Secret Victory is captivating and disturbing in equal measure. It reveal's how the IRA was infiltrated, degraded and strategically defeated - at times with violent and deadly consequences. To read this book is to understand how intelligence drives irregular conflicts.

UPDATED FOR THE 2016 ELECTION The book Politico calls “Moneyball for politics” shows how cutting-edge social science and analytics are reshaping the modern political campaign. Renegade thinkers are crashing the gates of a venerable American institution, shoving aside its so-called wise men and replacing them with a radical new data-driven order. We’ve seen it in sports, and now in The Victory Lab, journalist Sasha Issenberg tells the hidden story of the analytical revolution upending the way political campaigns are run in the 21st century. The Victory Lab follows the academics and maverick operatives rocking the war room and re-engineering a high-stakes industry previously run on little more than gut instinct and outdated assumptions. Armed with research from behavioural psychology and randomized experiments that treat voters as unwitting guinea pigs, the smartest campaigns now believe they know who you will vote for even before you do. Issenberg tracks these fascinating techniques—which include cutting edge persuasion experiments, innovative ways to mobilize voters, heavily researched electioneering methods—and shows how our most important figures, such as Barack Obama and Mitt Romney, are putting them to use with surprising skill and alacrity. Provocative, clear-eyed and energetically reported, The Victory Lab offers iconoclastic insights into political marketing, human decision-making, and the increasing power of analytics.

During World War II, the civilian Office of Censorship supervised a huge and surprisingly successful program of news management: the voluntary self-censorship of the American press. In January 1942, censorship codebooks were distributed to all American newspapers, magazines, and radio stations with the request that journalists adhere to the guidelines within. Remarkably, over the course of the war no print journalist, and only one radio journalist, ever deliberately violated the censorship code after having been made aware of it and understanding its intent. Secrets of Victory examines the World War II censorship program and analyzes the reasons for its success. Using archival sources, including the Office of Censorship's own records, Michael Sweeney traces the development of news media censorship from a pressing necessity after the attack on Pearl Harbor to the centralized yet efficient bureaucracy that persuaded thousands of journalists to censor themselves for the sake of national security. At the heart of this often dramatic story is the Office of Censorship's director Byron Price. A former reporter himself, Price relied on cooperation with--rather than coercion of--American journalists in his fight to safeguard the nation's secrets.

Describes the Reagan administration's covert campaign against the Soviet Union that increased stress on the Soviet economy.

A pair of siblings' bucolic French town is almost untouched by the ravages of WWII. When their friend goes into hiding and his Jewish parents disappear, they realize they must take a stand.

Describes the Soviet-Afghan War from the eyes of the Afghans who fought it.

Originally published in 1984, this collection of 14 short stories set in Arkansas and Mississippi went on to win that year’s National Book Award for fiction, confirming Ellen Gilchrist’s place as one of the preeminent literary talents of her generation. Victory Over Japan takes us into the lives of an unforgettable group of Southern women — beautiful, complicated, enchanting, and sometimes dangerous — in and out of bars, marriages, divorces, lovers' arms, and even earthquakes, in an attempt to find happiness, or at least some satisfaction. Throughout these stories, one hears echoes of Flannery O'Connor and Eudora Welty, but Ms. Gilchrist has her own unique literary voice, and it is outrageously funny, moving, tragic, and always appealing. PRAISE: “To say that Ellen Gilchrist can write is to say that Placido Domingo can sing. All you need to do is listen.” —Jonathan Yardley, The Washington Post “She is what they call a natural, writing with passion, authority and a noticeable lack of the self-consciousness that weighs down much of contemporary fiction.” —San Francisco Examiner-Chronicle “Ellen Gilchrist’s achievement is to create lives which refuse to be bound on the page by words and sentences . . . the writing is full of understanding that doesn’t advertise itself as perception or insight.” —London Daily Telegraph