After her mother's death, Mattie learns much about her past- She learns that she has grandparents that she has never met and a house in Cornwall that she has never seen, and the surprises don't end there.

“A thrilling adventure full of magic and wonder.” —Ransom Riggs, #1 New York Times–bestselling author of Miss Peregrine's Home for Peculiar Children Arlo Finch in the Kingdom of Shadows is a captivating fantasy-adventure story by master screenwriter John August. After a harrowing summer camp, Arlo Finch is back in Pine Mountain, Colorado, preparing to face a new school, new threats, and two new Rangers in Blue Patrol. Arlo is about to undertake his most dangerous journey yet: all the way to China to try to bring his father home. But when the mysterious Eldritch reveal their true agenda, Arlo must make an impossible choice: save his friends and family, or save the Long Woods. Both worlds will never be the same.

An all-star tribute to Gene Wolfe, featuring the work of Neil Gaiman, David Brin, Nancy Kress, and others Perhaps no living author of imaginative fiction has earned the awards, accolades, respect, and literary reputation of Gene Wolfe. His prose has been called subtle and brilliant, inspiring not just lovers of fantasy and science fiction, but readers of every stripe, transcending genre and defying preconceptions. In this volume, a select group of Wolfe's fellow authors pay tribute to the award-winning creator of The Book of the New Sun, The Fifth Head of Cerberus, Soldier of the Mist, The Wizard Knight and many others, with entirely new stories written specifically to honor the writer hailed by The Washington Post as "one of America's finest." Shadows of the New Sun features contributions by Neil Gaiman, David Brin, David Drake, Nancy Kress, and many others, plus two new short stories by Gene Wolfe himself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Looks at the depiction and meaning of shadows in the history of Western art

"Love The Wheel of Time? This is about to become your new favorite series." --B&N SF & Fantasy Blog A young man with forbidden magic finds himself drawn into an ancient war against a dangerous enemy in book one of the Licanius Trilogy, the series that fans are heralding as the next Wheel of Time. As destiny calls, a journey begins. It has been twenty years since the godlike Augurs were overthrown and killed. Now, those who once served them -- the Gifted -- are spared only because they have accepted the rebellion's Four Tenets, vastly limiting their powers. As a Gifted, Davian suffers the consequences of a war lost before he was even born. He and others like him are despised. But when Davian discovers he wields the forbidden power of the Augurs, he and his friends Wirr and Asha set into motion a chain of events that will change everything. To the west, a young man whose fate is intertwined with Davian's wakes up in the forest, covered in blood and with no memory of who he is... And in the far north, an ancient enemy long thought defeated begins to stir. The Licanius Trilogy is a series readers will have a hard time putting down--a relentless coming-of-age epic from the very first page. "Storytelling assurance rare for a debut . . . Fans of Robert Jordan and Brandon Sanderson will find much to admire."-- Guardian The Licanius TrilogyThe Shadow of What Was LostAn Echo of Things to ComeThe Light of All That Falls

The baddest of the bad boys... Gabriel is a five hundred year old vampire with the soul of a Killer. He has defeated his mother in a battle for the territory of Baltimore, and vowed to take vengeance upon his father, the Master of Philadelphia, for a centuries-old betrayal. Jezebel, Gabriel's new fledgling, is a soul as scarred as his own, yet Gabriel finds that the ice around his heart slowly melts when she is near. But one of Gabriel's ancient enemies has targeted her--and if Gabriel wants to save her, he will have to abandon his plans for revenge and join forces with his father. The question is not whether or not Gabriel can redeem himself from his past, but whether he can ever forgive himself... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Who knows what evil lurks in the hearts of men? . . . The Shadow knows!" And who knew The Shadow better than his creator, Walter B. Gibson. Relatively few people have heard of Gibson, but many more are familiar with The Shadow having heard the program on the Blue Coal Radio Program in the 1930s and read the Street & Smith Shadow novels. Walter B. Gibson's life and career come out from behind The Shadow in this biography. It covers his youth in Philadelphia, his development as a writer and magician, his wives, including the third, (Litzka, who was a harpist and magician in her own right), his time living in Maine and upstate New York, and his later years and death. In addition to being credited with creating The Shadow (he used the pseudonym Maxwell Grant), Gibson wrote 187 books, contributed 668 articles to periodicals, created 283 stories for The Shadow Magazine, wrote 48 separate syndicated feature columns, reported the adventures of The Shadow and Blackstone the magician in 394 comic books and newspaper strips, and helped develop 147 radio scripts and many other works under numerous pseudonyms. Gibson has invented many widely used magic tricks and traveled with and befriended Harry Houdini, Howard Thurston, Harry Blackstone, Sr., and Joseph Dunninger.

In the UK the number of people who came from a minority ethnic group grew by 53 per cent between 1991 and 2001, from 3.0 million in 1991 to 4.6 million in 2001. Whilst much has been written about the impact of these demographic changes in relation to policy issues, black and minority women and children remain under-researched. Recent publications have tended to focus on South Asian women, forced marriage and 'honour' related violence. Moving in the Shadows brings together for the first time in a single volume, an examination of violence against women and children within the diverse communities of the UK. Its strength lies in its gendered focus as well as its understanding of the need for an integrated approach to all forms of violence against women, whilst foregrounding the experiences of minority women, the communities they are part of, and the organizations which have advocated for their rights and given them voice. The chapters contained within this volume explore a set of core themes: the forms and contexts of violence minority women experience; the continuum of violence; the role of culture and faith in the control of women and girls; the types of intervention within multi-cultural and social cohesion policies; the impacts of violence on British-born and migrant women and girls; and the intersection of race, class, gender and sexuality highlighting issues of similarity and difference. Taken together, they provide a valuable resource for scholars, students, activists, social workers and policy-makers working in the field.

For fans of Percy Jackson comes a high-adventure retelling of the classic Robin Hood tale featuring a diverse cast of characters and a kick-butt heroine . . . Robyn Hoodlum.

In the Shadows of the State suggests that well-meaning indigenous rights and development claims and interventions may misrepresent and hurt the very people they intend to help. It is a powerful critique based on extensive ethnographic research in Jharkhand, a state in eastern India officially created in 2000. While the realization of an independent Jharkhand was the culmination of many years of local, regional, and transnational activism for the rights of the region’s culturally autonomous indigenous people, Alpa Shah argues that the activism unintentionally further marginalized the region’s poorest people. Drawing on a decade of ethnographic research in Jharkhand, she follows the everyday lives of some of the poorest villagers as they chase away protected wild elephants, try to cut down the forests they allegedly live in harmony with, maintain a healthy skepticism about the revival of the indigenous governance system, and seek to avoid the initial spread of an armed revolution of Maoist guerrillas who claim to represent them. Juxtaposing these experiences with the accounts of the village elites and the rhetoric of the urban indigenous-rights activists, Shah reveals a class dimension to the indigenous-rights movement, one easily lost in the cultural-based identity politics that the movement produces. In the Shadows of the State brings together ethnographic and theoretical analyses to show that the local use of global discourses of indigeneity often reinforces a class system that harms the poorest people.