Swashbuckling novel of D'Artagnan and his three friends — Athos, Porthos and Aramis — three musketeers in the service of King Louis XIII.

Alexandre Dumas's Four Musketeers--the noble Athos, the cunning Aramis, the loyal Porthos, and sharp-witted D'Artagnan--now add murder and mystery to their ranks as swashbuckling sleuths in the court of King Louis XIII. Original.

A guide to some 600 film anthologies published since 1991. Lists anthologies alphabetically by editor, and an author index locates essays by authors in specific anthologies. Includes a general index connecting film titles and themes to books numbers, not page numbers. Annotation copyright by Book News, Inc., Portland, OR

Vampires are overrunning the country and one has claimed Athos of the three musketeers, but Athos retains some of his humanity and it is up to him and the rest of the musketeers to fight the vampire scourge.

For the first time ever, Comet Press brings you their infamous THINGS anthologies in one terrifying trio, featuring authors such as Ramsey Campbell, Graham Masterton, Tim Curran, John Shirley, Simon Wood, Fred Venturini and many more. Three anthologies in one, with 700 pages and 42 stories, including the newest book in the series, STIFF THINGS! VILE THINGS: EXTREME DEVIATIONS OF HORROR -- the ultimate collection of extreme horror from award-winning masters and up-and-coming authors of macabre fiction. SICK THINGS: EXTREME CREATURE HORROR -- a disturbing collection of extreme creature horror with 17 deviant and gore-soaked stories featuring demons, cannibals, mutants, golems, werewolves, and many more vile creatures, monsters, and beasts. STIFF THINGS: THE SPLATTERP0RN ANTHOLOGY-- ratchets up the er0ticism and visceral intensity with twisted hardcore stories that penetrate new depths of psychosexual horror. Not for the squeamish or prudish. Don’t get any on you. EDITORIAL REVIEWS "This book is a definite for any extreme horror fan. Full of terror, sex, and gore, I don't recommend this for the faint of heart or for a light read at a beauty salon." --FANGORIA (on Vile Things) "But dismembered members aside, there are no cheap gross-outs here; even though the focus is clearly on the vile and unpalatable these don't feel like stories that were written with the sole purpose of being labeled 'extreme horror' or to merely revel in their graphic, gory descriptions. Simply put, VILE THINGS is every deviant horror fan's wet dream." --RUE MORGUE "VILE THINGS is one of the stronger horror anthologies I have come across in some time, its theme literally appears to be centered around creatures, topics, or situations that are so vile it would send a shiver down your spine. It includes stories from both established and newer horror authors, and some of the stories are more extreme than the usual fare."--MONSTER LIBRARIAN "Cover every orifice. Comet Press' new collection is making a beeline for the soft contents of your body--and it doesn't care one bit where it makes its grand entrance, orbital sockets or otherwise. Rest assured this violation will be painful, given the tight confinements of our fallible frames of flesh—but anything less than a full-on ass-rape would probably seem insufficient in the eyes of editrix Cheryl Mullenax…Mullenax has assembled a rogue's gallery of intelligent grotesqueries that will temper one's appetite hours after closing the book…" --FANGORIA (on Sick Things) “I thoroughly enjoyed reading this Anthology. Like I said in the beginning, no story fell short for me. Everyone brought an er0tic taste that stimulated every sense of my being. I highly recommend this book who love some deranged er0tic horror.” -- SPLATTER CAFE (on Stiff Things)

For the first time in English in over a century, a new translation of the forgotten sequel to Dumas’s The Three Musketeers, continuing the dramatic tale of Cardinal Richelieu and his implacable enemies. In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins, not twenty years later, but a mere twenty days afterward. The Red Sphinx picks up right where the The Three Musketeers left off, continuing the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII—and introducing a charming new hero, the Comte de Moret, a real historical figure from the period. A young cavalier newly arrived in Paris, Moret is an illegitimate son of the former king, and thus half-brother to King Louis. The French Court seethes with intrigue as king, queen, and cardinal all vie for power, and young Moret soon finds himself up to his handsome neck in conspiracy, danger—and passionate romance! Dumas wrote seventy-five chapters of The Red Sphinx, all for serial publication, but he never quite finished it, and so the novel languished for almost a century before its first book publication in France in 1946. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounted the final adventures of Moret and Cardinal Richelieu. Now for the first time, in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying storyline—a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers.

"We read The Three Musketeers to experience a sense of romance and for the sheer excitement of the story," reflected Clifton Fadiman. "In these violent pages all is action, intrigue, suspense, surprise--an almost endless chain of duels, murders, love affairs, unmaskings, ambushes, hairbreadth escapes, wild rides. It is all impossible and it is all magnificent." First published in 1844, Alexandre Dumas's swashbuckling epic chronicles the adventures of D'Artagnan, a gallant young nobleman who journeys to Paris in 1625 hoping to join the ranks of musketeers guarding Louis XIII. He soon finds himself fighting alongside three heroic comrades--Athos, Porthos, and Aramis--who seek to uphold the honor of the king by foiling the wicked plots of Cardinal Richelieu and the beautiful spy "Milady." "Dumas will be read a hundred, nay, three hundred years on," wrote John Galsworthy. "His greatest creation is undoubtedly D'Artagnan, type at once of the fighting adventurer and of the trusty servant, whose wily blade is ever at the back of those whose hearts have neither his magnanimity nor his courage. Few, if any, characters in fiction inspire one with such belief in their individual existences. . . . To one who made D'Artagnan all shall be forgiven." Clifton Fadiman agreed: "Dumas enjoyed writing his stories. . . . The pleasure he must have felt in creating D'Artagnan's troubles and triumphs flashes out of these pages. . . . Dumas rampaged through the history of France, inventing, changing, distorting--doing whatever was needed to produce a tale to hold the reader breathless."

“There are no limits to the will—and the strength—of this unique female hero.” —Tamora Pierce, writer of the Song of the Lioness and the Protector of the Small quartets One for All is a gender-bent retelling of The Three Musketeers, in which a girl with a chronic illness trains as a Musketeer and uncovers secrets, sisterhood, and self-love. Tania de Batz is most herself with a sword in her hand. Everyone thinks her near-constant dizziness makes her weak, nothing but “a sick girl.” But Tania wants to be strong, independent, a fencer like her father—a former Musketeer and her greatest champion. Then Papa is brutally, mysteriously murdered. His dying wish? For Tania to attend finishing school. But L’Académie des Mariées, Tania realizes, is no finishing school. It’s a secret training ground for new Musketeers: women who are socialites on the surface, but strap daggers under their skirts, seduce men into giving up dangerous secrets, and protect France from downfall. And they don’t shy away from a sword fight. With her newfound sisters at her side, Tania feels that she has a purpose, that she belongs. But then she meets Étienne, her target in uncovering a potential assassination plot. He’s kind, charming—and might have information about what really happened to her father. Torn between duty and dizzying emotion, Tania will have to decide where her loyalties lie...or risk losing everything she’s ever wanted. Lillie Lainoff's debut novel is a fierce, whirlwind adventure about the depth of found family, the strength that goes beyond the body, and the determination it takes to fight for what you love. Includes an author's note about her personal experience with Postural Orthostatic Tachycardia Syndrome.