A quirky, fun guide to New York’s Capital District. With new and updated entries on everything from food, shopping, and the arts to people, history, and places to visit, The Smalbanac 2.0 is a wry, affectionate, and practical guide to New York State’s capital city and surrounding area. Packed with information, this guide is perfect not only for visitors, new students, and those relocating to the area but also for long-term residents who want to get out of their comfort zones and explore the many hidden—and some not-so-hidden—treasures the area has to offer. Praise for the First Edition “An eclectic and affectionate look at the quirks of our region and its many hidden treasures.” — Albany Times Union “The Smalbanac is a delightful, informative guide to history, culture, cuisine and shopping in Albany, Schenectady, and Troy Whether you like to travel, dine out, or learn local history, this is an exceptional book, worth reading and keeping on hand for when someone laments, ‘I’m so bored.’” — Schenectady Daily Gazette

The inspirational story of an African American community that migrated from the Deep South to Albany, New York, in the 1930s.

Montesquieu (1689–1755) is regarded as one of the most important thinkers of the Enlightenment. His Lettres persanes and L'Esprit des lois have been read by students and scholars throughout the last two centuries. While many have associated Montesquieu with the doctrine of the "separation of powers" in the history of ideas, Rebecca E. Kingston brings together leading international scholars who for the first time present a systematic treatment and discussion of the significance of his ideas more generally for the development of Western political theory and institutions. In particular, Montesquieu and His Legacy supplements the conventional focus on the institutional teachings of Montesquieu with attention to the theme of morals and manners. The contributors provide commentary on the broad legacy of Montesquieu's thought in past times as well as for the contemporary era.

Outsiders in the Clubhouse captures the experience of living on the women's professional golf tour. Based on interviews, field work, and archival data, it reveals a double edge to women's status as outsiders within the world of golf. On the tour, gender is less relevant than in the everyday lives of most women. LPGA members do not compete directly with men, they are not held back by glass ceilings, and their raises are based on merit. But at the same time the tour operates within a sexist world. Despite all their skill, women golfers remain outsiders within the hypermasculine world of golf. This book explores the players' lives as they attempt to balance the often conflicting demands of their sport and the conventional social expectations of womanhood. The analysis builds from the players' negotiation of interactions with fans and press and between each other to a broader analysis of the political symbolism and agency of women athletes within contemporary society.

Albany, New York, experienced massive upheaval when the Volstead Act of 1919 established Prohibition. Crime already proliferated in the capital of the Empire State, with rival political machines stooping to corruption and the mob with their heavy-handed powers of persuasion. As it did nationwide, Prohibition in Albany served merely to force alcohol-related commerce underground and lawlessness and violence to the forefront of city activity.

Examines the pivotal role New York State played in the Civil War. An Irrepressible Conflict documents the pivotal role New York State played in our nation’s bloodiest and most enduring conflict. As the wealthiest and most populous state in the Union, the Empire State led all others in supplying men, money, and material to the causes of unity and freedom. New York’s experience provides significant insight into the reasons why the war was fought and the meaning that the Civil War holds today. A companion to the award-winning exhibition of the same name, displayed at the New York State Museum from September 2012 to March 2014, An Irrepressible Conflict includes reproductions of objects from the collections of the New York State Museum, Library, and Archives, as well as more than twenty-five different institutions across the state. Among the many significant objects are a Lincoln life mask from 1860 from the New-York Historical Society; the earliest photograph of Frederick Douglass (a rare 8? x 10? daguerreotype image, courtesy of the Onondaga Historical Association); the only known portrait of Dred Scott, also from New-York Historical Society; and a bronze medal given to the defenders of Fort Sumter by the City of New York from the museum’s own collection. The title is inspired by an 1858 quote from then US Senator William H. Seward, who also served as governor of New York (1839–42) and Secretary of State (1861–69). Seward disagreed with those who believed that the prospect of war between the North and South was the work of “fanatical agitators.” He understood that the roots of conflict went far deeper, writing, “It is an irrepressible conflict, between opposing and enduring forces, and it means that the United States must and will, sooner or later, become either entirely a slave-holding nation or entirely a free-labor nation.” Praise for the exhibition: Winner, Award of Merit from the American Association of State and Local History “The exhibition reveals New York not only as indispensable to the Union (and to its ultimate victory) but also as essential to the continued pursuit of justice among the formerly enslaved and their descendants. It admirably realizes its objective: To establish New York’s significance in the Civil War and its lasting battle for freedom.” — Wall Street Journal “ adroitly interweaves a rich trove of paintings and engravings, artifacts, photographs, and documents, many borrowed from institutions throughout the state, with a lucid interpretive script to make a convincing case for the Empire State’s pivotal role in the conflict The exhibition is well conceived intellectually, written in an engaging, mercifully concise style and designed with visitors of all ages in mind.” — Journal of American History

"Analyzing this narrative practice, Malin examines ten texts by women who seem particularly compelled to tell their mothers' stories. Each author is, in fact, able to write her own autobiography only by using a narrative form that contains her mother's story at its core. These texts raise interesting questions about autobiography as a genre and about a feminist writing practice that resists and subverts the dominant literary tradition.".

The work for women's suffrage started more than seventy years before the passage of the Nineteenth Amendment at the Seneca Falls Convention in 1848 when Elizabeth Cady Stanton, Lucretia Mott, and one hundred supporters signed the Declaration of Sentiments asserting that "all men and women are created equal." This convention served as a catalyst for debates and action on both the national and state levels, and on November 6, 1917, New York State passed the referendum for women's suffrage. Its passing in New York signaled that the national passage of suffrage would soon follow. On August 18, 1920, "Votes for Women" was constitutionally granted. Votes for Women, an exhibition catalog, celebrates the pivotal role the state played in the struggle for equal rights in the nineteenth century, the campaign for New York State suffrage, and the ratification of the Nineteenth Amendment. It highlights the nationally significant role of state leaders in regards to women's rights and the feminist movement through the early twenty-first century and includes focused essays from historians on the various aspects of the suffrage and equal rights movements around New York, providing greater detail about local stories with statewide significance. The exhibition of the same name, on display at the New York State Museum beginning November 2017, features artifacts from the New York State Museum, Library, and Archives, as well as historical institutions and private collections across the state.