Beginning with his experiences as a prisoner of war, Moltmann anchors his reflections in a theology of life - and the Spirit as elemental renewer of life - which links biblical manifestations to contemporary ones, hope to holiness, creation to community, and politics to prayer. In the Spirit we embrace the presence of God, but we also embrace community with people and all living things.

Louis Bird has spent the last three decades documenting Cree oral traditions and sharing his stories with audiences in Canada, the United States, and Europe. In The Spirit Lives in the Mind the renowned storyteller and historian of the Omushkego shares teachings and stories of the Swampy Cree people that have been passed down from generation to generation as part of a rich oral tradition.

A collection of essays that evoke an adventurous spirit and the craving for myth, Spirit Things examines the hidden meanings of objects found on a fishing boat, as seen through the eyes of a child. Author Lara Messersmith-Glavin blends memoir, mythology, and science as she relates the uniqueness and flavor of the Alaskan experience through her memories of growing up fishing in the commercial salmon industry off Kodiak Island. “Spirit things” are those mundane objects that offer new insights into the world on closer consideration—fishing nets, a favorite knife, and the bioluminescent gleam of seawater in a twilight that never truly grows dark. Spirit Things recounts stories of fishing, family, synesthesia, storytelling, gender, violence, and meaning. Each essay takes an object and follows it through histories: personal, material, and scientific, drawing together the delicate lines that link things through their making and use, their genesis and evolution, and the ways they gain significance in an individual’s life. A contemplative take on everything from childcare to neurodivergence, comfort foods to outlaws, Spirit Things uses experiences from the human world and locates them on the edges of nature. Contact with wilderness, with wildness, be it twenty-foot seas in the ocean off Alaska’s coast or chairs flying through windows of a Kodiak bar, provides an entry point for meditations on the ways in which patterns, magic, and wonder overlap.

Walking in the Spirit is a journey into what the Bible teaches about life in the Holy Spirit. Author Kenneth Berding uses the apostle Paul and his words in Romans 8 to model what it looks like to live both empowered and set free by the Spirit. Written at an accessible level, Berding speaks to a wide audience as he seeks to connect readers to the life of the Spirit. His practical guide covers a variety of topics, showing readers how to set their minds on the things of the Spirit, put to death the deeds of the body, be led by the Spirit, know the fatherhood of God, and hope and pray in the Spirit. Berding applies the Bible to life through many of his own personal experiences, helping readers make connections to their own spiritual journeys. Discussion questions for each chapter facilitate personal reflection and small-group study.

An absorbing study of Cambodian religion and beliefs covering everything from the role of monks in everyday life to beliefs in ghosts, gods and shamans. Belief in the supernatural covers every aspect of a Cambodian's birth, life and death; life is a process of merit-making in order to maximize the conditions of their rebirth. Philip Coggan's lively text describes the Buddha's life, the establishment of Buddhism in Cambodia and the duties of monks within the monasteries. The spirit world is mapped and the interaction between gods, spirits and humans is described through the various stages of life. Cambodia's recent history is discussed in relation to its connection with the spirit world. The text is enlivened by the author's interviews with Cambodians, such as the girl who sees spirits all the time, or the woman who can put people in touch with the ghosts of dead relatives. Altogether, this factual account of the status of the supernatural and the practice of religion in Cambodia makes a fascinating read.

