Matt Mikalatos liked Jesus a lot. In fact, he couldn’t believe how much they had in common. They shared the same likes, dislikes, beliefs, and opinions. (Though Jesus did have better hair.) So imagine Matt’s astonishment when he finds out that the guy he knows as Jesus . . . isn’t. He’s an Imaginary Jesus: a comfortable, convenient imitation Matt has created in his own image. The real Jesus is still out there somewhere . . . and Matt is determined to find him. In this hilarious, fast-paced, sort-of-true story hailed as “Monty Python meets C. S. Lewis,” Matt embarks on an incredible chase to find the real Jesus and ask him the one question that his Imaginary Jesus has never been able to answer. It’s a wild spiritual adventure like nothing you’ve ever read before . . . and it might bring you face-to-face with an imposter in your own life. This new edition now contains a discussion guide, an interview with the author, and other bonus features! (Previously published as Imaginary Jesus.)

The story of a boy and his imaginary friend—told by the imaginary friend Zach should’ve outgrown his imaginary friend by now. He knows this. He’s 11, long past the days when kids are supposed to go on epic make-believe adventures with their invisible friends. But after the death of his father five years ago, all Zach wanted was an escape from the real world. So his imaginary friend, Shovel, hasn’t faded away like the other kids’ have. Their imaginary friendship grew stronger. But now Zach’s in middle school, and things are getting awkward. His best friend ditched him for a cooler crowd. His classmates tease him in the hallways. He still misses his dad. Reality is the worst. Which is why Zach makes regular visits to a fantasy world with Shovel. But is Zach’s overactive imagination helping him deal with loss or just pushing people away? Poignant, humorous, and breathtaking, Imaginary is an inventive story of friendship, loss, and growing up . . . as only an imaginary friend could tell it.

Rudger is Amanda's best friend. He doesn't exist, but nobody's perfect. Only Amanda can see her imaginary friend – until the sinister Mr Bunting arrives at Amanda's door. Mr Bunting hunts imaginaries. Rumour says that he eats them. And he's sniffed out Rudger. Soon Rudger is alone, and running for his imaginary life. But can a boy who isn't there survive without a friend to dream him up? A brilliantly funny, scary and moving read from the unique imagination of A.F. Harrold, this beautiful book is astoundingly illustrated with integrated art and colour spreads by the award-winning Emily Gravett.

In this work, Salman Akhtar looks at how many fathers unconsciously, and sometimes quite consciously, attempt to revise their own traumatized childhood by providing their children with possibilities for "a good life", of which they were deprived.

Many parents delight in their child's imaginary companion as evidence of a lively imagination and creative mind. At the same time, parents sometimes wonder if the imaginary companion might be a sign that something is wrong. Does having a pretend friend mean that the child is in emotional distress? That he or she has difficulty communicating with other children? In this fascinating book, Marjorie Taylor provides an informed look at current thinking about pretend friends, dispelling many myths about them. In the past a child with an imaginary companion might have been considered peculiar, shy, or even troubled, but according to Taylor the reality is much more positive--and interesting. Not only are imaginary companions surprisingly common, the children who have them tend to be less shy than other children. They also are better able to focus their attention and to see things from another person's perspective. In addition to describing imaginary companions and the reasons children create them, Taylor discusses other aspects of children's fantasy lives, such as their belief in Santa, their dreams, and their uncertainty about the reality of TV characters. Adults who remember their own childhood pretend friends will be interested in the chapter on the relationship between imaginary companions in childhood and adult forms of fantasy. Taylor also addresses practical concerns, providing many useful suggestions for parents. For example, she describes how children often express their own feelings by attributing them to their imaginary companion. If you have a child who creates imaginary creatures, or if you work with pre-schoolers, you will find this book very helpful in understanding the roles that imaginary companions play in children's emotional lives.

