AutoRicerca is a journal whose mission is to publish writings of value on the topic of inner research (but not only). This eighteenth volume is the first to be published only in English. It contains an interesting conversation between D. Aerts, K. W. Ekeson, M. Sassoli de Bianchi and V. Schneider, on "The secret of life". It also contains two original articles, written by D. Aerts and K. W. Ekeson, which complete the content of the conversation.

The Italian Far Right from 1945 to the Russia–Ukraine Conflict provides a comprehensive account of the postwar parliamentary and extra parliamentary far right in Italy. This book explores the ideology, movements and activism of the extreme right and neo- fascists. The recent victory in the Italian parliamentary elections of the ‘post-fascist’ party Fratelli d’Italia and its leader Giorgia Meloni highlights the importance of such research. The book examines why some of these movements participated with CIA- backing in the ‘Strategy of Tension’ in the years of the Cold War where terrorist actions aimed to keep Italy in NATO and prevent the Communist Party from coming to power, while other extreme- right groups vehemently opposed this and what they considered the dangerous ‘Americanization’ of the country. It debunks the myth that there was a unified postwar fascist movement in Italy, but instead excavates the complex battles within the extreme right as well as with their opponents from the left, and the authorities. This study is necessary to clarify the history and ideological dynamics of a political area still too often shrouded in mystery and whose geopolitical role is still poorly understood and generally underestimated. The analysis is contextualized in the present day by looking at the different perspectives of the Italian far right on the Russian invasion of Ukraine. The book will be of interest to researchers of political history, the Cold War and Italian history and politics.

The Italian romance epic of the fifteenth and sixteenth centuries, with its multitude of characters, complex plots, and roots in medieval Carolingian epic and Arthurian chivalric romance, was a form popular with courtly and urban audiences. In the hands of writers such as Boiardo, Ariosto, and Tasso, works of remarkable sophistication that combined high seriousness and low comedy were created. Their works went on to influence Cervantes, Milton, Ronsard, Shakespeare, and Spenser. In this volume instructors will find ideas for teaching the Italian Renaissance romance epic along with its adaptations in film, theater, visual art, and music. An extensive resources section locates primary texts online and lists critical studies, anthologies, and reference works.