An imaginative and lyrical set of meditations on the splendor, beauty, and sanctity of the Immaculate Mother of God.

A bestseller in China, Brothers is an epic and wildly unhinged black comedy of modern Chinese society running amok. Here is China as we've never seen it before, in a sweeping, Rabelaisian panorama of forty years of rough-and-rumble Chinese history, from the madness of the Cultural Revolution to the equally rabid madness of extreme materialism. Yu Hua, award-winning author of To Live, gives us a surreal tale of two comically mismatched stepbrothers, Baldy Li, a sex-obsessed ne'er-do-well, and the bookish, sensitive Song Gang, who vow that they will always be brothers—a bond they will struggle to maintain over the years as they weather the ups and downs of rivalry in love and making and losing millions in the new China. Both tragic and absurd by turns, Brothers is a fascinating vision of an extraordinary place and time.

They say good things come to those who wait. Bullsh*%! My whole life has been about waiting. Playing it safe. Be the good girl, don't color outside the lines. Put in the hard work trying to prove myself to Dad, then to my college professors, then to my boss at New World Media. Just waiting for the day when it will all pay off. And right when it was all starting to--I finally had the house, the job, I was even thinking about getting a cat--boom!--my life explodes and suddenly now I'm here and-- "All done," the doctor interrupts my thoughts, pulling off her gloves with a loud snap. Even from the bed where I'm lying, my legs spread like the Thanksgiving turkey, I can hear the impatient growl of the man standing in the doorway. If you can even call him a man. More like a beast out of a friggin' fairytale. "Well?" Her pronouncement echoes throughout the room while the speculum is still inside me. "She's a virgin."

The virginity of Mary has been an influential tenet of Christian belief, a catalyst for Marian devotion, and a foundation for the construction of female Christian piety and practice. In contrast to previous biblical interpreters who have drawn on either linguistic or historical evidence to ponder whether Mary the parthenos is indeed a "virgin," in this study Mary F. Foskett takes a different course. Rather than investigating the meaning and implications of the Virgin as a reified symbol, A Virgin Conceived examines the portrayal of Mary as a virgin in two important early Christian narratives: the canonical Luke-Acts and the second-century Protevangelium of James. Foskett explores the multiple meanings and images that parthenos and virginity display in two sources and describes how they exploit this range of possible meanings in their representations of Mary. Her study departs from earlier biblical interpretation by emphasizing neither the ambiguity of the term parthenos nor the history of tradition concerning Mary. Instead, it displays the multiple meanings of "virginity" and their implications for understanding representations of the Virgin Mary.

Texts by, for, and about preachers from the twelfth to the fourteenth centuries reveal an intense interest in the preacher's human nature and its intersection with his "angelic" role. Far from simply denigrating embodiment or excluding it from consideration, these works recognize its centrality to the office of preacher and the ways in which preachers, like Christ, needed humanness to make their performance of doctrine effective for their audiences. At the same time, the texts warned of the preacher's susceptibility to the fleshly failings of lust, vainglory, deception, and greed. Preaching's problematic juxtaposition of the earthly and the spiritual made images of women preachers, real and fictional, key to understanding and exploiting the power, as well as the dangers, of the feminized flesh. Addressing the underexamined bodies of the clergy in light of both medieval and modern discussions of female authority and the body of Christ in medieval culture, Angels and Earthly Creatures reinserts women into the history of preaching and brings together discourses that would have been intertwined in the Middle Ages but are often treated separately by scholars. The examination of handbooks for preachers as literary texts also demonstrates their extensive interaction with secular literary traditions, explored here with particular reference to Chaucer's Canterbury Tales. Through a close and insightful reading of a wide variety of texts and figures, including Hildegard of Bingen, Birgitta of Sweden, and Catherine of Siena, Waters offers an original examination of the preacher's unique role as an intermediary—standing between heaven and earth, between God and people, participating in and responsible to both sides of that divide.

Beauty pageants are wildly popular in the U.S. Virgin Islands, outnumbering any other single performance event and capturing the attention of the local people from toddlers to seniors. Local beauty contests provide women opportunities to demonstrate talent, style, the values of black womanhood, and the territory's social mores. Queen of the Virgins: Pageantry and Black Womanhood in the Caribbean is a comprehensive look at the centuries-old tradition of these expressions in the Virgin Islands. M. Cynthia Oliver maps the trajectory of pageantry from its colonial precursors at tea meetings, dance dramas, and street festival parades to its current incarnation as the beauty pageant or “queen show.” For the author, pageantry becomes a lens through which to view the region's understanding of gender, race, sexuality, class, and colonial power. Focusing on the queen show, Oliver reveals its twin roots in slave celebrations that parodied white colonial behavior and created Creole royal rituals and celebrations heavily influenced by Africanist aesthetics. Using the U.S. Virgin Islands as an intriguing case study, Oliver shows how the pageant continues to reflect, reinforce, and challenge Caribbean cultural values concerning femininity. Queen of the Virgins examines the journey of the black woman from degraded body to vaunted queen and how this progression is marked by social unrest, growing middle-class sensibilities, and contemporary sexual and gender politics.

"Theologians, poets, artists, and laypeople alike have been fascinated by Saint Mary of Egypt's legend since it was first recorded in the seventh century. Mary's prominence is religious and symbolic, encompassing sin and sanctity, the excesses of nymphomania and asceticism, the charms of nubile youth and the wrinkles of old age. In Promiscuous Grace, scholar of religion Sonia Velázquez thinks with Saint Mary of Egypt about what beauty has to do with holiness. With an archive spanning medieval Spanish poetry, Baroque paintings, a seventeenth-century hagiographic drama, and Balzac's treatment of Saint Mary in Le chef-d'oeuvre inconnu, Velázquez argues for the relevance of the appeal to the senses and the importance of the surface in religious texts. She draws on insights from philosophy, literary history and theory, and religious, visual and gender studies, and pays close attention to the texture of the words and images that make the legend of Saint Mary of Egypt come alive and remain relevant today"--

Immaculate Conceptions investigates the religious imagination - sacred truth communicated through contingent and contextually determined theological propositions - as deployed in early modern Spanish textual and visual representations of the Virgin of the Immaculate Conception.

Beautifully illustrated, and drawing on research from a wide range of disciplines, this interdisciplinary study provides students with a fascinating and comprehensive collection that surveys the life of an extraordinary medieval woman.