As the Civil War rages, another battle breaks out behind the lines. During a long hot July in 1863, the worst race riots the United States has ever seen erupt in New York City. Earlier that year, desperate for more Union soldiers, President Abraham Lincoln instituted a draft—a draft that would allow the wealthy to escape serving in the army by paying a $300 waiver, more than a year's income for the recent immigrant Irish. And on July 11, as the first drawing takes place in Lower Manhattan, the city of New York explodes in rage and fire. Stores are looted; buildings, including the Colored Foundling Home, are burned down; and black Americans are attacked, beaten, and murdered. The police cannot hold out against the rioters, and finally, battle-hardened soldiers are ordered back from the fields of Gettysburg to put down the insurrection, which they do—brutally. Fifteen-year-old Claire, the beloved daughter of a black father and Irish mother, finds herself torn between the two warring sides. Faced with the breakdown of the city—the home—she has loved, Claire must discover the strength and resilience to address the new world in which she finds herself, and to begin the hard journey of remaking herself and her identity. Addressing such issues as race, bigotry, and class head-on, Walter Dean Myers has written another stirring and exciting novel that will shake up assumptions, and lift the spirit.

Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.

On a dark street, what began as a private moment between a citizen and the police became a national outrage. Rodney Glen King grew up in the Altadena Pasadena section of Los Angeles with four siblings, a loving mother, and an alcoholic father. Soon young Rodney followed in Dad's stumbling steps, beginning a lifetime of alcohol abuse. King had been drinking the night of March 3, 1991, when he engaged in a high-speed chase with the LAPD, who finally pulled him over. What happened next shocked the nation. A group of officers brutally beat King with their metal batons, Tasered and kicked him into submission—all caught on videotape by a nearby resident. The infamous Rodney King Incident was born when this first instance of citizen surveillance revealed a shocking moment of police brutality, a horrific scene that stunned and riveted the nation via the evening news. Racial tensions long smoldering in L.A. ignited into a firestorm thirteen months later when four white officers were acquitted by a mostly white jury. Los Angeles was engulfed in flames as people rioted in the streets. More than fifty people were dead, hundreds were hospitalized, and countless homes and businesses were destroyed. King's plaintive question, "Can we all just get along?" became a sincere but haunting plea for reconciliation that reflected the heartbreak and despair caused by America's racial discord in the early 1990s. While Rodney King is now an icon, he is by no means an angel. King has had run-ins with the law and continues a lifelong struggle with alcohol addiction. But King refuses to be bitter about the crippling emotional and physical damage that was inflicted upon him that night in 1991. While this nation has made strides during those twenty years to heal, so has Rodney King, and his inspiring story can teach us all lessons about forgiveness, redemption, and renewal, both as individuals and as a nation.

Eyewitness account of the civil disorder in Detroit in the summer of 1967. During the last days of July 1967, Detroit experienced a week of devastating urban collapse—one of the worst civil disorders in twentieth-century America. Forty-three people were killed, over $50 million in property was destroyed, and the city itself was left in a state of panic and confusion, the scars of which are still present today. Now for the first time in paperback and with a new reflective essay that examines the events a half-century later, The Detroit Riot of 1967 (originally published in 1969) is the story of that terrible experience as told from the perspective of Hubert G. Locke, then administrative aide to Detroit's police commissioner. The book covers the week between the riot's outbreak and the aftermath thereof. An hour-by-hour account is given of the looting, arson, and sniping, as well as the problems faced by the police, National Guard, and federal troops who struggled to restore order. Locke goes on to address the situation as outlined by the courts, and the response of the community—including the media, social and religious agencies, and civic and political leadership. Finally, Locke looks at the attempt of white leadership to forge a new alliance with a rising, militant black population; the shifts in political perspectives within the black community itself; and the growing polarization of black and white sentiment in a city that had previously received national recognition as a "model community in race relations." The Detroit Riot of 1967explores many of the critical questions that confront contemporary urban America and offers observations on the problems of the police system and substantive suggestions on redefining urban law enforcement in American society. Locke argues that Detroit, and every other city in America, is in a race with time—and thus far losing the battle. It has been fifty years since the riot and federal policies are needed now more than ever that will help to protect the future of urban America.

