LaHaye explores prophecy from biblical times to the future. Through perceptive study of Scripture and the attentive use of examples from The Book of Daniel to Revelations, the author reveals God's great plan for eternity.

This book deals with a topic that is gaining increasing critical attention, the literature of nonsense and absurdity. The volume gathers together twenty-one essays on various aspects of literary nonsense, according to criteria that are deliberately inclusive and eclectic. Its purpose is to offer a gallery of “nonsense practices” in literature across periods and countries, in the conviction that important critical insights can be gained from these juxtapositions. Most of the cases presented here deal with linguistic nonsense, but in a few instances the nonsense operates at the higher level of the interpretation of reality on the part of the subject—or of the impossibility thereof. The contributors to the volume are established and younger scholars from various countries. Chronologically, the chapters range widely from Dante to Václav Havel, and offer a large span of national literatures (Czech, English, Finnish, French, German, Italian, Japanese) and literary genres (poetry, prose, and drama), inviting the readers to trace their own pathway and draw their own lines of connection. One point that emerges with particular force is the notion that what distinguishes literary nonsense is its somehow “regulated” nature. Literary nonsense thus sounds like a deliberate, last-ditch attempt to snatch order from the jaws of chaos—the speech of the “Fool” as opposed to the tale told by an idiot. It is this kind of post-Derridean retrieval of choice as the defining element in semantic transactions which is perhaps the most significant insight bequeathed by the study of nonsense to the analysis of poetry and literature in general.

The Bible is not the word of God. Biblical Nonsense is a broad look at the tremendous problem of associating divinity with the world's most popular book. This part-philosophical, part-scientific overview explores the Bible's divine treachery, scientific mistakes, historical errors, false prophecies, and comical absurdities. Biblical Nonsense also expands beyond these standard reasons for skepticism by tackling the rationale behind the emergence and perpetuation of Christianity, psychological and sociocultural reasons that drive Christians to cling to their beliefs, and illogical methods of argumentation invoked in the defense of the Bible. Author Dr. Jason Long is a former Christian who condenses the most significant biblical problems into this single volume. Unlike other books in the field that delve into only one topic, this manuscript, comprehensible even to those who have never opened a Bible, is a full-fledged attempt to demonstrate that God's supposed word is a product of human minds, not divine inspiration. Dr. Long's fresh experiences in the church and advanced levels of educational enlightenment make him the perfect individual to present this vehemently unpopular, yet undeniably appealing topic.

This comprehensive and accessible reference work serves Isherwood scholars who need quick access to people, places, novels, stories, essays and plays, introduces Isherwood to those who know little of him, expands the knowledge of the literate general reader, and refreshes teachers of literature with Isherwood details. Entries on Isherwood's most influential friends, including W.H. Auden, Aldous Huxley and Stephen Spender, are significant. Included are all of the monumental "roles" Isherwood exemplified during his life--writer, rebel, gay-activist hero, and proud exponent of the Eastern philosophy known as Vedanta.

In this volume, a list of esteemed scholars engage with the literary readings of prophetic and poetic texts in the Hebrew Bible that revolve around sensitivity to the complexity of language, the fragility of meaning, and the interplay of texts. These themes are discussed using a variety of hermeneutical strategies. In Part 1, Poets and Poetry, some essays address the nature of poetic language itself, while others play with themes of love, beauty, and nature in specific poetic texts. The essays in Part 2, Prophets and Prophecy, consider prophets and prophecy from a number of interpretive directions, moving from internal literary analysis to the reception of these texts and their imagery in a range of ancient and modern contexts. Those in Part 3, on the other hand, Texts in Play, take more recent works (from Shakespeare to Tove Jansson's Moomin books for children) as their point of departure, developing conversations between texts across the centuries that enrich the readings of both the ancient and modern pieces of literature.

This exceptional collection of writings offers for the first time a discussion among leading thinkers about the points at which rhetoric and religion illuminate and challenge each other. The contributors to the volume are eminent theorists and critics in rhetoric, theology, and religion, and they address a variety of problems and periods. Together these writings shed light on religion as a human quest and rhetoric as the origin and sustainer of that quest. They show that when pursued with intelligence and sensitivity, rhetorical approaches to religion are capable of revitalizing both language and experience. Rhetorical figures, for example, constitute forms of language that say what cannot be said in any other way, and that move individuals toward religious truths that cannot be known in any other way. When firmly placed within religious, social, and literary history, the convergence of rhetoric and religion brings into focus crucial issues in several fields--including philosophy, psychology, history, and art--and interprets relations among self, language, and world that are central to both past and present cultures.