Thomas E. Sheridan has spent a lifetime in Arizona, "living off it and seeking refuge from it." He knows firsthand its canyons, forests, and deserts; he has seen its cities exploding with new growth; and, like many other people, he sometimes fears for its future. In this book, Sheridan sets forth new ideas about what a history should be. Arizona: A History explores the ways in which Native Americans, Hispanics, and Anglos have inhabited and exploited Arizona from the pursuit of the Naco mammoth 11,000 years ago to the financial adventurism of Charles Keating and others today. It also examines how perceptions of Arizona have changed, creating new constituencies of tourists, environmentalists, and outside business interests to challenge the dominance of ranchers, mining companies, and farmers who used to control the state. Sheridan emphasizes the crucial role of the federal government in Arizona's development throughout the book. As Sheridan writes about the past, his eyes are on the inevitable change and compromise of the present and future. He balances the gains and losses as global forces interact more and more with local cultural and environmental factors.

It seemed like a simple plan—visit fifty-two places in fifty-two weeks. But for author Ken Lamberton, a forty-five-year veteran of life in the Sonoran Desert, the entertaining results were anything but easy. In Chasing Arizona, Lamberton takes readers on a yearlong, twenty-thousand-mile joyride across Arizona during its centennial, racking up more than two hundred points of interest along the way. Lamberton chases the four corners of Arizona, attempts every county, every reservation, and every national monument and state park, from the smallest community to the largest city. He drives his Kia Rio through the longest tunnels and across the highest suspension bridges, hikes the hottest deserts, and climbs the tallest mountain, all while visiting the people, places, and treasures that make Arizona great. In the vivid, lyrical, often humorous prose the author is known for, each destination weaves together stories of history, nature, and people, along with entertaining side adventures and excursions. Maps and forty-four of the author’s detailed pencil drawings illustrate the journey. Chasing Arizona is unlike any book of its kind. It is an adventure story, a tale of Arizona, a road-warrior narrative. It is a quest to see and experience as much of Arizona as possible. Through intimate portrayals of people and place, readers deeply experience the Grand Canyon State and at the same time celebrate what makes Arizona a wonderful place to visit and live.

The lively role of the newspaper in "telling history's story" comes across in An Arizona Chronology, Volume Two, the continued selection by the late veteran journalist, Douglas D. Martin, of reported highlights in Arizona's first two and a half decades as a state. Here were the years in which Arizona's "bad men" virtually dropped out of sight, and the trigger-blast was displaced by the gavel-thumping sound of law and order as a Territory grew up and became a state. The problem of the Apache was no more, and the problem of water began to loom large. Depression and prohibition were the counter-themes. And Arizona's three C's--Copper, Cattle, and Cotton--were about to strike for their place in the national limelight. It was a time of conversion. The vital currents of frontier energy were turned into the channels of modern agriculture, finance, and urban growth. As this volume's editor, Patricia Paylore, points out, the transformation reaffirms Douglas Martin's view of Arizona history as the "persistence of the pioneer spirit of the nineteenth century" in terms of "the strength and optimism of a young people determined to take its place in the Union."

"From geological origins and ancient peoples to high-tech industries and world-class golf resorts; from Spanish missions and mining boomtowns to ranching, tourism, and Navajo Code Talkers; from Monument Valley to the Tonto Basin to the Mexican border ... all celebrate the beauty of this majestic state!"--Back cover.

Bull Run, Gettysburg, Appomattox. For Americans, these battlegrounds, all located in the eastern United States, will forever be associated with the Civil War. But few realize that the Civil War was also fought far to the west of these sites. The westernmost battle of the war took place in the remote deserts of the future state of Arizona. In this first book-length account of the Civil War in Arizona, Andrew E. Masich offers both a lively narrative history of the all-but-forgotten California Column in wartime Arizona and a rare compilation of letters written by the volunteer soldiers who served in the U.S. Army from 1861 to 1866. Enriched by Masich’s meticulous annotation, these letters provide firsthand testimony of the grueling desert conditions the soldiers endured as they fought on many fronts. Southwest Book Award Border Regional Library Association Southwest Book of the Year Pima County Public Library NYMAS Civil War Book Award New York Military Affairs Symposium

Winner of a National Council on Public History Book Award On April 30, 1871, an unlikely group of Anglo-Americans, Mexican Americans, and Tohono O’odham Indians massacred more than a hundred Apache men, women, and children who had surrendered to the U.S. Army at Camp Grant, near Tucson, Arizona. Thirty or more Apache children were stolen and either kept in Tucson homes or sold into slavery in Mexico. Planned and perpetrated by some of the most prominent men in Arizona’s territorial era, this organized slaughter has become a kind of “phantom history” lurking beneath the Southwest’s official history, strangely present and absent at the same time. Seeking to uncover the mislaid past, this powerful book begins by listening to those voices in the historical record that have long been silenced and disregarded. Massacre at Camp Grant fashions a multivocal narrative, interweaving the documentary record, Apache narratives, historical texts, and ethnographic research to provide new insights into the atrocity. Thus drawing from a range of sources, it demonstrates the ways in which painful histories continue to live on in the collective memories of the communities in which they occurred. Chip Colwell-Chanthaphonh begins with the premise that every account of the past is suffused with cultural, historical, and political characteristics. By paying attention to all of these aspects of a contested event, he provides a nuanced interpretation of the cultural forces behind the massacre, illuminates how history becomes an instrument of politics, and contemplates why we must study events we might prefer to forget.

Celebrated artist and lead character designer of Brave, Ratatouille, and Despicable Me, Carter Goodrich, shows that sometimes, even the prickliest people—or the crankiest cacti—need a little love. Hank is the prickliest cactus in the entire world. He sits in a pot in a window that faces the empty desert, which is just how he likes it. So, when all manner of creatures—from tumbleweed to lizard to owl—come to disturb his peace, Hank is annoyed. He doesn’t like noise, he doesn’t like rowdiness, and definitely does not like hugs. But the thing is, no one is offering one. Who would want to hug a plant so mean? Hank is beginning to discover that being alone can be, well, lonely. So he comes up with a plan to get the one thing he thought he would never need: a hug from a friend.

I Am the Grand Canyon is the story of the Havasupai people. From their origins among the first group of Indians to arrive in North America some 20,000 years ago to their epic struggle to regain traditional lands taken from them in the nineteenth century, the Havasupai have a long and colorful history. The story of this tiny tribe once confined to a toosmall reservation depicts a people with deep cultural ties to the land, both on their former reservation below the rim of the Grand Canyon and on the surrounding plateaus. In the spring of 1971, the federal government proposed incorporating still more Havasupai land into Grand Canyon National Park. At hearings that spring, Havasupai Tribal Chairman Lee Marshall rose to speak. "I heard all you people talking about the Grand Canyon," he said. "Well, you're looking at it. I am the Grand Canyon!" Marshall made it clear that Havasu Canyon and the surrounding plateau were critical to the survival of his people; his speech laid the foundation for the return of thousands of acres of Havasupai land in 1975. I Am the Grand Canyon is the story of a heroic people who refused to back down when facing overwhelming odds. They won, and today the Havasupai way of life quietly continues in the Grand Canyon and on the surrounding plateaus.

This book tells the story of water control and its impact on human history in Arizona as we understand it from Central Arizona Project archaeology.