The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.

Lord Berners was one of the most colourful and flamboyant personalities of his day. This title offers a new documentary approach - interviews with leading figures and contemporaries who knew him and his work, set into context and complimented with much further information.

Alexander Larman, the master chronicler of the House of Windsor, brings his acclaimed trilogy to a dramatic and poignant conclusion. When the Royal Family took to the balcony of Buckingham Palace on VE Day in 1945, they knew that the happiness and excitement of the day was illusory. Britain may have been victorious in a painful war, but the peace would be no easier. Between the abdication crisis, the death of King George VI, and the ascension of young Elizabeth II to the throne, the continued existence of the monarchy seemed uncertain. And the presence of the former Edward VIII, now the Duke of Windsor, conniving and sniping from the sidelines in an attempt to regain relevance, even down to writing a controversial and revelatory memoir, could only make matters worse. Still, the question of whether or not Elizabeth could succeed and make the monarchy something that once again inspired international pride and even love remained. In Power and Glory, Alexander Larman completes his acclaimed Windsor family trilogy, using rare and previously unseen documents to illuminate their unique family dynamic. Through his chronicling of events like the Royal Wedding, George VI’s death and the discovery of the Duke of Windsor’s treacherous activities in WWII, Larman paints a vivid portrait of the end of one sovereign’s reign and the beginning of another’s that heralded a new Elizabethan Age which would bring power and glory back to a monarchy desperately in need of it.

“Engrossing…the first formal biography of a woman who has heretofore been relegated to the sidelines.”–The New York Times From the author of the New York Times bestseller A Woman of No Importance, a long overdue tribute to the extraordinary woman who was Winston Churchill’s closest confidante, fiercest critic and shrewdest advisor that captures the intimate dynamic of one of history’s most fateful marriages. Late in life, Winston Churchill claimed that victory in the Second World War would have been “impossible” without the woman who stood by his side for fifty-seven turbulent years. Why, then, do we know so little about her? In this landmark biography, a finalist for the Plutarch prize, Sonia Purnell finally gives Clementine Churchill her due. Born into impecunious aristocracy, the young Clementine Hozier was the target of cruel snobbery. Many wondered why Winston married her, when the prime minister’s daughter was desperate for his attention. Yet their marriage proved to be an exceptional partnership. "You know,"Winston confided to FDR, "I tell Clemmie everything." Through the ups and downs of his tumultuous career, in the tense days when he stood against Chamberlain and the many months when he helped inspire his fellow countrymen and women to keep strong and carry on, Clementine made her husband’s career her mission, at the expense of her family, her health and, fatefully, of her children. Any real consideration of Winston Churchill is incomplete without an understanding of their relationship. Clementine is both the first real biography of this remarkable woman and a fascinating look inside their private world. "Sonia Purnell has at long last given Clementine Churchill the biography she deserves. Sensitive yet clear-eyed, Clementine tells the fascinating story of a complex woman struggling to maintain her own identity while serving as the conscience and principal adviser to one of the most important figures in history. I was enthralled all the way through." –Lynne Olson, bestselling author of Citizens of London

Thomas Beecham was one of Britain's greatest conductors of orchestral music and opera as well as an entrepreneur and impresario of exceptional energy and brilliant wit. This new life places him - musically, politically and socially - in the troubled times in which he lived and corrects the stories and myths, many of them Beecham's own making, that have grown up around this uniquely gifted and controversial figure.Drawing upon extensive research, Lucas presents new material on his early years, his complicated private life, his father's catastrophic attempt to buy a large part of Covent Garden - which brought the family to its knees financially - and the orchestras and opera companies that Beecham founded. New light is shed on his visits to Nazi Germany and his view of its leaders, as well as the much misunderstood and previously unchronicled years of the Second World War, which he spent in Australia and America.Thomas Beecham: An Obsession with Music will change the way we view this complex personality and remain the standard biography for years to come.JOHN LUCAS was on the staff of the Observer for 25 years, completed Peter Heyworth's monumental biography of Otto Klemperer, wrote the biography of Reginald Goodall, and is responsible for the current entries on Beecham and Klemperer in the New Grove.BEECHAM IN REHEARSAL: This book will include a full-length CD of Beecham rehearsing the RPO. It features music by Haydn, Mozart, Handel, Liszt and a remarkable movement from Beethoven's 5th Symphony.

