From Library Journal: The long title sequence of Harrison's seventh poetry collection is a journey upward from tragedy and unconsciousness, a fitful amalgam of memory and myth, meditation and nightmare, lucidity and delirium. It's the life-passing-before-one's-eyes at the precipice of death rendered in tranquility. In "trying to become alert enough to live, '' the narrator sinks and surfaces, clutching at vivid bits of psychic debris that collectively define "the longest journey taken in a split second.'' Harrison combines the rustic, the portentous, and the wry ("I had forgotten what it was I liked/ about life. I hear if you own a chimpanzee/ they cease at a point to be funny'') with mixed but often penetrating results.

Jim Harrison's popular novels represent only part of his literary output—he has also been widely acclaimed for the "renegade genius" of his powerful, expressive verse, collected in several books such as The Theory and Practice of Rivers and Other Poems (Clark City Press, 1989). After Ikkyu is the first collection of Harrison's poems that are directly inspired by his many years of Zen practice.

Starred Review from Booklist: "This robust volume is a testament to the fortitude of a great American poet's work... [a] landmark collection." From the Introduction by Terry Tempest Williams: "Jim Harrison...was among the great ones—an elevated soul in all his unruliness who favored his senses and courted the wild on the page and in the world. His was a storied life that loomed large, and we are the beneficiaries. 'Such a powerful wounded poet—wrote as if he had to sing with a cut throat . . . and he did have to sing,' said Jorie Graham." Jim Harrison: Complete Poems is the definitive collection from one of America’s iconic writers. Introduced by activist and naturalist writer Terry Tempest Williams, this tour de force contains every poem Harrison published over his fifty-year career, as well as a section of previously unpublished "Last Poems." Here are the nature-based lyrics of his early work, the high-velocity ghazals, a harrowing prose-poem “correspondence” with a Russian suicide, the riverine suites, fearless meditations inspired by the Zen monk Crazy Cloud, and a joyous conversation in haiku-like gems with friend and fellow poet Ted Kooser. Weaving throughout these 1000 pages are Harrison’s legendary passions and appetites, his love songs and lamentations, and a clarion call to pay attention to the life you are actually living. Jim Harrison: Complete Poems confirms that Jim Harrison is a talented storyteller with a penetrating eye for details, or as Publishers Weeklycalled him, “an untrammeled renegade genius... a poet talking to you instead of around himself, while doing absolutely brilliant and outrageous things with language.” NOTE:Jim Harrison: Complete Poems also appears as a three-volume box set. Print run limited to 750 copies. Each volume is introduced by a different writer: Colum McCann, Joy Williams, and John Freeman. The box set retails for $85 and ISBN is 9781556596414.

Sergei Yesenin was a Russian poet who, in 1925, hanged himself after writing his farewell poem in blood. Jim Harrison's "correspondence" with Yesenin is an American masterwork. In the early 1970s, Harrison was living in poverty on a hard-scrabble farm, suffering from depression and suicidal urges. He began to write daily prose-poem letters to Yesenin, confiding to his unlikely friend about sex, drunkenness, family, politics - about living for another day. Although "the rope" remained ever present, Harrison listened to his poems: "My year-old daughter's red robe hangs from the doorknob shouting Stop."

A landmark publication in occupational therapy and a significant contribution to the rehabilitation theory literature! The Kawa Model presents a new conceptual model of practice that differs from contemporary theories in regard to: origin (East Asia), underlying philosophical base (East Asia), being heavily infused with a natural-ecological, holistic world view, and relational structure. The model is based on the metaphor of nature (a river) that stands for the meanings of life. Because of the familiarity of the metaphor, to both therapists and clients alike, the Kawa Model is relatively easy to comprehend, remarkably simple, yet comprehensive and effective. Unlike other models, it was raised from clinical practice, by practitioners, through a process of qualitative research methods. It is the first conceptual model and substantial theoretical work of occupational therapy from outside of the Western world. A 'must-read' for all students of occupational therapy The first substantial work in occupational therapy from outside of the Western world Introduces an Eastern perspective on matters of theory and culture in occupational therapy Eight case studies, four from Western practice contexts and four from the East Developed by clinicians and practitioners for their peers Questions the cultural boundaries of occupational therapy, its knowledge (epistemiology), theory and practice. It puts the reader in touch with the cultural nature of self, client and profession Enables readers to develop critical analysis skills for examining matters of theory and culture, as opposed to learning theory as 'recipes'

Proposing a series of innovative steps towards better understanding human lives at the interstices of water and land, this volume includes eight ethnographies from deltas around the world. The book presents 'delta life' with intimate descriptions of the predicaments, imaginations and activities of delta inhabitants. Conceptually, the collection develops 'delta life' as a metaphor for approaching continual and intersecting sociocultural, economic and material transformations more widely. The book revolves around questions of hydrosociality, volatility, rhythms and scale. It thereby yields insights into people's lives that conventional, hydrological approaches to deltas cannot provide.

The Pitt-Rivers Omnibus brings together the definitive essays and lectures of the influential social anthropologist Julian A. Pitt-Rivers, a corpus of work that has, until now, remained scattered, untranslated, and unedited. Illuminating the themes and topics that he engaged throughout his life--including hospitality, grace, the symbolic economy of reciprocity, kinship, the paradoxes of friendship, ritual logics, the anthropology of dress, and more--this omnibus brings his reflections to new life. Holding Pitt-Rivers's diversity of subjects and ethnographic foci in the same gaze, this book reveals a theoretical unity that ran through his work and highlights his iconic wit and brilliance. Striking at the heart of anthropological theory, the pieces here explore the relationship between the mental and the material, between what is thought and what is done. Classic, definitive, and yet still extraordinarily relevant for contemporary anthropology, Pitt-Rivers's lifetime contribution will provide a new generation of anthropologists with an invaluable resource for reflection on both ethnographic and theoretical issues.