"If Bakhtin is right," Wayne C. Booth has said, "a very great deal of what we western critics have spent our time on is mistaken, or trivial, or both." In Literature and Spirit David Patterson proceeds from the premise that Bakhtin is right. Exploring Bakhtin's notions of spirit, responsibility, and dialogue, Patterson takes his reader from the narrow arena of literary criticism to the larger realm of human living and human loving. True to the spirit of Bakhtin, he draws the Russian into a vibrant dialogue with other thinkers, including Foucault, Berdyaev, Gide, Lacan, Levinas, and Heidegger. But he does not stop there. He engages Bakhtin in his own insightful and unique dialogue, meeting the responsibility and taking the risk summoned by dialogue. Literature and Spirit, therefore, is not a typically cool and detached exercise in academic curiosity. Instead, it is a passionate and penetrating endeavor to respond to literature and spirit as the links in life's attachment to life. The author demonstrates that in deciding something about literature, we decide something about the substance and meaning of our lives. Far from being a question of commentary or explication, he argues, our relation to literature is a matter of spiritual life and death. The reader who comes before a literary text encounters the human voice. And Patterson enables his reader to hear that voice in all its spiritual dimensions. Unique in its questions and in its quest, Literature and Spirit addresses an audience that goes beyond the ordinary academic categories. It appeals not only to students of literature, philosophy, and religion, but to anyone who seeks an understanding of spiritual presence and meaning in life. Through his affirmation of what is dear, Patterson responds to the needful question. And in his response he puts the question to his audience: Where are you? Literature and Spirit thus speaks to those who face the task of answering, "Here I am."

Come awake to a more creative life—by realizing clarity of mind, body and spirit. Creativity is basic to the very fiber of our being, and not—as many suspect—solely the privilege of a gifted few. When we silence the voice of creativity that lives within us, we confine our spirit. Award-winning author Dan Wakefield helps us to examine our reasons for not creating—debunking the myths—and shows us the path to a fulfilling, creative life. Drawing on examples from religion, philosophy, and literature, Wakefield teaches us that the key to unleashing our own inner creativity is in clarity of mind, body, and spirit. Releasing the Creative Spirit gives us practical guidance to demystify the creative process and to help each of us achieve this clarity by: Breaking the Myths—Explode the myths that creativity is only for the artistic elite, that creators must suffer, and that science and business can not be creative pursuits. Emptying—Learn ways to recognize and move beyond the tired routines in your life that deaden the senses and soul. Filling Up—Experience new sensations through simple practices that revive natural perceptions and unlock hidden creative resources. Creating—Try hands-on, practical exercises to explore the mystery of creativity in your life from a spiritual perspective. This passionate, personal guide draws on examples from the experiences of many creative people—Elaine Pagels (professor), Tom Wolfe (novelist), John Coltrane (jazz musician), Harold Kushner (rabbi), Danielle Levi-Alvares (yoga teacher), Stephen Hawking (physicist), and Phil Jackson (basketball coach), just to name a few—who each demonstrate one or more of the characteristics of someone who creates from the spirit. Creative People... Develop clarity as the source of creativity Take responsibility for their lives and work Regard age as an opportunity See obstacles as an invitation to create new solutions, techniques, and skills Recognize the body/mind/spirit connection Find surprising new ways to perform routine tasks ...and much more This fresh exploration of the creative spirit includes hands-on exercises to help you unlock your creative powers, inviting you to experience the artistic grace and pleasure that can exist in our everyday lives. You may discover, as many others have, that with creativity comes more joy, more laughter, and more accomplishment than you previously thought possible.

A translation of an essay from Jung's Wirklichkeit der Seele, which was originally published in English in Nimbus, Volume 2, No. 1, June-August 1953. The text reprinted here is from the Nimbus edition.

The thrilling world of DreamWorks Animation's Spirit Riding Free is brought to life in award-winning author Suzanne Selfors's original novel! Twelve-year-old Lucky Prescott craves adventure, but as a young lady of society she's only been allowed to experience adventure through books. That is, until one fateful day when Lucky, her father, and her aunt leave their neat-and-tidy city life and travel to their new home out west-the Wild West. At first Lucky is excited, but during the long train ride to her new hometown of Miradero, she begins to worry. What if she doesn't make any new friends? Everyone in the West rides horses, but she's never been allowed to even sit on one. How can she possibly fit in? Anxious about the future, Lucky looks out the train window and sees a majestic wild stallion. When their eyes meet, she senses a connection. But when the stallion is caught by wranglers, Lucky's heart breaks. And when she next sees the stallion, he's tied to a post, refusing to be "broken in." Spirit Riding Free: The Adventure Begins is the story of a girl and a wild horse, equally out of place in a strange, new world, but equally fierce and brave. With each other to lean on, will these two free spirits be able to find a home together?