Cultural Histories of Law, Media and Emotion: Public Justice explores how the legal history of long-eighteenth-century Britain has been transformed by the cultural turn, and especially the associated history of emotion. Seeking to reflect on the state of the field, 13 essays by leading and emerging scholars bring cutting-edge research to bear on the intersections between law, print culture and emotion in Britain across the eighteenth and nineteenth centuries. Divided into three sections, this collection explores the ‘public’ as a site of legal sensibility; it demonstrates how the rhetoric of emotion constructed the law in legal practice and in society and culture; and it highlights how approaches from cultural and emotions history have recentred the individual, the biography and the group to explain long-running legal-historical problems. Across this volume, authors evidence how engagements between cultural and legal history have revitalised our understanding of law’s role in eighteenth-century culture and society, not least deepening our understanding of justice as produced with and through the public. This volume is the ideal resource for upper-level undergraduates, postgraduates and scholars interested in the history of emotions as well as the legal history of Britain from the late seventeenth to the nineteenth century.

The period 1792–94 witnessed the emergence of the first genuinely popular radical movement in Britain. This collection contains the key trials of London radicalism from 1792–94. It includes a general introduction, but each of the trials is introduced in its own right and supported by endnotes and further reading.

The period 1792–94 witnessed the emergence of the first genuinely popular radical movement in Britain. This collection contains the key trials of London radicalism from 1792–94. It includes a general introduction, but each of the trials is introduced in its own right and supported by endnotes and further reading.

The period 1792–94 witnessed the emergence of the first genuinely popular radical movement in Britain. This collection contains the key trials of London radicalism from 1792–94. It includes a general introduction, but each of the trials is introduced in its own right and supported by endnotes and further reading.

The period 1792–94 witnessed the emergence of the first genuinely popular radical movement in Britain. This collection contains the key trials of London radicalism from 1792–94. It includes a general introduction, but each of the trials is introduced in its own right and supported by endnotes and further reading.

This book explores the hopes, desires, and imagined futures that characterized British radicalism in the 1790s, and the resurfacing of this sense of possibility in the following decades. The articulation of “Jacobin” sentiments reflected the emotional investments of men and women inspired by the French Revolution and committed to political transformation. The authors emphasize the performative aspects of political culture, and the spaces in which mobilization and expression occurred – including the club room, tavern, coffeehouse, street, outdoor meeting, theater, chapel, courtroom, prison, and convict ship. America, imagined as a site of republican citizenship, and New South Wales, experienced as a space of political exile, widened the scope of radical dreaming. Part 1 focuses on the political culture forged under the shifting influence of the French Revolution. Part 2 explores the afterlives of British Jacobinism in the year 1817, in early Chartist memorialization of the Scottish “martyrs” of 1794, and in the writings of E. P. Thompson. The relationship between popular radicals and the Romantics is a theme pursued in several chapters; a dialogue is sustained across the disciplinary boundaries of British history and literary studies. The volume captures the revolutionary decade’s effervescent yearning, and its unruly persistence in later years.

A biography of the American Gilbert Imlay (c 1754 - c 1828), revolutionary war veteran - and infamous lover of Mary Wollstonecraft. It also highlights how Imlay unwittingly acted as an intermediary between figures of greater significance, whose ideas, ambitions and schemes he frequently borrowed and disseminated across the Atlantic and continents.