National Park Service Handbook 160. Tells the story of Robert E. Lee's surrender at Appomattox Court House, which ended the Civil War, and the battles fought in the days before it. Also contains essays on events leading up to the Civil War and the implications of Appomattox for the post-Civil War generation, and a tourist's guide to the park. Item 649.

From a Pulitzer Prize winner comes the story of an unforgettable moment in American history: the historic meeting between General Robert E. Lee and General Ulysses S. Grant that ended the Civil War. MacKinlay Kantor captures all the emotions and the details of those few days: the aristocratic Lee’s feeling of resignation; Grant’s crippling headaches; and Lee’s request--which Grant generously allowed--to permit his soldiers to keep their horses so they could plant crops for food.

Winner, Library of Virginia Literary Award for Nonfiction Winner, Eugene Feit Award in Civil War Studies, New York Military Affairs Symposium Winner of the Dan and Marilyn Laney Prize of the Austin Civil War Round Table Finalist, Jefferson Davis Award of the Museum of the Confederacy Best Books of 2014, Civil War Monitor 6 Civil War Books to Read Now, Diane Rehm Show, NPR Lee's surrender to Grant at Appomattox Court House evokes a highly gratifying image in the popular mind -- it was, many believe, a moment that transcended politics, a moment of healing, a moment of patriotism untainted by ideology. But as Elizabeth Varon reveals in this vividly narrated history, this rosy image conceals a seething debate over precisely what the surrender meant and what kind of nation would emerge from war. The combatants in that debate included the iconic Lee and Grant, but they also included a cast of characters previously overlooked, who brought their own understanding of the war's causes, consequences, and meaning. In Appomattox, Varon deftly captures the events swirling around that well remembered-but not well understood-moment when the Civil War ended. She expertly depicts the final battles in Virginia, when Grant's troops surrounded Lee's half-starved army, the meeting of the generals at the McLean House, and the shocked reaction as news of the surrender spread like an electric charge throughout the nation. But as Varon shows, the ink had hardly dried before both sides launched a bitter debate over the meaning of the war and the nation's future. For Grant, and for most in the North, the Union victory was one of right over wrong, a vindication of free society; for many African Americans, the surrender marked the dawn of freedom itself. Lee, in contrast, believed that the Union victory was one of might over right: the vast impersonal Northern war machine had worn down a valorous and unbowed South. Lee was committed to peace, but committed, too, to the restoration of the South's political power within the Union and the perpetuation of white supremacy. These two competing visions of the war's end paved the way not only for Southern resistance to reconstruction but also our ongoing debates on the Civil War, 150 years later. Did America's best days lie in the past or in the future? For Lee, it was the past, the era of the founding generation. For Grant, it was the future, represented by Northern moral and material progress. They held, in the end, two opposite views of the direction of the country-and of the meaning of the war that had changed that country forever.

The Army of Northern Virginia's chaotic dispersal began even before Lee and Grant met at Appomattox Court House. As the Confederates had pushed west at a relentless pace for nearly a week, thousands of wounded and exhausted men fell out of the ranks. When word spread that Lee planned to surrender, most remaining troops stacked their arms and accepted paroles allowing them to return home, even as they lamented the loss of their country and cause. But others broke south and west, hoping to continue the fight. Fearing a guerrilla war, Grant extended the generous Appomattox terms to every rebel who would surrender himself. Provost marshals fanned out across Virginia and beyond, seeking nearly 18,000 of Lee's men who had yet to surrender. But the shock of Lincoln's assassination led Northern authorities to see threats of new rebellion in every rail depot and harbor where Confederates gathered for transport, even among those already paroled. While Federal troops struggled to keep order and sustain a fragile peace, their newly surrendered adversaries seethed with anger and confusion at the sight of Union troops occupying their towns and former slaves celebrating freedom. In this dramatic new history of the weeks and months after Appomattox, Caroline E. Janney reveals that Lee's surrender was less an ending than the start of an interregnum marked by military and political uncertainty, legal and logistical confusion, and continued outbursts of violence. Janney takes readers from the deliberations of government and military authorities to the ground-level experiences of common soldiers. Ultimately, what unfolds is the messy birth narrative of the Lost Cause, laying the groundwork for the defiant resilience of rebellion in the years that followed.

