This poignant, haunting poem, originally written for the author's fiancée Ruth who died in a plane crash in 1943, was given to the SOE agent Violette Szabo as her code poem, before she was dropped into occupied France in 1944. It afterwards became famous through the film of her life, Carve Her Name With Pride, starring Virginia McKenna, and has been a source of inspiration ever since to those who have lost a loved one or are themselves facing death.Only in 1998, with the publication of Leo Marks' remarkable book about his works with SOE, Between Silk and Cyanide, did it become known that he was the author of this and many other poems used by SOE agents during World War II.Now one of the best loved poems in the English language, The Life That I Have is presented as a special illustrated gift book, with pencil drawings by the artist Elena Gaussen Marks, the author's wife. Her pencil sketch of Violette Szabo, based on a photograph, is also included.

Codes Appearing combines in a single volume three seminal and long unavailable collections by Michael Palmer. This volume rescues from limbo three of his most beautiful poetry volumes: Notes for Echo Lake, First Figure, and Sun (1981, 1984, 1988). Making available a great deal of Palmer's most influential, exciting, and stunning work, Codes Appearing is a landmark volume. The significance of his writing is every day more recognized. "It is impossible," as The Boston Review noted, "to overstate Palmer's importance." "Michael Palmer, '" as Joshua Clover declared in The Village Voice, "is the most influential avant-gardist working, and perhaps the greatest poet of his generation.... And his books, including the essential '80s triptych of Notes for Echo Lake, First Figure, and Sun, are organized not by story but by a dreamland of calculus and sway....[Palmer's] genius is for making the world strange again."

Readers and critics of Edward Thomas' poetry have always faced an intriguing and apparently insoluble question: why did a man, aged, 37, who didn't have to go to war - and who wasn't moved by patriotism or even a belief that wars solved anything - volunteer? And then why did he take the even riskier option of signing up for the Western Front? By close analysis of Edward Thomas' poems ... I believe I have the answer: a Secret Code within his poems, left for us - people who understand the mechanics of his poetry - to discover! This short volume publishes this important discovery in time for the centenary of the start of World War 1. The Secret Code adds a new dimension to our understanding of how Edward Thomas viewed his own life and death. This thesis may be of interest to academics, students, historians and the general reader who just wants to enjoy Edward Thomas' work that bit more.

The pioneering Iranian poet and filmmaker Forugh Farrokhzad was an iconic figure in her own day and has come to represent the spirit of revolt against patriarchal and cultural norms in 1960s Iran. Five decades after her tragic death at the age of 32, Forugh Farrokhzad, Poet of Modern Iran brings her ground-breaking work into new focus. During her lifetime Farrokhzad embodied the vexed predicament of the contemporary Iranian woman, at once subjected to long-held traditional practices and influenced by newly introduced modern social sensibilities. Highlighting her literary and cinematic innovation, this volume examines the unique place Farrokhzad occupies in Iran, both among modern Persian poets in general and as an Iranian woman writer in particular. The authors also explore Farrokhzad's appeal outside Iran in the Iranian diasporic imagination and through the numerous translations of her poetry into English. It is a fitting and authoritative tribute to the work of a remarkable woman which will introduce and explain her legacy for a 21st-century audience. This second edition includes two new chapters which explore a travelogue Farrokhzad wrote during her time in Italy, and an examination of Farrokhzad's influence on the writings of the Afghan female poet Laila Sarahat Rowshani.