Exploring the close relationship between the real and the symbolic and imaginary What you imagined is not always imaginary, but everything that is imaginary is imagined. It is by imagining that people make the impossible become possible. In mythology or religion, however, those things that are imagined are never experienced as being imaginary by believers. The realm of the imagined is even more real than the real; it is super-real, surreal. Lévi-Strauss held that "the real, the symbolic and the imaginary" are three separate orders. Maurice Godelier demonstrates the contrary: that the real is not separate from the symbolic and the imaginary. For instance, for a portion of humanity, rituals and sacred objects and places attest to the reality and therefore the truth that God, gods or spirits exist. The symbolic enables people to signify what they think and do, encompassing thought, spilling over into the whole body, but also pervading temples, palaces, tools, foods, mountains, the sea, the sky and the earth. It is real. Godelier's book goes to the strategic heart of the social sciences, for to examine the nature and role of the imaginary and the symbolic is also to attempt to account for the basic components of all societies and ultimately of human existence. And these aspects in turn shape our social and personal identity.

This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time. Tracing the lion's early use in Mesopotamian art and its cultural symbolism in Greece and Rome, this study includes stylized foxes, tigers, badgers and cats, as well as fanciful creatures like dragons, humanoid birds, water imps, demons and other chimerical beasts. Stories and descriptions are provided along with numerous photographs and drawings, making this work an invaluable resource for art collectors and anyone interested in East Asian culture and history.

Prime Obsession taught us not to be afraid to put the math in a math book. Unknown Quantity heeds the lesson well. So grab your graphing calculators, slip out the slide rules, and buckle up! John Derbyshire is introducing us to algebra through the ages-and it promises to be just what his die-hard fans have been waiting for. "Here is the story of algebra." With this deceptively simple introduction, we begin our journey. Flanked by formulae, shadowed by roots and radicals, escorted by an expert who navigates unerringly on our behalf, we are guaranteed safe passage through even the most treacherous mathematical terrain. Our first encounter with algebraic arithmetic takes us back 38 centuries to the time of Abraham and Isaac, Jacob and Joseph, Ur and Haran, Sodom and Gomorrah. Moving deftly from Abel's proof to the higher levels of abstraction developed by Galois, we are eventually introduced to what algebraists have been focusing on during the last century. As we travel through the ages, it becomes apparent that the invention of algebra was more than the start of a specific discipline of mathematics-it was also the birth of a new way of thinking that clarified both basic numeric concepts as well as our perception of the world around us. Algebraists broke new ground when they discarded the simple search for solutions to equations and concentrated instead on abstract groups. This dramatic shift in thinking revolutionized mathematics. Written for those among us who are unencumbered by a fear of formulae, Unknown Quantity delivers on its promise to present a history of algebra. Astonishing in its bold presentation of the math and graced with narrative authority, our journey through the world of algebra is at once intellectually satisfying and pleasantly challenging.

It’s Ida’s first day of school. She carries her new lunch box and a long, blue string with her special friend Dotty attached to it. A big, colorfully spotted pal with horns, Dotty just happens to be invisible. On that first day of school, Ida and Dotty find out there are plenty of other imaginary friends in attendance. But as the year passes and fewer and fewer imaginary friends come to class, Ida begins to wonder if Dotty is welcome at school anymore . . . Perceptive and warmly funny, with charming art from exciting illustrator Julia Denos, Dotty is a celebration of the power of friendship and imagination. "Denos’ colorful, stylish, mixed-media illustrations emphasize the sweetness, discovery, and common worries that come with leaving home and entering the wide world of school for the first time. An appealing story that merits repeat visits." —Booklist "Denos's paintings are an unadulterated delight." —Publishers Weekly "A charmer." —Kirkus Reviews "This enjoyable tale of maturing at one’s own pace and on one’s own terms will resonate with children and parents alike." —School Library Journal "This picture book will help young students overcome their nervousness and realize that everyone needs a friend. It would be a wonderful opening day read-aloud." —Library Media Connection