Eleven-year-old Willie McLean knows that General Lee will defeat the Yankees and win the Civil War, he just knows it. When a battle moves to the fields near his home in Appomattox, Virginia, Willie’s thrilled—especially when General Lee, himself, comes to Willie’s house! But then General Grant comes, too. Overhearing the two men talk, Willie hears one word: Surrender. Is the war really over?

Although Appomattox Court House is one of the most symbolically charged places in America, it was an ordinary tobacco-growing village both before and after an accident of fate brought the armies of Lee and Grant together there. It is that Appomattox--the typical small Confederate community--that William Marvel portrays in this deeply researched, compelling study. He tells the story of the Civil War from the perspective of those who inhabited one of the conflict's most famous sites. The village sprang into existence just as Texas became a state and reached its peak not long before Lee and Grant met there. The postwar decline of the village mirrored that of the rural South as a whole, and Appomattox served as the focal point for both Lost Cause myth-making and reconciliation reveries. Marvel draws on original documents, diaries, and letters composed as the war unfolded to produce a clear and credible portrait of everyday life in this town, as well as examining the galvanizing events of April 1865. He also scrutinizes Appomattox the national symbol, exposing and explaining some of the cherished myths surrounding the surrender there.

“Original and revelatory.” —David Blight, author of Frederick Douglass Avery O. Craven Award Finalist A Civil War Memory/Civil War Monitor Best Book of the Year In April 1865, Robert E. Lee wrote to Ulysses S. Grant asking for peace. Peace was beyond his authority to negotiate, Grant replied, but surrender terms he would discuss. The distinction proved prophetic. After Appomattox reveals that the Civil War did not end with Confederate capitulation in 1865. Instead, a second phase of the war began which lasted until 1871—not the project euphemistically called Reconstruction, but a state of genuine belligerence whose mission was to shape the peace. Using its war powers, the U.S. Army oversaw an ambitious occupation, stationing tens of thousands of troops in outposts across the defeated South. This groundbreaking history shows that the purpose of the occupation was to crush slavery in the face of fierce and violent resistance, but there were limits to its effectiveness: the occupying army never really managed to remake the South. “The United States Army has been far too neglected as a player—a force—in the history of Reconstruction... Downs wants his work to speak to the present, and indeed it should.” —David W. Blight, The Atlantic “Striking... Downs chronicles...a military occupation that was indispensable to the uprooting of slavery.” —Boston Globe “Downs makes the case that the final end to slavery, and the establishment of basic civil and voting rights for all Americans, was ‘born in the face of bayonets.’ ...A remarkable, necessary book.” —Slate

Featuring breathtaking panoramas and revelatory, unforgettable images, Battle Lines is an utterly original graphic history of the Civil War. A collaboration between the award-winning historian Ari Kelman and the acclaimed graphic novelist Jonathan Fetter-Vorm, Battle Lines showcases various objects from the conflict (a tattered American flag from Fort Sumter, a pair of opera glasses, a bullet, an inkwell, and more), along with a cast of soldiers, farmers, slaves, and well-known figures, to trace an ambitious narrative that extends from the early rumblings of secession to the dark years of Reconstruction. Employing a bold graphic form to illuminate the complex history of this period, Kelman and Fetter-Vorm take the reader from the barren farms of the home front all the way to the front lines of an infantry charge. A daring presentation of the war that nearly tore America apart, Battle Lines is a monumental achievement.

Few events in Civil War history have generated such deliberate mythmaking as the retreat that ended at Appomattox. As the popular imagination would have it, Robert E. Lee's tattered, starving, but devoted troops found themselves hopelessly surrounded thro