A distinctly queer presence permeates the history of the visual arts — from Michelangelo's David and homoerotic images on ancient Greek vases to Frida Kahlo's self-portraits and the photography of Claude Cahun and Robert Mapplethorpe. The Queer Encyclopedia of the Visual Arts is a comprehensive work showcasing the enormous contribution of gay, lesbian, bisexual, transgender, and queer artists to painting, drawing, photography, printmaking, sculpture, and architecture. International in scope, the volume includes overviews of the various periods in art history, from Classical Art to Contemporary Art and from African Art to Erotic and Pornographic Art; discussions of topics ranging from AIDS Activism in the Arts, Censorship in the Arts, and the Arts and Crafts Movement to Pulp Paperbacks and Their Covers; surveys of the representation of various subjects in the visual arts, from Androgyny to Vampires; and biographical entries on significant figures in the history of art, such as Andy Warhol, Keith Haring, El Greco, Leonardo da Vinci, David Hockney, Ruth Bernhard, Rosa Bonheur, Romaine Brooks, Simeon Solomon, and Nahum Zenil. Includes more than 100 illustrations and photographs.

Gorgeously repackaged, this reissue of the classic book presents the iconic photographer’s expert and witty reminiscences of the personalities who inspired fashion’s golden eras, and left an indelible mark on his own sense of taste and style. "The camera will never be invented that could capture or encompass all that he actually sees," Truman Capote once said of Cecil Beaton. Though known for his portraits, Beaton was as incisive a writer as he was a photographer. First published in 1954, The Glass of Fashion is a classic—an invaluable primer on the history and highlights of fashion from a man who was a chronicler of taste, and an intimate compendium of the people who inspired his legendary eye. Across eighteen chapters, complemented by more than 150 of his own line drawings, Beaton writes with great wit about the influence of luminaries such as Chanel, Balenciaga, and Dior, as well as relatively unknown muses like his Aunt Jessie, who gave him his first glimpse of "the grown-up world of fashion." Out of print for decades but recognized and sought after as a touchstone text, The Glass of Fashion will be irresistible to a new generation of fashion enthusiasts and a seminal book in any Beaton library. It is both a treasury and a treasure.

For more than 70 years, the marriage of Queen Elizabeth II and Prince Philip was at the centre of the nation's life. Now, in My Husband and I, Ingrid Seward reveals the real story of their loving and enduring relationship. When a young Princess Elizabeth met and fell in love with the dashing Naval Lieutenant Prince Philip of Greece and Denmark, it wasn't without its problems. The romance between the sailor prince and the young princess brought a splash of colour to a nation still in the grip of post-war austerity. When they married in Westminster Abbey in November 1947, there were 3000 guests, including six kings and seven queens. Within five years, as Queen Elizabeth II, she would ascend to the throne and later be crowned in front of millions watching through the new medium of television. Throughout her record-breaking reign until Prince Philip's death on 9 April 2021, she relied on the formidable partnership she had made with her consort. Now, acclaimed royal biographer Ingrid Seward sheds new light on their relationship and its impact on their family and on the nation. In My Husband and I, we discover the challenges faced by Prince Philip as he had to learn to play second fiddle to the Queen in all their public engagements, but we also get a revealing insight into how their relationship operated behind closed doors. As the years went by, there were rumours of marital troubles, fierce debates over how to bring up their children, and they had to deal with family traumas - from scandalous divorces to shocking deaths - in the full glare of the public eye. But somehow, their relationship endured and provided a model of constancy to inspire all around them. This book is not only a vivid portrait of a hugely important marriage, it is a celebration of the power of love.