Southern Tufts is the first book to highlight the garments produced by northwestern Georgia’s tufted textile industry. Though best known now for its production of carpet, in the early twentieth century the region was revered for its handtufted candlewick bedspreads, products that grew out of the Southern Appalachian Craft Revival and appealed to the vogue for Colonial Revival–style household goods. Soon after the bedspreads became popular, enterprising women began creating hand-tufted garments, including candlewick kimonos in the 1920s and candlewick dresses in the early 1930s. By the late 1930s, large companies offered machine-produced chenille beach capes, jackets, and robes. In the 1940s and 1950s, chenille robes became an American fashion staple. At the end of the century, interest in chenille fashion revived, fueled by nostalgia and an interest in recycling vintage materials. Chenille bedspreads, bathrobes, and accessories hung for sale both in roadside souvenir shops, especially along the Dixie Highway, and in department stores all over the nation. Callahan tells the story of chenille fashion and its connections to stylistic trends, automobile tourism, industrial developments, and U.S. history. The well-researched and heavily illustrated text presents a broad history of tufted textiles, as well as sections highlighting individual craftspeople and manufacturers involved with the production of chenille fashion.

The Natural Communities of Georgia presents a comprehensive overview of the state’s natural landscapes, providing an ecological context to enhance understanding of this region’s natural history. Georgia boasts an impressive range of natural communities, assemblages of interacting species that have either been minimally impacted by modern human activities or have successfully recovered from them. This guide makes the case that identifying these distinctive communities and the factors that determine their distribution are central to understanding Georgia’s ecological diversity and the steps necessary for its conservation. Within Georgia’s five major ecoregions the editors identify and describe a total of sixty-six natural communities, such as the expansive salt marshes of the barrier islands in the Maritime ecoregion, the fire-driven longleaf pine woodlands of the Coastal Plain, the beautiful granite outcrops of the Piedmont, the rare prairies of the Ridge and Valley, and the diverse coves of the Blue Ridge. With contributions from scientists who have managed, researched, and written about Georgia landscapes for decades, the guide features more than four hundred color photographs that reveal the stunning natural beauty and diversity of the state. The book also explores conservation issues, including rare or declining species, current and future threats to specific areas, and research needs, and provides land management strategies for preserving, restoring, and maintaining biotic communities. The Natural Communities of Georgia is an essential reference for ecologists and other scientists, as well as a rich resource for Georgians interested in the region’s natural heritage.

The courthouses of Georgia's 159 counties hold the keys to the history of individual families and entire communities alike. Internationally recognized photographer Greg Newington captures the prominence and character of these great structures, paying tribute to the community's investment in preserving historic courthouses for future generations.

How big is the threat posed by American ISIS supporters? How many Americans have joined ISIS and how many want to return to the United States? Compared to participation by Americans in other jihadist groups, the scale of American involvement in jihadist activity today is unprecedented. This book, from one of the leading counter-terror centres, draws on first-hand interviews with former American Islamic State members and law enforcement officials who tracked them, and includes detailed analysis of the court cases against them and their social media presence. Homegrown reveals how and why ISIS was able to radicalize and recruit a new generation of jihadist sympathizers in America.

"Exhibition Schedule, Morris Museum of Art, Augusta, Georgia February 28 to May 22, 2016."

Sapelo, a state-protected barrier island off the Georgia coast, is one of the state’s greatest treasures. Presently owned almost exclusively by the state and managed by the Georgia Department of Natural Resources, Sapelo features unique nature charac­teristics that have made it a locus for scientific research and ecological conservation. Beginning in 1949, when then Sapelo owner R. J. Reynolds Jr. founded the Sapelo Island Research Foundation and funded the research of biologist Eugene Odum, UGA’s study of the island’s fragile wetlands helped foster the modern ecology movement. With this book, Buddy Sullivan covers the full range of the island’s history, including Native American inhabitants; Spanish missions; the antebellum plantation of the innovative Thomas Spalding; the African American settlement of the island after the Civil War; Sapelo’s two twentieth-century millionaire owners, Howard E. Coffin and R. J. Reynolds Jr., and the development of the University of Georgia Marine Institute; the state of Georgia acquisition; and the transition of Sapelo’s multiple African American communities into one. Sapelo Island’s history also offers insights into the unique cultural circumstances of the residents of the community of Hog Hammock. Sullivan provides in-depth examination of the important correlation between Sapelo’s culturally significant Geechee communities and the succession of private and state owners of the island. The book’s thematic approach is one of “people and place”: how prevailing environmental conditions influenced the way white and black owners used the land over generations, from agriculture in the past to island management in the present. Enhanced by a large selection of contemporary color photographs of the island as well as a selection of archival images and maps, Sapelo documents a unique island history.

This debut collection explores memory, cities, motion. Tung-Hui Hu's tone has some of the swampy wit that recalls Calvino or Michaux: A man swaps bodies with his lover; a mapmaker holds captive a city, which needs his crystal telescope to navigate through streets "unreadable as palm lines"; a car pushed off a cliff in a fit of anger becomes home for a school of fish. Anchored by the sequence "Elegies for self," Hu's poetry brings a quiet sophistication to syntax, diction, and form.

Presents a collection of poems that describe the struggles of being both a father and a son.