Hugo Award–winning author Elizabeth Bear returns to her critically acclaimed epic fantasy world of the Eternal Sky with a brand new trilogy. Best SFF Books 2017—The Guardian Kirkus Best Science Fiction and Fantasy of 2017 The Verge Recommended Fantasy for 2017 Locus 2017 Recommended Reading List The Stone in the Skull, the first volume in her new trilogy, takes readers over the dangerous mountain passes of the Steles of the Sky and south into the Lotus Kingdoms. The Gage is a brass automaton created by a wizard of Messaline around the core of a human being. His wizard is long dead, and he works as a mercenary. He is carrying a message from the most powerful sorcerer of Messaline to the Rajni of the Lotus Kingdom. With him is The Dead Man, a bitter survivor of the body guard of the deposed Uthman Caliphate, protecting the message and the Gage. They are friends, of a peculiar sort. They are walking into a dynastic war between the rulers of the shattered bits of a once great Empire. The Lotus Kingdoms #1 The Stone in the Skull The Eternal Sky Trilogy #1 Range of Ghosts #2 Shattered Pillars #3 Steles of the Sky

Masterfully answers three timeless questions: How did some people find and seize the great opportunities of their times? What can we learn from them to help us find and seize great opportunities? How did innovative leaders help organizations find and seize great opportunities? The successes and failures of great leaders including Gates, Einstein, Michelangelo, Edison, Winfrey, Da Vinci, Curie, Smith, and Galileo are used to explain the actions on the path to greatness. Original.

Cristyn Stone is unhappy about spending her summer in a small town in Wales while her father researches a book. The 16th-century stone house they are staying in holds a haunting secret. Strange noises, weird dreams, a girl ghost, and a mysterious connection to her late mother draw 14-year-old Cristyn deeper into the mystery.

An orphan girl battles an evil mage in this “stunningly vivid” fantasy from the New York Times–bestselling author of The Scent of Magic (Starlog). A mage, seeking to enslave the Valley and destroy the Forest, has brutally sundered a family. A mother has fled into the woods with her infant girl-child, while the depraved sorcerer holds the babe’s twin—a boy—captive in a black tower. The mother dies but the girl survives. Adopted by the strange denizens of the Forest—safe from the mage’s malevolent influence—she grows to young womanhood, cultivating a cherished skill that has been denied the others of her kind: the ability to truly hear the sounds of her world. But her future will be fraught with trial and terror, for only she can smash the chains that shackle the Balley and its inhabitants. It is her destiny to confront sorcerer and demon minions, and to oppose the one she must conquer and free: the magician’s protégé and her most powerful adversary. Her bane and blood. Her brother.

Most people do not think to observe geology from the sidewalks of a major city, but all David B. Williams has to do is look at building stone in any urban center to find a range of rocks equal to any assembled by plate tectonics. In Stories in Stone, he takes you on explorations to find 3.5-billion-year-old rock that looks like swirled pink-and-black taffy, a gas station made of petrified wood, and a Florida fort that has withstood three hundred years of attacks and hurricanes, despite being made of a stone that has the consistency of a granola bar. Williams also weaves in the cultural history of stone, explaining why a white fossil-rich limestone from Indiana became the only building stone used in all fifty states; how in 1825, the construction of the Bunker Hill Monument led to America’s first commercial railroad; and why when the same kind of marble used by Michelangelo clad a Chicago skyscraper it warped so much after nineteen years that all 44,000 panels of it had to be replaced. This love letter to building stone brings to life the geology you can see in the structures of every city.

The classic Disney story of how a poor, lowly page ends up as the King of England--with a little help from Merlin the wizard--will delight boys and girls ages 2 to 5. Based on the classic Walt Disney animated movie, this Little Golden Book retelling of The Sword in the Stone was first published in 1963.

The genre of prehistoric fiction contains a surprisingly large and diverse group of fictional works by American, British, and French writers from the late nineteenth century to the present that describe prehistoric humans. Nicholas Ruddick explains why prehistoric fiction could not come into being until after the acceptance of Charles Darwin's theories, and argues that many early prehistoric fiction works are still worth reading even though the science upon which they are based is now outdated. Exploring the history and evolution of the genre, Ruddick shows how prehistoric fiction can offer fascinating insights into the possible origins of human nature, sexuality, racial distinctions, language, religion, and art. The book includes discussions of well-known prehistoric fiction by H.G. Wells, Jules Verne, J.-H. Rosny Aîné, Jack London, William Golding, Arthur C. Clarke, and Jean M. Auel and reminds us of some unjustly forgotten landmarks of prehistoric fiction. It also briefly covers such topics as the recent boom in prehistoric romance, notable prehistoric fiction for children and young adults, and the most entertaining movies featuring prehistoric humans. The book includes illustrations that trace the changing popular images of cave men and women over the past 150 years.

"From the author of Arshile Gorky, a major biography of the great American sculptor that redefines his legacy"--

This beautiful HarperCollins Children's Modern Classics edition is perfect for every bookshelf.

Children of the Stone is the unlikely story of Ramzi Hussein Aburedwan, a boy from a Palestinian refugee camp in Ramallah who confronts the occupying army, gets an education, masters an instrument, dreams of something much bigger than himself, and then inspires scores of others to work with him to make that dream a reality. That dream is of a music school in the midst of a refugee camp in Ramallah, a school that will transform the lives of thousands of children through music. Daniel Barenboim, the Israeli musician and music director of La Scala in Milan and the Berlin Opera, is among those who help Ramzi realize his dream. He has played with Ramzi frequently, at chamber music concerts in Al-Kamandjati, the school Ramzi worked so hard to build, and in the West-Eastern Divan Orchestra that Barenboim founded with the late Palestinian intellectual, Edward Said. Children of the Stone is a story about music, freedom and conflict; determination and vision. It's a vivid portrait of life amid checkpoints and military occupation, a growing movement of nonviolent resistance, the past and future of musical collaboration across the Israeli-Palestinian divide, and the potential of music to help children see new possibilities for their lives. Above all, Children of the Stone chronicles the journey of Ramzi Aburedwan, and how he worked against the odds to create something lasting and beautiful in a war-torn land.