In 'Six Centuries of English Poetry: Tennyson to Chaucer,' James Baldwin expertly navigates the evolution of English poetry from the Victorian era to the Middle Ages. Through an in-depth analysis of works by poets such as Alfred Lord Tennyson and Geoffrey Chaucer, Baldwin provides readers with a comprehensive understanding of the themes, styles, and historical contexts of each poem. The book is a scholarly exploration of how English poetry has evolved over time, offering insightful commentary and critical interpretations of some of the most influential poems in literary history. James Baldwin, known for his expertise in literature and poetry, brings a wealth of knowledge and insight to this work. His background as a renowned literary critic and professor undoubtedly informs his analysis, making 'Six Centuries of English Poetry' a valuable resource for students and enthusiasts alike. I highly recommend 'Six Centuries of English Poetry: Tennyson to Chaucer' to anyone interested in the evolution of English poetry and the works of Tennyson, Chaucer, and other influential poets. Baldwin's scholarly approach and insightful commentary make this book a must-read for anyone looking to deepen their understanding of English literary traditions.

This anthology is intended for students who are bring introduced to poetry at the college level. The introductions to the poems and poets are brief.

In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published. Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems. The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans. Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks.

Reprint of the original, first published in 1876.

This volume provides essays by twenty-nine leading scholars and critics on the best English poets from Chaucer to Larkin.