Award winning poet Joshua Clover theorises the riot as the form of the coming insurrection Baltimore. Ferguson. Tottenham. Clichy-sous-Bois. Oakland. Ours has become an “age of riots” as the struggle of people versus state and capital has taken to the streets. Award-winning poet and scholar Joshua Clover offers a new understanding of this present moment and its history. Rioting was the central form of protest in the seventeenth and eighteenth centuries, and was supplanted by the strike in the early nineteenth century. It returned to prominence in the 1970s, profoundly changed along with the coordinates of race and class. From early wage demands to recent social justice campaigns pursued through occupations and blockades, Clover connects these protests to the upheavals of a sclerotic economy in a state of moral collapse. Historical events such as the global economic crisis of 1973 and the decline of organized labor, viewed from the perspective of vast social transformations, are the proper context for understanding these eruptions of discontent. As social unrest against an unsustainable order continues to grow, this valuable history will help guide future antagonists in their struggles toward a revolutionary horizon.

"The Riot Inside Me finds the author at the bloody crossroads where art and politics, the personal and the political, and Southern California and the wider world meet and trade blows before resuming their separate paths. The twenty-five items gathered here - a "hopscotch" of essays, memoirs, interviews, journal entries, letters, and reports - are divided into four sections. One collects intimate autobiographical pieces, including a moving portrait of her late first husband, a moth drawn to the flames of the more extreme forms of '60s radicalism. Another is reserved for polemics, mainly issues of Black, White, Brown, and Yellow. A third reprints Coleman's infamous "bad" review of Maya Angelou's A Song Flung Up to Heaven - "the most controversial piece I've written" - and a caustically funny report on its fallout. The book concludes with a group of essays on racial violence, poetry and the post-9/11 mindset, topical pieces that are sardonic when it comes to politics and groups but, like all of Coleman's writing, tender and hopeful when it comes to individuals."--BOOK JACKET.

Analyse af uroligheder, oprør, optøjer, gadekampe m.v., hvordan de opstår, hvordan de organiseres og udføres, hvad formålet er med at organisere og udføre dem samt hvordan sådanne uroligheder m.v. kan neutraliseres gennem fredelige aktioner uden indsættelse af politi og militære enheder.

Questions abound in the aftermath of the Little India riot. Hashwini wonders if she triggered the chaos. Jessica asks if she should reveal what truly happened in the ambulance. Sharon thinks that the catastrophe could be what she needs to boost her political career. The lives of three women intertwine when accident and coincidence collide. In Gimme Lao!-style hilarity, they become wrapped up in a web of truth, deception and political connections. This is a perceptive, fast-paced romp that asks “what if” of the riot that recently shook Singapore.

Join in the glorious uproar of creation with The Riot and the Dance Adventure Book, adapted from the boisterous new nature documentary by bestselling children's author N.D. Wilson. Now you can follow along with Dr. Gordon Wilson as he traverses our planet, basking in God's masterpieces whether he's catching wildlife in mountain ponds or in the jungles of Sri Lanka. (Yeah, he did get bitten, but not by the cobra.) Beautiful photos and powerful narration will open your eyes to the extraordinary glory found all over the animal kingdom, starting with your own back yard. As a student, Gordon Wilson was told he'd never be a "real" biologist unless he stopped blabbing about all that Creator-creature nonsense. Now, Gordon is the Senior Fellow of Natural History at New Saint Andrews College and the author of The Riot and the Dance, a textbook for high school and undergraduate biology students.

"Full of raw noise & 90's angst, MY RIOT delivers an electric gut-punch of a tale that will have you aching for the return of the riot grrrl movement." — Kim Liggett, New York Times Bestselling author of THE GRACE YEAR Set in the early '90s, My Riot is about a trio of teen girls team up to form a rock band and shake off society's expectations of what it means to be a young woman coming of age in the modern world. 1991—Val, a teenager from a conservative family, has grown up dreaming of becoming a ballerina, but recently something has changed. She’s begun feeling pressure to conform to a specific idea of beauty, body type, and a personality that just doesn’t fit. Val meets Kat, a smart, witty girl that doesn’t take any crap off anyone. Kat introduces Val to punk rock. Along with Rudie, another new friend, the three form an all-girl punk band they ironically name The Proper Ladies. Soon Val and her friends find themselves caught up in a movement with other girls also starting bands—also finding their voice. Collectively, these “riot grrrls” discover that their songs ring out loud and powerful, and for Val, there’s no going back.