In Code was born out of Maryann Corbett’s years of work for the Minnesota Legislature, with a nonpartisan office that mandated that she maintain a public silence about politics. In poems that go from elegiac to fiery to funny, she examines behind-the-scenes legislative labor and the people who do it, the tensions of working for government in a climate hostile to government, and the buildings and grounds that put a beautiful face on a history full of ambiguities. This well-honed collection, Corbett's fifth, reflects on doublespeak and public poses; on coworkers and commutes; on legalese, courts, and elections; on news and history; and at last on retirement—through poems masterfully deployed in a dazzling array of forms: including the prose poem, the sonnet, the ghazal, the villanelle, and the canzone. Maryann Corbett is a candid, wistful, purposeful, and meditative poet in command of her craft. Of her years working for the Minnesota Legislature, Maryann Corbett writes in Rattle: "There was the frisson supplied by the constant presence of the media, the satisfaction of believing one's work served the public, the thrill of working with smart, motivated people, the pleasure of being surrounded by the striking buildings and gardens of the Capitol grounds, the sense of history. There was also the uncomfortable awareness that with every legislative session there are winners and losers, and that the same battles for justice are fought, and often lost, by the same people, year after year." In Code features poems that reflect on both those pleasures and that discomfort, as in these lines from "Seven Little Poems about Making Laws": Capitol café: German proverbs, whitewashed since 1917, are restored to view with bright applause. Old hatreds have new objects now. PRAISE FOR MARYANN CORBETT: Ned Balbo: . . . an extraordinary poet. Tony Barnstone: . . . metrical poetry infused with gorgeous imagery and the vernacular of our scientized world. Richard Wilbur: . . . accurate and delightful. Rhina P. Espaillat: . . . every section touches me and keeps calling me back. A.M. Juster: . . . wit without meanness, warmth without sentimentality, and craft without pretension. Geoffrey Brock: . . . one of the best-kept secrets of American poetry. Marilyn Taylor: . . . poignant, perceptive, exquisitely formed poems . . . a poet to be genuinely grateful for. Peter Campion: . . . a poet of the first order. Willis Barnstone: . . . a newborn Robert Frost, with a wicked eye for contemporary life. Susan McLean: . . . a stunner. ABOUT THE AUTHOR: Maryann Corbett earned a doctorate in English in 1981, with a specialization in medieval literature and linguistics. She expected to be teaching Beowulf and Chaucer and the history of the English language. Instead, she spent almost thirty-five years working for the Minnesota Legislature, helping attorneys to write in plain English and coordinating the creation of finding aids for the law. She is the author of five books of poetry and is a past winner of the Richard Wilbur Award and the Willis Barnstone Translation Prize. Her work is widely published in journals on both sides of the Atlantic and is included in anthologies like Measure for Measure: An Anthology of Poetic Meters and The Best American Poetry 2018.

Learn about the secret code that is DNA in this vibrant and informative picture book! There's a secret code inside you, a code called DNA. A code that tells your body's cells what they should do each day. It looks like twisted ladders, or tiny, twirling noodles. It makes us into people, instead of into poodles. Why can't humans breathe underwater? Why are some people tall and others short? Why do we resemble our parents and grandparents? This book explores all this and more in flowing, rhyming text, explaining cells, DNA, and genetics in a way that is simple and easy for children to understand. Colorful and brilliantly illustrated, The Secret Code Inside You illustrates that while DNA may be the blueprint for how a person looks, what you choose to do with your body is entirely up to you!

The acclaimed New York Times bestselling author of Smash Cut, Flannery, and City Poet delivers the first popular biography of Rumi, the thirteenth-century Persian poet revered by contemporary Western readers. Ecstatic love poems of Rumi, a Persian poet and Sufi mystic born over eight centuries ago, are beloved by millions of readers in America as well as around the world. He has been compared to Shakespeare for his outpouring of creativity and to Saint Francis of Assisi for his spiritual wisdom. Yet his life has long remained the stuff of legend rather than intimate knowledge. In this breakthrough biography, Brad Gooch brilliantly brings to life the man and puts a face to the name Rumi, vividly coloring in his time and place—a world as rife with conflict as our own. The map of Rumi’s life stretched over 2,500 miles. Gooch traces this epic journey from Central Asia, where Rumi was born in 1207, traveling with his family, displaced by Mongol terror, to settle in Konya, Turkey. Pivotal was the disruptive appearance of Shams of Tabriz, who taught him to whirl and transformed him from a respectable Muslim preacher into a poet and mystic. Their vital connection as teacher and pupil, friend and beloved, is one of the world’s greatest spiritual love stories. When Shams disappeared, Rumi coped with the pain of separation by composing joyous poems of reunion, both human and divine. Ambitious, bold, and beautifully written, Rumi’s Secret reveals the unfolding of Rumi’s devotion to a "religion of love," remarkable in his own time and made even more relevant for the twenty-first century by this compelling account.