"Ursula K. Le Guin, a student of the Tao Te Ching for more than fifty years, offers her own thoughtful rendering of the Taoist scripture. She has consulted the literal translations and worked with the scholar J. P. Seaton to develop a version that lets the ancient text speak in a fresh way to modern people, while remaining faithful to the original Chinese. This rendition reveals the Tao Te Ching's immediate relevance and power, its depth and refreshing humor, illustrating better than ever before why it has been so loved for more than 2,500 years. Included are Le Guin's own personal commentary and notes along with two audio CDs of the text read by the author, with original music composed and performed by Todd Barton."--Publisher's website.

Tao Te Ching is a classic Chinese text, probably from around the 6th century BC. While the authorship is still debated, most of the text is attributed to Lao-Tzu ("Old Master"), who was a court record keeper during the Zhou Dynasty. The text is considered an essential element of Taoist philosophy as well as having significant influences on Chinese religions, including Buddhism. This is a classic translation of the book by James Legge. Visit www.ArcManor.com for other, similar books.

Limited Time Promotional Offer Tao Te Ching - The Classic Book of The Way And Virtue The Tao-Te-Ching is an anti-authoritarian treatise which posits that the way of virtue lies in non-action (Wu Wei) through a recognition of the natural, universal force known as the Tao. The Tao flows without effort and, like water, goes where it will without striving and effects change and growth. To be virtuous, one should emulate the Tao and engage in non-action (not forcing an effect or outcome). Human-made laws, it claims, cannot make one virtuous and cannot contribute to good behavior, inner peace, or empathy with others because they are not in tune with nature. It is only by recognizing the Tao, and one's connection to it and all things, that one may achieve these goals. To recognize the Tao, one must know what it is, and so it is defined in the first chapter: The Tao (The Way) that can be spoken of is not the Constant Tao; The name that can be named is not a Constant Name. Nameless, is the origin of Heaven and Earth; The named is the Mother of all things. Thus, the constant void enables one to observe the true essence. The constant being enables one to see the outward manifestations. These two come paired from the same origin. But when the essence is manifested, it has a different name. This same origin is called "The Profound Mystery." As profound the mystery as it can be, It is the Gate to the essence of all life. Lao Tzu: The Old Master Lao Tzu was an ancient Chinese philosopher and poet, well-known for penning the book Tao Te Ching. He was the founder of philosophy of Taoism, a religious and ethical custom of ancient China. He is largely respected as a religious deity in various traditional Chinese religious schools of thought. He is also believed by some to be an older contemporary of the famous philosopher Confucius. The 'Tao Te Ching', literally meaning 'The Way and Its Power' presents the idea of 'Tao' as being the end all and be all of existence. It is extremely powerful, yet down to earth. It is the source of all being in the world. The book intends to guide people on how to return to the laws and ways of nature to maintain the balance of the Tao. Lao Tzu's philosophy was a simple one. He was against putting effort and striving, as he thought struggle is not only futile but also hinders productivity. In his theory of 'wu-wei', he advises to simply do nothing. By this he means not to go against the forces of nature, wait for the gush of events nature brings to you and dive right in. He advised not to struggle to change the natural order of things, but to bring spontaneity to one's actions as one holds on to the nature's way of life. Followers of Taoism believe that striving for nothing will never lead them to failure. The one who has never failed is always successful, thus becoming powerful. Lao Tzu's journey began as he set foot towards the western border of China, currently Tibet. He was saddened by what he saw around him: men being diverted away from nature and the goodness it brings. A guard he met on the border asked Lao to write down his teachings as he went. This is when he wrote the famous Tao Te Ching, a 5,000 character account of his thoughts and philosophical ideas.

Examines the traditional and modern Western interpretations of the Tao-te-ching, and its author, Lao-tzu.

Explores the teachings of Lao Tzu, the philosopher believed to be the inspiring force behind the seminal Taoist work, through a collection of eighty-one inspirational passages that speak to the balance of earth and heaven.

