Over the last two decades, interest in translation around the world has increased beyond any predictions. International bestseller lists now contain large numbers of translated works, and writers from Latin America, Africa, India and China have joined the lists of eminent, bestselling European writers and those from the global English-speaking world. Despite this, translators tend to be invisible, as are the processes they follow and the strategies they employ when translating. The Translator as Writer bridges the divide between those who study translation and those who produce translations, through essays written by well-known translators talking about their own work as distinctive creative literary practice. The book emphasises this creativity, arguing that translators are effectively writers, or rewriters who produce works that can be read and enjoyed by an entirely new audience. The aim of the book is to give a proper prominence to the role of translators and in so doing to move attention back to the act of translating, away from more abstract speculation about what translation might involve.

The beloved debut novel about an affluent Indian family forever changed by one fateful day in 1969, from the author of The Ministry of Utmost Happiness NEW YORK TIMES BESTSELLER • MAN BOOKER PRIZE WINNER Compared favorably to the works of Faulkner and Dickens, Arundhati Roy’s modern classic is equal parts powerful family saga, forbidden love story, and piercing political drama. The seven-year-old twins Estha and Rahel see their world shaken irrevocably by the arrival of their beautiful young cousin, Sophie. It is an event that will lead to an illicit liaison and tragedies accidental and intentional, exposing “big things [that] lurk unsaid” in a country drifting dangerously toward unrest. Lush, lyrical, and unnerving, The God of Small Things is an award-winning landmark that started for its author an esteemed career of fiction and political commentary that continues unabated.

The title of Charles Taliaferro’s book is derived from poems and stories in which a person in peril or on a quest must follow a cord or string in order to find the way to happiness, safety, or home. In one of the most famous of such tales, the ancient Greek hero Theseus follows the string given him by Ariadne to mark his way in and out of the Minotaur’s labyrinth. William Blake's poem “Jerusalem” uses the metaphor of a golden string, which, if followed, will lead one to heaven itself. Taliaferro extends Blake’s metaphor to illustrate the ways we can link what we see, feel, and do with deep spiritual realities. Taliaferro offers a foundational case for the recognition of the experience of the eternal God of Christianity, in which God is understood as the fount of all goodness and the subject and object of our best love, revealed through scripture, tradition, philosophical reflection, and encountered in everyday events. He addresses philosophical obstacles to the recognition of such experiences, especially objections from the “new atheists,” and explores the values involved in thinking and experiencing God as eternal. These include the belief that the eternal goodness of God subordinates temporal goods, such as the pursuit of fame and earthly glory; that God is the essence of life; and that the eternal God hallows domestic goods, blessing the everyday goods of ordinary life. An exploration of the moral and spiritual riches of the Christian tradition as an alternative to materialism and naturalism, The Golden Cord brings an originality and depth to the debate in accessible and engaging prose.

This is a book for pacesetters -- church leaders who desire to help their churches break free of the things that turn them in on themselves. It is a masterly mix of biblical principle, objective analysis, and personal experience.

Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer

It Is Hard To Imagine Anyone Succeeding More Gracefully In Producing A Balanced Overview Than Abraham Eraly William Dalrymple, Sunday Times, London In The Mughal World Abraham Eraly Continues His Fascinating Chronicle Of The Grand Saga Of The Mughal Empire. In Emperors Of The Peacock Throne He Gave Us The Story Of The Lives And Achievements Of The Great Mughal Emperors; In This Book, He Looks Beyond The Momentous Historical Events To Portray, In Precise And Vivid Detail, The Agony And Ecstasy Of Life In Mughal India. Combining Scholarly Objectivity With Artful Storytelling The Author Presents A Lively Panorama Of The Mughal World Emperors And Nobles At Work And Play; Harem Life; The Profligacy And Extravagance Of The Ruling Class Juxtaposed With The Stark Wretchedness Of The Common People. Meticulously Researched And Lucidly Narrated The Mughal World Offers Rare Insights Into The State Of The Empire S Economy, Religious Policies, The Mughal Army And Its Tactics, And The Glories Of Mughal Art, Architecture, Literature And Music.

Everyday life in medieval England seen through the eyes of Marion, the wife of a carpenter. The novel follows her daily grind, living in a dirty one-room hut, giving birth to children who die, lugging water, battling rats and using a pool for a mirror. A first novel.

On the eve of his coming of age, a young Lord begins to see the truth of his parents' lives: his mother cannot buy her way into society no matter how hard he tries, and his father is being ruined by her continued attempts. The young Lord then travels to his home in Ireland, encountering adventure on the way, and discovers that the native residents are being exploited in his father's absence.