For the first time in English in over a century, a new translation of the forgotten sequel to Dumas’s The Three Musketeers, continuing the dramatic tale of Cardinal Richelieu and his implacable enemies. In 1844, Alexandre Dumas published The Three Musketeers, a novel so famous and still so popular today that it scarcely needs introduction. Shortly thereafter he wrote a sequel, Twenty Years After, that resumed the adventures of his swashbuckling heroes. Later, toward the end of his career, Dumas wrote The Red Sphinx, another direct sequel to The Three Musketeers that begins, not twenty years later, but a mere twenty days afterward. The Red Sphinx picks up right where the The Three Musketeers left off, continuing the stories of Cardinal Richelieu, Queen Anne, and King Louis XIII—and introducing a charming new hero, the Comte de Moret, a real historical figure from the period. A young cavalier newly arrived in Paris, Moret is an illegitimate son of the former king, and thus half-brother to King Louis. The French Court seethes with intrigue as king, queen, and cardinal all vie for power, and young Moret soon finds himself up to his handsome neck in conspiracy, danger—and passionate romance! Dumas wrote seventy-five chapters of The Red Sphinx, all for serial publication, but he never quite finished it, and so the novel languished for almost a century before its first book publication in France in 1946. While Dumas never completed the book, he had earlier written a separate novella, The Dove, that recounted the final adventures of Moret and Cardinal Richelieu. Now for the first time, in one cohesive narrative, The Red Sphinx and The Dove make a complete and satisfying storyline—a rip-roaring novel of historical adventure, heretofore unknown to English-language readers, by the great Alexandre Dumas, king of the swashbucklers.

"A top-notch walking tour of Paris. . . . The author's encyclopedic knowledge of the city and its artists grants him a mystical gift of access: doors left ajar and carriage gates left open foster his search for the city's magical story. Anyone who loves Paris will adore this joyful book. Readers visiting the city are advised to take it with them to discover countless new experiences." —Kirkus Reviews (starred) A unique combination of memoir, history, and travelogue, this is author David Downie's irreverent quest to uncover why Paris is the world's most romantic city—and has been for over 150 years. Abounding in secluded, atmospheric parks, artists' studios, cafes, restaurants and streets little changed since the 1800s, Paris exudes romance. The art and architecture, the cityscape, riverbanks, and the unparalleled quality of daily life are part of the equation. But the city's allure derives equally from hidden sources: querulous inhabitants, a bizarre culture of heroic negativity, and a rich historical past supplying enigmas, pleasures and challenges. Rarely do visitors suspect the glamor and chic and the carefree atmosphere of the City of Light grew from and still feed off the dark fountainheads of riot, rebellion, mayhem and melancholy—and the subversive literature, art and music of the Romantic Age. Weaving together his own with the lives and loves of Victor Hugo, Georges Sand, Charles Baudelaire, Balzac, Nadar and other great Romantics Downie delights in the city's secular romantic pilgrimage sites asking , Why Paris, not Venice or Rome—the tap root of "romance"—or Berlin, Vienna and London—where the earliest Romantics built castles-in-the-air and sang odes to nightingales? Read A Passion for Paris: Romanticism and Romance in the City of Light and find out.

For years d’Artagnan shared his adventures with his three comrades—Athos, Porthos, and Aramis—but now, in Between Two Kings, the First Musketeer returns to the forefront. This is truly d’Artagnan’s novel, bringing to a dramatic climax the story that began when he first arrived in Paris thirty years earlier in The Three Musketeers. This brand-new translation of Between Two Kings immediately picks up the story and themes of Blood Royal, where d’Artagnan tries to thwart destiny by saving England’s Charles I; now, he will be instrumental in the restoration of his son, Charles II, the first of the two kings of the title. Disappointed in the irresolution of young Louis XIV, d’Artagnan takes a leave of absence from the King’s Musketeers and ventures to England with a bold plan to hoist Charles II onto his throne, a swashbuckling escapade in which he is unwittingly assisted by his old comrade Athos. D’Artagnan returns triumphant to France, where he is recalled to service by the second king, Louis XIV, who is now finally ready to take full advantage of the extraordinary talents of his officer of musketeers. This newly translated volume by Lawrence Ellsworth is the first volume of Alexandre Dumas’s mega-novel Le Vicomte de Bragelonne, the epic finale to the Musketeers Cycle, which will end with the justly-famous The Man in the Iron Mask. This marks the first significant new English translation of this series of novels in over a century.

Roman de Violette is the tale of a beautiful girl, the object of desire for both a young man and a rather determined lesbian, culminating in a fabulous menage-a-trois. The book is attributed (on scant evidence) to Dumas, though we at Olympia at least acknowledge that the great man had nothing whatsoever to do with The Cousins.

"Three Musketeers", "The Iron Mask-Wearing Man", and "The adventure book" "The Count of Monte Cristo", written by Alexandre Dumas, was first released in serial form from August 1844 to January 1846. During the historical events of 1815-1838, the story is set in France, Italy, islands in the Mediterranean, and the Levant. It starts right before the Hundred Days era and lasts all the way up to Louis-Philippe's reign in France.

Alexandre Dumas (1802-1870) was one of France's most acclaimed novelists of the nineteenth century. A Gil Blas in California (1933) is an English translation of a work first published in Brussels in 1852, with Dumas presenting it as his rendering of a young Frenchman's firsthand account of his adventures in the California Gold Rush. Many critics doubt its claims as a work of non-fiction. The tale covers a voyage round the Horn from Le Havre, life at French Camp, San Francisco fires, California farming and wildlife, hunting trips near Sonoma and in the Mariposa Valley, and a visit to San José.