Noted lexicographer Thomsett here dissects more than 1,400 terms, a buttula to zither, with clarity and precision; 383 high quality original illustrations render concepts that make verbal explanation difficult. Fully cross referenced, this dictionary is an authoritative source for researchers, musicologists, professional musicians, teachers and students of music, and educated members of the public. The richly detailed and comprehensive dictionary proper is followed by a five-language glossary of instruments. An illustrated notation guide provides identification of symbols used in musical scores. The final section comprehensively covers scales, keys and chords.

Explains the use of symbolism in opera, interprets scenes from Monteverdi, Mozart, Verdi, Wagner, Stravinsky, and Britten, and stresses the importance of staging an opera in accord with the composer's intended use of symbols

It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.

Musical Symbols coloring book, this Adult Coloring Book filled contains 25 coloring pages filled with Clefs, Stafs, Notes, Flats, etc. for music loving coloring artists.The drawings are easy to medium complexity, for beginning and leisure coloring artists. 25 different drawings, for days of coloring fun and relaxation. A perfect gift for the coming holiday season, for the summer holidays, for the weekend, actually for any occasion. 25 Music Symbols coloring pages Mixed easy and medium drawings, for leisure, stress relief or meditative coloring Each coloring page is on a separate sheet to prevent bleed through High-resolution images - no cheap jagged lines Big size, 8,5" x 11" size, for your convenience 25 Music Symbols coloring designs for days of coloring fun. When you focus on coloring, your mind and body will go into a trance-like, meditative state, allowing stress relief and allowing your subconscious mind to do what it does best. Enjoy!

This work explores research on the symbolism of vanitas as seen in the Danse of Death, the treatment of hair, the use of mirrors, and the depiction of skulls.

An award-winning debut novel from a stellar new voice in middle grade fiction.Matt Pin would like to forget: war torn Vietnam, bombs that fell like dead crows, and the terrible secret he left behind. But now that he is living with a caring adoptive family in the United States, he finds himself forced to confront his past. And that means choosing between silence and candor, blame and forgiveness, fear and freedom.By turns harrowing, dreamlike, sad, and triumphant, this searing debut novel, written in lucid verse, reveals an unforgettable perspective on the lasting impact of war and the healing power of love.

We talk not only of enjoying music, but of understanding it. Music is often taken to have expressive import--and in that sense to have meaning. But what does music mean, and how does it mean? Stephen Davies addresses these questions in this sophisticated and knowledgeable overview of current theories in the philosophy of music. Reviewing and criticizing the aesthetic positions of recent years, he offers a spirited explanation of his own position. Davies considers and rejects in turn the positions that music describes (like language), or depicts (like pictures), or symbolizes (in a distinctive fashion) emotions. Similarly, he resists the idea that music's expressiveness is to be explained solely as the composer's self-expression, or in terms of its power to evoke a response from the audience. Music's ability to describe emotions, he believes, is located within the music itself; it presents the aural appearance of what he calls emotion characteristics. The expressive power of music awakens emotions in the listener, and music is valued for this power although the responses are sometimes ones of sadness. Davies shows that appreciation and understanding may require more than recognition of and reaction to music's expressive character, but need not depend on formal musicological training.