In powerful, vivid verse, the master behind The Watch That Ends the Night recounts one of history’s most harrowing—and chilling—tales of survival. In 1846, a group of emigrants bound for California face a choice: continue on their planned route or take a shortcut into the wilderness. Eighty-nine of them opt for the untested trail, a decision that plunges them into danger and desperation and, finally, the unthinkable. From extraordinary poet and novelist Allan Wolf comes a riveting retelling of the ill-fated journey of the Donner party across the Sierra Nevadas during the winter of 1846–1847. Brilliantly narrated by multiple voices, including world-weary, taunting, and all-knowing Hunger itself, this novel-in-verse examines a notorious chapter in history from various perspectives, among them caravan leaders George Donner and James Reed, Donner’s scholarly wife, two Miwok Indian guides, the Reed children, a sixteen-year-old orphan, and even a pair of oxen. Comprehensive back matter includes an author’s note, select character biographies, statistics, a time line of events, and more. Unprecedented in its detail and sweep, this haunting epic raises stirring questions about moral ambiguity, hope and resilience, and hunger of all kinds.

In powerful, vivid verse, the master behind The Watch That Ends the Night recounts one of history’s most harrowing—and chilling—tales of survival. In 1846, a group of emigrants bound for California face a choice: continue on their planned route or take a shortcut into the wilderness. Eighty-nine of them opt for the untested trail, a decision that plunges them into danger and desperation and, finally, the unthinkable. From extraordinary poet and novelist Allan Wolf comes a riveting retelling of the ill-fated journey of the Donner party across the Sierra Nevadas during the winter of 1846–1847. Brilliantly narrated by multiple voices, including world-weary, taunting, and all-knowing Hunger itself, this novel-in-verse examines a notorious chapter in history from various perspectives, among them caravan leaders George Donner and James Reed, Donner’s scholarly wife, two Miwok Indian guides, the Reed children, a sixteen-year-old orphan, and even a pair of oxen. Comprehensive back matter includes an author’s note, select character biographies, statistics, a time line of events, and more. Unprecedented in its detail and sweep, this haunting epic raises stirring questions about moral ambiguity, hope and resilience, and hunger of all kinds.

"A lyrical, monumental work of fact and imagination." — Kirkus Reviews (starred review) Arrogance and innocence, hubris and hope — twenty-four haunting voices of the Titanic tragedy, as well as the iceberg itself, are evoked in a stunning tour de force. Slipping in telegraphs, undertaker’s reports, and other records, poet Allan Wolf offers a breathtaking, intimate glimpse at the lives behind the tragedy, told with clear-eyed compassion and astounding emotional power.

Believing that he is responsible for his grandfather's death, Zane Guesswind takes off on a manic trip to his mother's grave where he plans to kill himself until he meets a strange cast of mystical characters who forever change his life.

Calling readers and daydreamers, word mavens and lovers of adventure! This celebration of the power of books is a rallying cry for letting imaginations soar. We learn important stuff from books. We learn to speak and think. We learn why icebergs stay afloat . . . and why Titanics sink. Have you ever wanted to climb to the top of Everest with one hand behind your back? Kiss a crocodile all by yourself on the Nile River? How about learning how to bottle moonlight, or track a distant star? There are endless things to discover and whole universes to explore simply by reading a book. But books are only smears of ink without the reader’s mind to give their letters meaning and bring them to life. With a rollicking, rhyming text and delightful artwork, poet and storyteller Allan Wolf and illustrator Brianne Farley remind us that books, no matter how they may be consumed, give readers of every background an opportunity to expand their world and spark their imagination. With infectious enthusiasm, No Buddy Like a Book offers an ode to the wonders of language—written, spoken, and everything in between.

Learn vital processes and procedures about gardening through different types of poetry.

Despite his odd manner and crazy bell bottoms, everybody likes Chris Goodman, so when he's found dead no one can understand how something like that could happen.

More than three dozen poems describe individual parts of the body and what they do for us and for some parts, such as the face, the verses describe how we communicate nonverbally with other people. Reprint.

"The book is like a dream you want to last forever" (Roberta Silman, The New York Times Book Review), now with a gorgeous new cover by the famed designer Peter Mendelsund A masterwork of W. G. Sebald, now with a gorgeous new cover by the famed designer Peter Mendelsund The Rings of Saturn—with its curious archive of photographs—records a walking tour of the eastern coast of England. A few of the things which cross the path and mind of its narrator (who both is and is not Sebald) are lonely eccentrics, Sir Thomas Browne’s skull, a matchstick model of the Temple of Jerusalem, recession-hit seaside towns, wooded hills, Joseph Conrad, Rembrandt’s "Anatomy Lesson," the natural history of the herring, the massive bombings of WWII, the dowager Empress Tzu Hsi, and the silk industry in Norwich. W.G. Sebald’s The Emigrants (New Directions, 1996) was hailed by Susan Sontag as an "astonishing masterpiece perfect while being unlike any book one has ever read." It was "one of the great books of the last few years," noted Michael Ondaatje, who now acclaims The Rings of Saturn "an even more inventive work than its predecessor, The Emigrants."

Founding member of the Provincetown Players, Pulitzer Prize-winning playwright, best-selling novelist and short story writer Susan Glaspell (1876-1948) was a great contributor to American literature. An exploration of eleven plays written between the years 1915 and 1943, this critical study focuses on one of Glaspell's central themes, the interplay between place and identity. This study examines the means Glaspell employs to engage her characters in proxemical and verbal dialectics with the forces of place that turn them into victims of location. Of particular interest are her characters' attempts to escape the influence of territoriality and shape identities of their own.