The Tao of Emerson strikingly brings together two of the most influential voices in the history of letters: Lao Tse, the sixth-century B.C. Chinese mystic, and Ralph Waldo Emerson, the American transcendentalist known to many as “the sage of Concord.” By adroitly juxtaposing on facing pages the texts of Lao Tse’s masterpiece, the Tao Te Ching, with Emerson’s writings, Richard Grossman illuminates how these two remarkable men, from opposite sides of the world and separated by 2,500 years, are united in an inspired wisdom and common spirit: to live simply and tranquilly; trust one’s own intuition; seek out and appreciate the spiritual grace in the natural world; act without self-assertion; abjure violence; harmonize with the ebb and flow of nature and circumstances; and, above all, assure that there is a place in the world for humility, yielding, gentleness, and serenity. There is no direct path linking Lao Tse to Emerson, since the Tao Te Ching was not translated into English until 1891, nine years after Emerson’s death. But America’s Founding Thinker was nonetheless in many ways the heir to the great Chinese mystic’s insight and philosophy. As Grossman observes, “Emerson’s brand of fresh home-grown English adds a radiant color to the ancient thoughts of the Chinese Master.” Although Lao Tse was a citizen of the world’s oldest empire and Emerson of its youngest republic, The Tao of Emerson makes the brilliantly presented case that a common literary thread binds these two men. Grossman’s Introduction, in which he compares the men’s lives, and the passages he has selected from their work give both writers a special resonance for today’s reader and help to reveal Emerson in a while new light. This volume includes original brush calligraphy by the celebrated Taoist master Chungliang Al Huang. Praise for The Tao of Emerson “This inspired book from one of Emerson’s strongest readers is a great gift. Through the reflected light of the Tao Te Ching, Richard Grossman has made the core of Emerson’s wisdom transparent, allowing us to see into the heart of what makes the sage of Concord our very own Lao Tse.” —Richard G. Geldard, editor of The Essential Transcendentalists “One measure of a spiritually serious book is whether it repeatedly stops us dead in our tracks as we read it and allows us to foresee the ultimate triumph of truth and principle in our lives and in the life of the world. This is such a book.” —Jacob Needleman, author of Why Can’t We Be Good? “Deeply immersing himself in both the wisdom of Lao Tse and the philosophy of Ralph Waldo Emerson, Richard Grossman has produced a remarkable Guide to life, a handbook filled with venerable worlds combined to yield a new poetry of the mind. Reading it, ‘we stand,’ with Emerson, ‘before the secrets of the world.’” —Megan Marshall, author of The Peabody Sisters: Three Women Who Ignited American Romanticism “This marvelous volume will bring joy and light to those who know or even suspect that Emersonianism is not a system, a product, or a position but a way or a path. For those who haven’t yet gotten it but want to try, this book is the perfect place to start.” —Robert D. Richardson, Jr., author of Emerson: The Mind on Fire

'Of ways you may speak, but not the Perennial Way; By names you may name, but not the Perennial Name.' The best-loved of all the classical books of China and the most universally popular, the Daodejing or Classic of the Way and Life-Force is a work that defies definition. It encapsulates the main tenets of Daoism, and upholds a way of being as well as a philosophy and a religion. The dominant image is of the Way, the mysterious path through the whole cosmos modelled on the great Silver River or Milky Way that traverses the heavens. A life-giving stream, the Way gives rise to all things and holds them in her motherly embrace. It enables the individual, and society as a whole, to harmonize the disparate demands of daily life and achieve a more profound level of understanding. This new translation draws on the latest archaeological finds and brings out the word play and poetry of the original. Simple commentary accompanies the text, and the introduction provides further historical and interpretative context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A vivid collection of ancient sayings and commentaries which speaks across the centuries and between cultures and people. Limited edition of 500. Quarter bound in leather, silk gold blocking, silk end papers anti ribbon marker. A beautiful collector's edition.

The Tao te Ching of Lao Tzu is one of the most widely read and deeply cherished books in the world, a work many consider the wisest book ever written. In his introduction, translator Brian Browne Walker says, "It is less a book than a living, breathing angel." In his new translation, Walker stays close to the direct literal accuracy of the Chinese characters while producing a modern, exceptionally clear version that has the ring and voice of Lao Tzu, a man who may or may not have been a single individual. "I have come to think of Lao Tzu less as a man who once lived," Walker writes, "and more as a song that plays, eternal and abiding."