This tribal history of the Spokane Indians begins with an account of their early life in the Pacific Northwest central plateau region. It then describes in harrowing detail the U.S. government’s encroachment on their lands and the subsequent enforced settlement of Spokane people on reservations. The volume concludes with a presentation of twentieth-century developments. This edition of The Spokane Indians features a new foreword and introduction, which provide up-to-date information on the Spokane people and their most recent efforts to recover and strengthen their historical and cultural heritage.

A Bibliography of Klamath Basin Anthropology, with Excerpts and Annotations—Revised Edition, B. K. Swartz, Jr.

This is the first comprehensive overview of the Native people of Puget Sound, who speak a Coast Salishan language called Lushootseed. They originally lived in communal cedar plank houses clustered along rivers and bays. Their complex, continually evolving religious attitudes and rituals were woven into daily life, the cycle of seasons, and long-term activities. Despite changes brought on by modern influences and Christianity, traditional beliefs still infuse Lushootseed life. Drawing on established written sources and his own two decades of fieldwork, Miller depicts the Lushootseed people in an innovative way, building his cultural representation around the grand ritual known as the Shamanic Odyssey. In this ritual cooperating shamans journeyed together to the land of the dead to recover some kind of vitality stolen from the living. Miller sees the Shamanic Odyssey as a central lens on Lushootseed culture, epitomizing and validating in a public setting many of its important concerns and themes. In particular, the rite brought together a number of distinct aspects or "vehicles" of culture, including the cosmos, canoe, house, body, and the network of social relations radiating across the Lushootseed waterscape.

"This is the most original, most thoughtful piece of scholarship of our times on the fur trade of the Plateau."--WILLIAM R. SWAGERTY, University of Idaho.

First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-specific and intertribal practices such as powwows, as well as hybrid performances that incorporate music with theatre and dance. As a whole, this collection demonstrates how music is a powerful tool for articulating the social challenges faced by Aboriginal communities and an effective way to affirm indigenous strength and pride. Juxtaposing scholarly study with artistic practice, Aboriginal Music in Contemporary Canada celebrates and critically engages Canada's vibrant Aboriginal music scene. Contributors include Véronique Audet (Université de Montreal), Columpa C. Bobb (Tsleil Waututh and Nlaka'pamux, Manitoba Theatre for Young People), Sadie Buck (Haudenosaunee), Annette Chrétien (Métis), Marie Clements (Métis/Dene), Walter Denny Jr. (Mi'kmaw), Gabriel Desrosiers (Ojibwa, University of Minnesota, Morris), Beverley Diamond (Memorial University), Jimmy Dick (Cree), Byron Dueck (Royal Northern College of Music), Klisala Harrison (University of Helsinki), Donna Lariviere (Algonquin), Charity Marsh (University of Regina), Sophie Merasty (Dene and Cree), Garry Oker (Dane-zaa), Marcia Ostashewski (Cape Breton University), Mary Piercey (Memorial University), Amber Ridington (Memorial University), Dylan Robinson (Stó:lo, University of Toronto), Christopher Scales (Michigan State University), Gilles Sioui (Wendat), Gordon E. Smith (Queen's University), Beverly Souliere (Algonquin), Janice Esther Tulk (Memorial University), Florent Vollant (Innu) and Russell Wallace (Lil'wat).

Papers from a symposium on "Religion and revolution," held at the University of Minnesota, 6-8 Nov. 1981.

A guide to worldwide shamanism and shamanistic practices, emphasizing historical and current cultural adaptations. This two-volume reference is the first international survey of shamanistic beliefs from prehistory to the present day. In nearly 200 detailed, readable entries, leading ethnographers, psychologists, archaeologists, historians, and scholars of religion and folk literature explain the general principles of shamanism as well as the details of widely varied practices. What is it like to be a shaman? Entries describe, region by region, the traits, such as sicknesses and dreams, that mark a person as a shaman, as well as the training undertaken by initiates. They detail the costumes, music, rituals, artifacts, and drugs that shamans use to achieve altered states of consciousness, communicate with spirits, travel in the spirit world, and retrieve souls. Unlike most Western books on shamanism, which focus narrowly on the individual's experience of healing and trance, Shamanism also examines the function of shamanism in society from social, political, and historical perspectives and identifies the ancient, continuous thread that connects shamanistic beliefs and rituals across cultures and millennia.

Perhaps the most famous modern-day millenarian movements are the "cargo cults" of Melanesia, active especially during the 1930s and 1950s. Melanesians had long believed that the sign of the millennium would be the arrival of their ancestors in ships bearing lavish material goods, and they interpreted the advent of European vessels as the fulfillment of these expectations. As it became apparent that the Europeans meant to keep the goods and to colonize the people, scores of small-scale revolts known as cargo cults emerged as attempts to secure the cargo and thereby preserve the people's most cherished religious beliefs: native aspirations for individual and cultural redemption fastened on local charismatic leaders, of whom Mambu was the greatest. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.