of history" TESS GERRITSEN "David Hewson is one of the finest thriller writers working today" STEVE BERRY "No author has ever brought Rome so alive for me - nor made it seem so sinister" PETER JAMES _______________________ A grisly discovery in the heart of Rome. A desperate chase. An untouchable prime suspect . . . Inside a deserted studio, in a seedy area of Rome best known for prostitution, an art expert from the Louvre is found dead in front of one of the most beautiful paintings that Detective Nic Costa has ever seen - an unknown Caravaggio masterpiece. This death is just the start. Before long, tragedy strikes Costa far closer to home . . . and the hunt to find the killer becomes deeply personal. But while the main suspect's identity is known, he remains untouchable - protected in his grand palazzo by a fleet of lawyers and a sinister cult known as the Ekstasists. Teaming with an art expert, Costa follows clues hidden in the mysterious Caravaggio canvas. As he moves through a maze of history, he begins to make stunning connections to the present case. And each discovery brings him closer and closer to a terrifying conspiracy dating back four hundred years - and to men who will stop at nothing to protect their own private garden of evil. Fans of Donna Leon's Commissario Brunetti, Andrea Camilleri's Inspector Montalbano and Michael Dibdin's Aurelio Zen, as well as Louise Penny, Jeffey Siger and Martin Walker, will love this thrilling mystery series - perfect for readers who enjoy dark and complex character-led mysteries with multiple twists. PRAISE FOR THE GARDEN OF EVIL: "Opens with a shocker that will have series fans reeling . . . Arturo Perez-Reverte has long set the gold standard for mixing history, mystery, and modern life into literary stews of mouthwatering flavor and incredible subtlety, but it's time to agree that Hewson now shares that position-and is on the verge of claiming it outright" Booklist Starred Review "A dark jewel of a thriller" Publishers Weekly Starred Review "A thought-provoking blend of art history and mystery . . .A treat for readers who like their entertainment literate" Richmond Times-Dispatch "This one took my breath away . . . Worth a read if you love art, history, the renaissance or police procedurals, especially if you love a mixture of all three" Kirsten, 5* GoodReads review "I could not recommend a book in this genre more highly. For me it is right up there with Donna Leon's wonderful series featuring Venetian Detective, Guido Brunetti" Blair, 5* GoodReads review "I've enjoyed all of Hewson's Nic Costa series but this one proved to be my favourite so far" Vivienne, 5* GoodReads review "One of the best crime series out there, and this volume, to date, is the best of the series" Linda, 5* GoodReads review THE NIC COSTA MYSTERIES, IN ORDER: 1. A Season for the Dead 2. The Villa of Mysteries 3. The Sacred Cut 4. The Lizard's Bite 5. The Seventh Sacrament 6. The Garden of Evil 7. Dante's Numbers (aka The Dante Killings) 8. City of Fear (aka The Blue Demon) 9. The Fallen Angel 10. The Savage Shore

Stories can explore complicated ideas and bring shared experiences to life. Footage of the Knicks’ upset win in the NBA finals triggers a traumatic memory of family tragedy. A young girl starts bullying her best friend after her big sister goes off to sleepaway camp. An adolescent works through her feelings of anger at her father over her parents’ divorce after discovering his infidelity. A patient’s ugly shoes remind an analyst of her own childhood scars. A daughter recognizes her Holocaust-survivor father’s resilience as she comes to terms with his vulnerability after a life-altering accident. Bringing together these narratives and many more, When the Garden Isn’t Eden reveals how psychoanalysis sheds light on the troubles of everyday life. Through poignant and sometimes painful stories from their personal and professional lives, three practicing psychoanalysts demonstrate the richness of psychodynamic thinking. Each chapter offers an illustrative and powerful personal vignette followed by an analytical reflection that explicates key psychodynamic concepts, showing how these ideas inform and deepen our understanding of what makes us human. Blending storytelling and psychotherapy, When the Garden Isn’t Eden makes psychodynamic theory vivid and accessible to students, teachers, clinicians, and anyone curious about how therapists work and think.

#1 New York Times bestselling author and “queen of royal fiction” (USA TODAY) Philippa Gregory brings to life the passionate, turbulent times of seventeenth-century England as seen through the eyes of the country’s most famous royal gardener. John Tradescant’s fame and skill as a gardener are unsurpassed in seventeenth-century England, but it is his clear-sighted honesty and loyalty that make him an invaluable servant. As an informal confidant of Sir Robert Cecil, adviser to King James I, he witnesses the making of history, from the Gunpowder Plot to the accession of King Charles I and the growing animosity between Parliament and court. Tradescant’s talents soon come to the attention of the most powerful man in the country, the irresistible Duke of Buckingham, the lover of King Charles I. Tradescant has always been faithful to his masters, but Buckingham is unlike any he has ever known: flamboyant, outrageously charming, and utterly reckless. Every certainty upon which Tradescant has based his life—his love of his wife and children, his passion for his work, his loyalty to his country—is shattered as he follows Buckingham to court, to war, and to the forbidden territories of human love.

An unforgettable collection of fairy tales for grownups—from the Booker Prize-winning author of Possession. • “A delight.... provoking and alarming, richly yet tautly rendered.... [She] has the sheer narrative skill to raise the hairs on the back of your neck and make your pulse race.” —The New York Times Book Review Like Hans Christian Andersen and the Brothers Grimm, Isak Dinesen and Angela Carter, A. S. Byatt knows that fairy tales are for adults. And in this ravishing collection she breathes new life into the form. Little Black Book of Stories offers shivers along with magical thrills. Leaves rustle underfoot in a dark wood: two middle-aged women, childhood friends reunited by chance, venture into a dark forest where once, many years before, they saw–or thought they saw–something unspeakable. Another woman, recently bereaved, finds herself slowly but surely turning into stone. A coolly rational ob-gyn has his world pushed off-axis by a waiflike art student with her own ideas about the uses of the body. Spellbinding, witty, lovely, terrifying, the Little Black Book of Stories is Byatt at the height of her craft.