The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Delve into what it was like to live during the eighteenth century by reading the first-hand accounts of everyday people, including city dwellers and farmers, businessmen and bankers, artisans and merchants, artists and their patrons, politicians and their constituents. Original texts make the American, French, and Industrial revolutions vividly contemporary. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T116496 With an index, an advertisement leaf and an errata leaf. London: printed for T. Becket and Co., 1771. vii, [1],396, [14]p.: ill.; 8°

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Rich in titles on English life and social history, this collection spans the world as it was known to eighteenth-century historians and explorers. Titles include a wealth of travel accounts and diaries, histories of nations from throughout the world, and maps and charts of a world that was still being discovered. Students of the War of American Independence will find fascinating accounts from the British side of conflict. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Trinity College Library Watkinson Collection T143468 With an index, and initial and final advertisement leaves. London: printed for T. Becket and Co.; J. Robson, and G. Robinson, 1773. viii,409, [11]p.; 8°

This 1771 account traces one of two journeys undertaken as part of Burney's research for his General History of Music.

Volume One is the first of a projected twelve-volume edition of Burney's early journals and letters and covers the years 1768-73. This edition reproduces her earliest journals in their original form, replacing omitted and altered passages. It shows her development as an artist and contains typically vivid sketches of her family, friends, and acquaintances in London and the country. Further volumes will cover the so-called "Streatham Years" (1778-86, 4 vols.) and "Court Years" (1786-91, 6 vols.). These will carry her through the period of her greatest fame as the author of the novels Evelina (1778) and Cecilia (1782), and will end with her exit from the Court of King George III and Queen Charlotte after five exhausting years of service to the Queen as Second Keeper of the Robes. Eighteenth-century scholars generally regard Fanny's early journals as her freshest and most appealing. This edition complements Joyce Hemlow's Oxford edition of Burney's letters and journals from 1791 to 1840 (12 vols., Oxford, 1972-84). While the early journals have been printed before, Lars Troide's edition will provide the first full text of Fanny's early journals, accompanied by thorough and accurate annotations which fully explicate the context in which the journals were written.

Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 3 details the years from the death of Samuel Johnson in 1784 to Burney's own death in 1814.

Stewart J. Cooke teaches English at Dawson College --Book Jacket.