An astonishing novel about redemption and forgiveness from the “amazingly talented writer” (HuffPost) and #1 New York Times bestselling author Jodi Picoult. Some stories live forever... Sage Singer is a baker. She works through the night, preparing the day’s breads and pastries, trying to escape a reality of loneliness, bad memories, and the shadow of her mother’s death. When Josef Weber, an elderly man in Sage’s grief support group, begins stopping by the bakery, they strike up an unlikely friendship. Despite their differences, they see in each other the hidden scars that others can’t. Everything changes on the day that Josef confesses a long-buried and shame­ful secret and asks Sage for an extraordinary favor. If she says yes, she faces not only moral repercussions, but potentially legal ones as well. With the integrity of the closest friend she’s ever had clouded, Sage begins to question the assumptions and expectations she’s made about her life and her family. In this searingly honest novel, Jodi Picoult gracefully explores the lengths to which we will go in order to keep the past from dictating the future.

Share Your Love, Share Your Stories! Your grandchild is the cherished next chapter of your family's story. Let this guided journal help you share your own chapter of this story with your grandchild. The prompts will help you use your own words to tell your life stories from childhood to present day. Share memories of your parents and your schooldays, the important lessons you learned as a young adult, the wisdom you've gained from raising a family, and the hopes and dreams you have for your grandchild. Whether you live around the corner or across the country from your grandchild, the stories you share in these pages will connect the generations of your family for years to come.

The perfect story for anyone who’s ever felt overshadowed. One little girl dreams of being a star. But whether it's finding Mom's lost wedding ring or winning the costume prize, her big sister always shines brighter. In her grandfather’s eyes, though, she is a star. As he dries her tears and they both gaze up at the night sky, he tells a story about how everything and everyone is made of stardust and we all shine in different ways. With illustrations from new talent Briony May Smith, this is a touching story about being true to yourself from award-winning author Jeanne Willis.

Internationally bestselling author Carmine Gallo reveals the secrets to telling powerful, inspiring, and game-changing stories that will help you achieve any goal.

On her seventeenth birthday, Skye MacNamara loses both her parents after their car plunges into a river. With unseemly haste, her parents are declared dead (despite the absence of bodies) and every trace that they existed is erased. Suspicious, Skye begins asking questions and soon the carefully constructed lies that held her life together fall apart. Nothing and no one is what it seems as Skye finds herself thrust into a mythical world where stories shape reality; where memories are so tangible she physically steps into them. At the heart of The Storyteller's Daughter lies the legend of the seannachie (pronounced "shawn-aw-key"), the traditional storyteller and myth-keeper of the Scottish clans. Combining realism and fantasy, readers are drawn into a world at once familiar and unsettling. Gods and mythical creatures walk in this world, brought here by Skye's mother, a seannachie who has become spellbound by a story that lets her forget a harsh reality. Skye and her two best friends set out on a quest to rescue her-even if she no longer wants to be saved....

Amani, a young Palestinian girl, looks to the meadows of the Firdoos to get her sheep the food they need, but when Israeli settlers impede her ability to get to the pasture, she must try to find a peaceful solution to the problem.

Sage Singer must decide what to do after she begins a friendship with Joseph Weber and he makes a confession about his past to her.

Everyone knows how "Little Red Riding Hood" goes. But Grandpa keeps getting the story all wrong, with hilarious results! "Once upon a time, there was a little girl called Little Yellow Riding Hood--" "Not yellow! It's Red Riding Hood!" So begins the story of a grandpa playfully recounting the well-known fairytale--or his version, at least--to his granddaughter. Try as she might to get him back on track, Grandpa keeps on adding things to the mix, both outlandish and mundane! The end result is an unpredictable tale that comes alive as it's being told, born out of imaginative play and familial affection. This spirited picture book will surprise and delight from start to finish, while reminding readers that storytelling is not only a creative act of improvisation and interaction, but also a powerful pathway for connection and love. Telling Stories Wrong was written by Gianni Rodari, widely regarded as the father of modern Italian children's literature. It exemplifies his great respect for the intelligence of children and the kind of work he did as an educator, developing numerous games and exercises for children to engage and think beyond the status quo, imagining what happens after the end of a familiar story, or what possibilities open up when a new ingredient is introduced. This book is illustrated with great affection by the illustrious artist Beatrice Alemagna (Child of Glass), who counts Gianni Rodari as one of her "spiritual fathers."

As a child growing up in the once-beautiful city of Budapest, Anna Porter’s grandfather told her stories of heroes and strife and survival, some as old as the Carpathian basin, some still holding the sting of recent war and hardship. Some were fanciful, most were true, and all gave her a personal sense of history, both national and familial. This compulsively readable saga blends one family’s story with that of its homeland during one of the 20th century’s most tumultuous periods.

This book focuses on the collaborative work between Native women storytellers and their female ethnographers and/or editors, but the book is also about what it is that is constitutive of scientific rigor, factual accuracy, cultural authenticity, and storytelling signification and meaning. Regardless of discipline, academic ethnographers who conducted their field work research during the twentieth century were trained in the accepted scientific methods and theories of the time that prescribed observation, objectivity, and evaluative distance. In contradistinction to such prescribed methods, regarding the ethnographic work conducted among Native Americans, it turns out that the intersubjectively relational work of women (both ethnographers and the Indigenous storytellers with whom they worked) has produced far more reliably factual, historically accurate, and tribally specific Indigenous autobiographies than the more “scientifically objective” approaches of most of the male ethnographers. This volume provides a close lens to the work of a number of women ethnographers and Native American women storytellers to elucidate the effectiveness of their relational methods. Through a combined rhetorical and literary analysis of these ethnographies, we are able to differentiate the products of the women’s working relationships. By shifting our focus away from the surface level textual reading that largely approaches the texts as factually informative documents, literary analysis provides access into the deeper levels of the storytelling that lies beneath the surface of the edited texts. Non-Native scholars and editors such as Franc Johnson Newcomb, Ruth Underhill, Nancy Lurie, Julie Cruikshank, and Noël Bennett and Native storytellers and writers such as Grandma Klah, María Chona, Mountain Wolf Woman, Mrs. Angela Sidney, Mrs. Kitty Smith, Mrs. Annie Ned, and Tiana Bighorse help us to understand that there are ways by which voices and worlds are more and less disclosed for posterity. The results vary based upon the range of factors surrounding their production, but consistent across each case is the fact that informational accuracy is contingent upon the the degree of mutual respect and collaboration in the women’s working relationships. And it is in their pioneering intersubjective methodologies that the work of these women deserves far greater attention and approbation.