Throughout the last two centuries, a controversial question has plagued the field of education of the deaf: should sign language be used to communicate with and instruct deaf children? Never the Twain Shall Meet focuses on the debate over this question, especially as it was waged in the nineteenth century, when it was at its highest pitch and the battle lines were clearly drawn. In addition to exploring Alexander Graham Bell's and Edward Miner Gallaudet's familial and educational backgrounds, Never the Twain Shall Meet looks at how their views of society affected their philosophies of education and how their work continues to influence the education of deaf students today.

This volume explores the theme of Latin and Greek mutual learning, intellectual and cultural interchange in the final age of Byzantium (1261-1453), challenging received conceptions of East and West as clearly delineated ideological categories. The reception of Thomas Aquinas and Western scholasticism receives emphasis, but also other forms of philosophical and theological frames of reference that have had lasting repercussions.

Did famous author Mark Twain's only surviving child, Clara, and her daughter, Nina Clemens Gabrilowitsch, take a life-long secret to their graves? After extensive research, and using techniques from genetic genealogy, The Twain Shall Meet authors believe the answer is a resounding "yes." If you thought you knew everything about Samuel Langhorne Clemens' family, this book will be a page-turning eye opener. This work of nonfiction takes the reader on a mesmerizing and heartwarming journey into the tangled universe of mother-daughter relationships as co-authors Susan Bailey and genealogist and historic researcher Deborah Gosselin seek to uncover the identity of Bailey's mother-a quest that leads them straight into the heart of Clara's and Nina's world.

A collection of whimsical true encounters between famous and infamous individuals describes the unlikely meetings of Marilyn Monroe with Frank Lloyd Wright, Michael Jackson with Nancy Reagan, and Sigmund Freud with Gustav Mahler.

This book is a synthesis of the author's now lifetime of deep and abiding personal and professional experiences that have led to his deep understanding of the American Experience, the Mediterranean World, and U.S.-Turkish relations. The narrative guides the audience to bridges, where others may see only chasms. Oh, there are chasms for sure. The reader is transported, back and forth, from East to West, across the centuries, juxtaposing geography and discovery, politics and war, religion and the arts, terrorism, key figures and human triumphs. The goal of the journey is a better appreciation for the nature of both historic and current controversies and under-recognized extraordinary contributions that lie at the heart of the East-West dynamic. This book seeks to decode some of the presumptions and misconceptions that tend to become the prisms through which both individual and state perceptions are filtered and pose as "the truth". These truths, like beauty, tend to vary in the eyes of the beholder.

Originally published: Berkeley, Calif; London: University of California Press, 1969.

The family consisted of four persons: Margaret Lester, widow, aged thirty six; Helen Lester, her daughter, aged sixteen; Mrs. LesterÕs maiden aunts, Hannah and Hester Gray, twins, aged sixty-seven. Waking and sleeping, the three women spent their days and night in adoring the young girl; in watching the movements of her sweet spirit in the mirror of her face; in refreshing their souls with the vision of her bloom and beauty; in listening to the music of her voice; in gratefully recognizing how rich and fair for them was the world with this presence in it; in shuddering to think how desolate it would be with this light gone out of it. By natureÑand insideÑthe aged aunts were utterly dear and lovable and good, but in the matter of morals and conduct their training had been so uncompromisingly strict that it had made them exteriorly austere, not to say stern. Their influence was effective in the house; so effective that the mother and the daughter conformed to its moral and religious requirements cheerfully, contentedly, happily, unquestionably. To do this was become second nature to them. And so in this peaceful heaven there were no clashings, no irritations, no fault-finding, no heart-burnings. In it a lie had no place. In it a lie was unthinkable. In it speech was restricted to absolute truth, iron-bound truth, implacable and uncompromising truth, let the resulting consequences be what they might. At last, one day, under stress of circumstances, the darling of the house sullied her lips with a lieÑand confessed it, with tears and self-upbraidings. There are not any words that can paint the consternation of the aunts. It was as if the sky had crumpled up and collapsed and the earth had tumbled to ruin with a crash. They sat side by side, white and stern, gazing speechless upon the culprit, who was on her knees before them with her face buried first in one lap and then the other, moaning and sobbing, and appealing for sympathy and forgiveness and getting no response, humbly kissing the hand of the one, then of the other, only to see it withdrawn as suffering defilement by those soiled lips.

This book integrates new thinking on the image, marketing, and branding of places at all levels, from town squares to cities and countries, and of the products and peoples associated with them, thereby bridging the ‘country’ and ‘place’ silos in place-related research and practice. Insightful contributions from top scholars reflect fresh theorizing and provide a critical appraisal of conventional wisdom by juxtaposing intriguing contexts, questioning commonplace practices, and challenging methodologies and theoretical assumptions.

These eleven short verses, written by Thomas Hardy as a response to the tragic loss of RMS Titanic in 1912, are couched in a colourful and concise language that takes the reader to the ocean depths where the sea-worm crawls over mirrors meant to reflect the opulent passengers. While the Titanic was being built, the great iceberg that was to be her undoing slowly moved towards the appointed convergence. Hardy seems to have instructed the publisher to space the number and lines of each verse to form the shape of an ocean liner.Robert Fielding has provided music that reflects the changing moods and underlying frustrations in Hardy's text. This work is also a small gesture of respect in remembrance of the musicians who sacrificed their lives playing upbeat ragtime and quick waltzes to calm the terrified passengers until they could no longer stand. The copy contains named photos of these men and information about the disaster.