A beautifully illustrated and unique history of the "queen of flowers" in art, medicine, cuisine, and more

Over the years, thousands of readers have immersed themselves in the world of Rose, an abandoned and abused child who stubbornly and defiantly became a caring and loving mother. In her honest and straightforward style, and in appreciation of those who have taken such an interest in her life, Rose continues her original storyrevealing events from the next two decades. Along with the discovery of some of the missing pieces of her childhood, Rose describes the frustration, hard work, and unexpected benefits found among the challenges of the social welfare system. This unique individual has made many of her readers reconsider their views of those in need, especially those we may consider undeserving of our help. In doing so, Roses Story proves to be a case that redefines what it means to help someone.

A true and very unusual story of two remarkable families, the Meillands in Lyons and the Paolinos in Antibes, who shared a common devotion to roses and later became united through marriage and through their work together; and of the creation of the famous Peace Rose that became known throughout the world at the end of the Second World War.

To most of us, Rose O'Neill is best known as the creator of the Kewpie doll, perhaps the most widely known character in American culture until Mickey Mouse. Prior to O'Neill's success as a doll designer, however, she already had earned a reputation as one of the best-known female commercial illustrators. Her numerous illustrations appeared in America's leading periodicals, including Life, Harper's Bazaar, and Cosmopolitan. While highly successful in the commercial world, Rose O'Neill was also known among intellectuals and artists for her contributions to the fine arts and humanities. In the early 1920s, her more serious works of art were exhibited in galleries in Paris and New York City. In addition, she published a book of poetry and four novels. Yet, who was Rose Cecil O'Neill? Over the course of the twentieth century, Rose O'Neill has captured the attention of journalists, collectors, fans, and scholars who have disagreed over whether she was a sentimentalist or a cultural critic. Although biographers of Rose O'Neill have drawn heavily on portions of her previously unpublished autobiography, O'Neill's own voice--richly revealed in her well-written manuscript--has remained largely unheard until now. In these memoirs, O'Neill reveals herself as a woman who preferred art, activism, and adventure to motherhood and marriage. Featuring photographs from the O'Neill family collection, The Story of Rose O'Neill fully reveals the ways in which she pushed at the boundaries of her generation's definitions of gender in an effort to create new liberating forms.

In a classic storyteller's voice, Newbery Honor recipient Marion Dane Bauer tells a tale of friendship, family, and fitting in that recalls The Doll People, Rumer Godden, and Hitty, Her First Hundred Years. Rose is a wild child. She doesn't care what her mother or teacher or schoolmates say—she does what she wants. When she finds a delicate china doll in the attic, she takes it. Then the doll comes to life in her hand. She's loud, obnoxious, selfishly bossy, and claims that she's a princess and Rose is her servant. But she's also tiny and fragile. She needs Rose to keep her safe. And maybe Rose needs Princess Regina, too.

The beautiful rose is the namesake of this vibrant autobiography that shares details about our most recognizable flower.

From the author of the best-selling A Venetian Affair, here is the charming chronicle of his search for the identity of a mysterious old rose. Andrea di Robilant’s tale takes us back to the time of Josephine Bonaparte, as well as into some of the most delightful rose gardens in Italy today, brought to colorful life on the page in the watercolors of artist Nina Fuga. In his 2008 biography of the Venetian lady Lucia Mocenigo (his great-great-great-great- grandmother), di Robilant described a pink rose that grows wild on the family’s former country estate, mentioning its light peach-and-raspberry scent. This passing detail led to an invitation for an audience with a local rose doyenne, Eleonora Garlant. She and other experts wondered if di Robilant’s unnamed rose could possibly be one of the long-lost China varieties that nineteenth-century European growers had cultivated but which have since disappeared. On the hunt for the identity of his anonymous yet quietly distinctive rose, Di Robilant finds himself captivated by roseophiles through time––from Lucia and her friend Josephine Bonaparte to the gifted Eleonora, whose garden of nearly fifteen hundred varieties of old roses is one of the most significant in Europe––and by the roses themselves, each of which has a tale to tell. What starts out as a lighthearted quest becomes a meaningful journey as di Robilant contemplates the enduring beauty of what is passed down to us in a rose, through both the generosity of nature and the cultivating hand of human beings, who for centuries have embraced and extended the life of this mysterious flower.