Twenty-two and unemployed, Dras Weldon is content to hide in the shadow of adolescence with his horror movies and comic books. But when a demonic stranger begins threatening his friends, Dras must choose to act or lose his best friend forever.

A lonely man stumbles into a dangerous game in this twisting novel of psychological suspense by the New York Times–bestselling author of The Crocodile Bird. In a desolate alley on the bank of the Thames, a spy slips through the shadows. Mungo is the Director General of English intelligence, and he knows Moscow Centre has been watching him for weeks, but there is no spy in London better at losing a tail. Satisfied he hasn’t been followed, he drops off his message and disappears into the night. It’s a classic scene of Cold War espionage, save for one detail: Mungo isn’t a spy at all. He’s a teenager, playing an epic game of make-believe. John Creevey, still reeling from the implosion of his marriage, is dreaming of taking revenge against his wife’s lover when he discovers one of Mungo’s coded signals. Unaware that the message is simply part of a child’s game, he becomes obsessed with uncovering the rest of the spy network—a tragic misunderstanding that threatens to turn this imaginary war into something very real—and very deadly. “Rendell has brilliantly interwoven these compelling strands into one masterful tale of suspense,” writes Library Journal. Three-time Edgar Award winner Ruth Rendell was a master of psychological suspense, and Talking to Strange Men is one of the most unusual espionage stories in the history of the Cold War.

Strap in for a terrifying look into the life and times of the original strange man: Edgar Allan Poe. Poe is viewed as the ultimate doomed romantic whose last days are shrouded in sordid mystery. His life was a disaster, but his achievements in writing are amazing. He is widely recognized as father of the modern short story, inventor of the detective story and the master of horror. A Boston born writer, editor, and literary critic, he's best known for his creepy and macabre tales as well as being one of the central figures in the Romanticism movement in the United States. Accurately being dubbed as the ultimate doomed romantic, Poe was a drunk, his last days are shrouded in mystery akin to that of his short stories. During his lifetime, Edgar Allan Poe didn't make a dime out of writing, but his legacy to the world is one of never-ending riches. He left behind seventy-three wonderfully gruesome stories and a novel filled with suspense and brilliantly twisted plots. Hist stories and poems are now read and revered globally. As another master of horror, Stephen King, has said, we are all "the children of Poe." Abraham Lincoln, Josef Stalin, Michael Jackson, and Bart Simpson all have one thing in common; they are fans of the nineteenth century American writer and poet, Edgar Allan Poe. The writer of "The Raven" has legions of such devotees across the globe. The list of authors inspired by Poe is long and varied, but his profound influence reaches much further-into music, film, and art just as much as modern day literature. There have been more than a dozen film adaptations of his story "The Fall of the House of Usher," and his works have inspired composers ranging from Claude Debussy to Lou Reed. More than 160 years after his death, Charlotte Montague has written a fascinating account of Poe's life and times, in which she uncovers a strange man, standing deep in the shadows, who's unique imagination and macabre writing have changed popular culture forevermore. n the process, she uncovers a strange man, standing deep in the shadows, whose macabre stories and twisted plots changed literature forever.

Gathered here for the first time are Miles J. Breuer s first publication, The Man with the Strange Head ; his neglected dystopian novel Paradise and Iron (appearing here in book form for the first time); stories such as Gostak and the Doshes and Mechanocracy ; and Breuer s essay The Future of Scientifiction, one of the early critical statements of the genre. Also included are some of the author s letters from the Discussions column of Amazing Stories. Much of what we know as science fiction saw the light and found its themes, styles, and modes in the science fiction magazines of the early twentieth century. It was in these magazines of the 1920s and 1930s that Breuer often led the way. Breuer himself found his inspiration in the work of H. G. Wells and in turn influenced science fiction masters from Jack Williamson to Robert A. Heinlein. The Man with the Strange Head and Other Early Science Fiction Stories collects the best work of this pioneer of the genre.

NEW YORK TIMES BESTSELLER • The remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own. “A meditation on solitude, wildness and survival.” —The Wall Street Journal In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.

“A sustained shot of brilliance” (Boston Globe)—ten globetrotting stories exploring the complex relationships between men and women. A Best Book/Short Story Collection of the Year: O, The Oprah Magazine, Financial Times, Esquire, Lit Hub, Bustle, Electric Literature, Library Journal New York Times Editors’ Choice Nicole Krauss plunges fearlessly into the struggle to understand men and women and the tensions that have existed in all relationships from the beginning of time. Set in our contemporary moment and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and an unnamed country in South America, the stories in To Be a Man feature men as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one another and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and newborn babies; young women’s coming-of-age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. With a fierce, unwavering light To Be a Man illuminates the forces driving human existence: sex, power, violence, passion, self-discovery, aging. Profound, poignant, and brilliant, Krauss’s stories, at once startling and deeply moving, are always revealing of all-too-human weakness and strength. “Superb. . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.” —Molly Antopol, New York Times Book Review ”From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” —Esquire

Originally published: Berkeley, Calif; London: University of California Press, 1969.

"10 stories of ghosts, haunts, spooks, spells and witchcraft for young people"--Cover note.

This novel set in the Bombay Film World of the 1940s and 50s is the riveting story of Dharam Dev the famous actor director and producer and his all consuming and doomed passion for Zarina Jamal the young dancer from Madras whom he brings to Bombay and transforms into a great actress. He looks on in anguish as his betrayed wife Mangala a well-known playback singer sinks slowly into alcoholism. When Zarina abandons him he is overwrought and dies of an overdose friendless and alone. In an interview for the Journal Mehfil in 1972 Ismat Chughtai described this novel about the Bombay Film Industry as based on the life of a film producer who committed suicide after the dancer whom he had made into a big star left him in the lurch. This is not only a close personal look at an actor's rise to fame and glory but an insightful and critical examination of the Bombay film scene of the time by one who knew it at first hand. This irreverent sharply observed narrative is Vintage Chughtai.